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Judith (oratorio)
''Judith'' is an oratorio composed by Thomas Arne with words by the librettist, Isaac Bickerstaffe. It was first performed on 27 February 1761 at Theatre Royal, Drury Lane, Drury Lane Theatre. It depicts the story of Judith, taken from the Book of Judith of the Old Testament. It was first published in 1761 and republished with edits in 1764. The piece is divided into three acts, with a total of 28 Movement (music), movements including nine chorus (song), choruses, two duets, an overture, and 16 arias. Background and context This piece was composed for Drury Lane during Lent in 1761. Most musicologists during Arne's time dismissed ''Judith'' as insubstantial compared to the oratorios of Handel. The Air (music), airs and chorus (song), choruses both were criticized and praised equally: the choruses were a disappointment in comparison to the great force of those in Handel, Handel's works, but were still thought of as deserving praise among the hierarchy of Choral composition, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page Of Judith An Oratorio
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German language, German, Cardinal (Catholicism), Cardinal in Catholic church, Catholic usage (Richard Cushing#Legacy, Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary title, hereditary. Types Titles include: * Honorific, Honorific titles or Style (manner of address), styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judit Con La Cabeza De Holofernes, Por Cristofano Allori (born 1930), Hungarian swimmer and Olympic champion
* Judit Varga (born ...
Judit is a feminine given name related to Judith. Notable people with the name include: *Judit Bar-Ilan (1958–2019), Israeli computer scientist *Judit Elek (born 1937), Hungarian film director and screenwriter *Judit Földing-Nagy (born 1965), Hungarian runner who specializes in the marathon * Judit Gófitz (1701–1723), Hungarian conjoined twins *Judit Kovács (born 1969), Hungarian retired high jumper *Judit Mascó (born 1969), Spanish model, television host and writer *Judit Polgár (born 1976), Hungarian chess Grandmaster *Judit Temes Judit Temes (; 10 October 1930 – 11 August 2013)"El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas And Sally
''Thomas and Sally'' (also known as ''The Sailor's Return'') is a dramatic pastoral opera in two acts by the composer Thomas Arne with an English libretto by Isaac Bickerstaffe. The opera was meant to be performed as an "after piece", which is a short musical work to be performed after a spoken play. Performance history The opera was initially scheduled to premiere in October 1760 but was postponed due to the death of King George II. The opera eventually premiered on 28 November 1760 at the Theatre Royal, Covent Garden and enjoyed a successful run. ''Thomas and Sally'' is one of only a few works by Arne that was not destroyed in the disastrous fire at Covent Garden in 1808 and has occasionally been revived during the past century.''Thomas and Sally'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Brent
Charlotte Brent (17 December 1734 – 10 April 1802) was a child prodigy and celebrated soprano singer of the 18th century. Life She was the daughter of Catherine and Charles Brent (1693–1770). He was a Handelian counter-tenor, and fencing-master. She was a pupil and mistress of Thomas Arne (the composer of Rule, Britannia!) and later the wife of the violinist Thomas Pinto (whom she married in 1766). She was an active performer in London from 1758-1769, and in 1759 she appeared to great success in The Beggar's Opera at Vauxhall Gardens Vauxhall Gardens is a public park in Kennington in the London Borough of Lambeth, England, on the south bank of the River Thames. Originally known as New Spring Gardens, it is believed to have opened before the Restoration of 1660, being .... The following year she appeared again at Vauxhall alongside Isabella Vincent which invited comparison in the press. Brent was noted at the time for her bravura singing and her neat, distinct, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Young
Cecilia Young (also Cecilia Arne) (January 1712 – 6 October 1789) was one of the greatest English sopranos of the eighteenth century, the wife of composer Thomas Arne, and the mother of composer Michael Arne. According to the music historian Charles Burney, she had "a good natural voice and a fine shake ndhad been so well taught, that her style of singing was infinitely superior to that of any other English woman of her time". She was part of a well-known English family of musicians that included several professional singers and organists. Young enjoyed a large amount of success through her close association with George Frideric Handel. She appeared in several of his oratorios and operas including the premieres of ''Ariodante'' (1735), ''Alcina'' (1735), '' Alexander's Feast'' (1736) and ''Saul'' (1739).Olive Baldwin, Thelma Wilson: "Cecilia Young", ''Grove Music Online'' ed. L. Macy (Accessed 9 January 2009)(subscription access)/ref> Biography Early life, education, and early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susannah Maria Arne
Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of her career to that of a true contralto. She was universally admired for her ability to move her audiences emotionally both as an actress and vocalist. Possessing a sweet, expressive, and agile singing voice with a wide vocal range, Cibber was an immensely popular singer, even if at times her voice was criticized for a lack of polished technique. Charles Burney wrote of her singing that "by a natural pathos, and perfect conception of the words, she often penetrated the heart, when others, with infinitely greater voice and skill, could only reach the ear." Cibber was particularly admired by Handel, who wrote numerous parts especially for her including the contralto arias in his 1741 oratorio ''Messiah'', the role of Micah in ''Samson'', the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Critics
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
