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Joseph Vernon
Joseph Vernon (c. 1738–1782) was an English actor and singer. From his days as a boy soprano, he had a successful career on the London stage, interrupted only by the aftermath of an underage wedding to a colleague. Early life Born at Coventry around 1738, Vernon was illegitimate. He studied in London under William Savage in the choir of St Paul's Cathedral. As a boy he had a fine soprano voice, and on 23 February 1751 he sang at Drury Lane Theatre in Thomas Arne's ''Alfred''. On 22 May he took part in ''Queen Mab'', the pantomime by Henry Woodward; on 20 September in the funeral procession in ''Romeo and Juliet''; and on 19 November in ''The Shepherd's Lottery'', an opera by William Boyce. In the early part of 1754 he sang tenor parts and acted comedy at Drury Lane. Scandal and exile in Dublin In 1755 Vernon married Jane Poitier, a singer at Drury Lane at the Savoy Chapel. John Wilkinson, the incumbent of the Savoy Chapel, thought that the terms of the Marriage Act 1753, a ...
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Joseph Vernon Thurio
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is " José". In Arabic, including in the Quran, the name is spelled ''Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with '' Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first ...
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The Provoked Wife
''The Provoked Wife'' (1697) is the second original comedy written by John Vanbrugh. It made its first appearance in Lincoln's Inn Fields in May, 1697. The often-repeated claim that Vanbrugh wrote part of his comedy ''The Provoked Wife'' in the Bastille is based on allusions in a couple of much later memoirs, but is regarded with some doubt by modern scholars (see McCormick). It is different in tone from his first play, the largely farcical ''The Relapse'', and adapted to the greater acting skills of the new company of actors chosen for its premiere, who walked out not long before in a dispute with management. The actors' cooperative boasted the established star performers of the age, and Vanbrugh tailored ''The Provoked Wife'' to their specialties. While ''The Relapse'' had been robustly phrased to be suitable for amateurs and minor acting talents, he could count on versatile professionals like Thomas Betterton, Elizabeth Barry, and the rising young star Anne Bracegirdle to d ...
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Comus (Arne)
''Comus'' is a masque in three acts by English composer Thomas Arne. The work uses a libretto by John Dalton (1709-1763) that is based on John Milton's 1634 masque of the same name. The work was first performed at the Theatre Royal, Drury Lane, London, on 4 March 1738.John A. Parkinson: "Comus (ii)", ''Grove Music Online'' ed. L. Macy (Accessed February 16, 2009)(subscription access)/ref> History ''Comus'' was Arne's first major success, and the masque enjoyed regular revivals throughout his lifetime. The work boasts some of his finest music with songs like "Now Phoebus sinketh in the West" and "Would you taste the noontide air" displaying a fresh lyrical style. The work was published in 1740 but without the recitatives and choruses. The original score containing the additional music is now lost, but a copy of that score, made around 1785, does exist with all of the original music and some additional pieces taken from Handel’s ''L'Allegro, il Penseroso ed il Moderato ("The C ...
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Artaxerxes (opera)
''Artaxerxes'' is an opera in three acts composed by Thomas Arne set to an English adaptation (probably by Arne himself) of Metastasio's 1729 libretto ''Artaserse''. The first English ''opera seria'', ''Artaxerxes'' premiered on 2 February 1762 at the Theatre Royal, Covent Garden, and continued to be regularly performed until the late 1830s. Its plot is loosely based on the historical figure, Artaxerxes I who succeeded his father Xerxes I after his assassination by Artabanus. Performance history The opening night of ''Artaxerxes'' (2 February 1762) at the Theatre Royal, Covent Garden, proved very successful. The work was revived at the theatre the following year, although this second run was marred by a riot. On 24 February 1763 a mob protesting the abolition of half-price admissions stormed the theatre in the middle of the performance. According to a contemporary account in ''The Gentleman's Magazine'': The mischief done was the greatest ever known on any occasion of the like ...
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Thomas Linley The Elder
Thomas Linley (17 January 1733 – 19 November 1795) was an English bass and musician active in Bath, Somerset. Born in Badminton, Gloucestershire, Linley began his musical career after he moved to Bath at age 11 and became apprentice to the organist Thomas Chilcot. After his marriage to Mary Johnson in 1752, Linley at first supported his wife and growing family predominantly as a music teacher. As his children grew and he developed their musical talent, he drew an increasing amount of income from their concerts while also managing the assembly rooms in Bath. When the new Bath Assembly Rooms opened in 1771, Linley became musical director and continued to promote his children's careers. He was eventually able to move to London with the thousands of pounds which he had amassed from their concerts. Among Linley's students were his eight children ( Elizabeth Ann, Thomas, Mary, Samuel, Maria, Ozias, William, and Jane), as well as tenor Charles Dignum, singer and actress Anna ...
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The School For Scandal
''The School for Scandal'' is a comedy of manners written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Plot Act I Scene I: Lady Sneerwell, a wealthy young widow, and her hireling Snake discuss her various scandal-spreading plots. Snake asks why she is so involved in the affairs of Sir Peter Teazle, his ward Maria, and Charles and Joseph Surface, two young men under Sir Peter's informal guardianship, and why she has not yielded to the attentions of Joseph, who is highly respectable. Lady Sneerwell confides that Joseph wants Maria, who is an heiress, and that Maria wants Charles. Thus she and Joseph are plotting to alienate Maria from Charles by putting out rumours of an affair between Charles and Sir Peter's new young wife, Lady Teazle. Joseph arrives to confer with Lady Sneerwell. Maria herself then enters, fleeing the attentions of Sir Benjamin Backbite and his uncle, Crabtree. Mrs. Candour enters and ironically talks ...
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Sarah Siddons
Sarah Siddons (''née'' Kemble; 5 July 1755 – 8 June 1831) was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified". She was the elder sister of John Philip Kemble, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, and the aunt of Fanny Kemble. She was most famous for her portrayal of the Shakespearean character, Lady Macbeth, a character she made her own, as well as for fainting at the sight of the Elgin Marbles in London. The Sarah Siddons Society, founded in 1952, continues to present the Sarah Siddons Award annually in Chicago to a distinguished actress. Background The 18th-century marked the 'emergence of a recognisably modern celebrity culture' and Siddons was at the heart of it. Portraits depicted actresses in aristocratic dress, the recently industrialised newspapers spread actresses' names and images and gossip about their private lives spread through the ...
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William Bates (composer)
William Bates may refer to: * William Bates, Australian Aboriginal man who is said to have originated the phrase "Always was, always will be boriginal land in the 1980s * William Bates (minister) (1625–1699), English Presbyterian minister * William Bates (Quaker) (died 1700), founder of Newton Colony, the third English settlement in West New Jersey * William Bates (academic) (1821–1884), professor of classics in Queen's College, Birmingham; editor of Maclise's ''Gallery''. * William Bates (Australian politician) (1825–1891), Australian politician in colonial Victoria * William Bates (cricketer) (1884–1957), English cricketer * William Bates (physician) (1860–1931), American physician * William Gelston Bates (1803–1880), Massachusetts state legislator * William H. Bates (1917–1969), American politician * Houston Bates (William Houston Bates, born 1991), American football linebacker * Bill Bates (born 1961), American football player * William Penn Bates (1879–195 ...
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The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ...
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Play (theatre)
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance. Comedy Comedies are plays which are designed to be humorous. Comedies are often filled ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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James Boaden
James Boaden (23 May 1762 – 16 February 1839) was an English biographer, dramatist, and journalist. Biographer He was the son of William Boaden, a merchant in the Russia trade. He was born at Whitehaven, Cumberland, on 23 May 1762, and at an early age came with his parents to London, where he was educated for commerce. After serving some time in a counting-house, he turned his attention to journalism, and in 1789 was appointed editor of the ''Oracle'' newspaper, which had been started in that year as a rival to the ''World''. Boaden entered himself at the Middle Temple, but does not appear to have been called to the bar. He died on 16 February 1839. Dramatic works Boaden's first dramatic piece was ''Osmyn and Daraxa, a Musical Romance'', acted in 1793. His next play, ''Fontainville Forest'', 1794, founded on Ann Radcliffe's '' Romance of the Forest'', was received with applause at Covent Garden. From 1795 to 1803 he continued to write plays which were well received: ''T ...
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