Joseph Stieler
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Joseph Stieler
Joseph Karl Stieler (1 November 1781 – 9 April 1858) was a German painter. From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich, as well as his emblematic portrait of Ludwig van Beethoven, which has become one of his most famous works. Life Born in the city of Mainz to a long-established family of engravers, punchcutters and die makers, Stieler received some artistic training from his father, August Friedrich Stieler (1736–1789). After the early death of his father, Joseph Karl autodidactically completed his apprenticeship and began his career as a painter of miniatures, which were increasingly sought after by bourgeois circles After Mainz had been occupied by French revolutionary troops in 1792, Stieler followed the expelled court of Prince-Archbishop Friedrich Karl Joseph von Erthal to Aschaffenburg. Here he met with the later A ...
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Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Heinrich Füger
Heinrich Friedrich Füger (8 December 1751, in Heilbronn – 5 November 1818, in Vienna) was a German classicist portrait and historical painter. Biography Füger was a pupil of Nicolas Guibal in Stuttgart and of Adam Friedrich Oeser in Leipzig. Afterward, he traveled and spent some time in Rome and Naples, where he painted frescoes in the Palazzo Caserta. On his return to Vienna he was appointed court painter, professor, and vice-director of the Academy, and in 1806 director of the Belvedere Gallery. Among his historical paintings are: ''The Farewell of Coriolanus'' (Czernin Gallery, Vienna), ''Allegory on the Peace of Vienna'' (1801), ''The Death of Germanicus'' (1789), '' The Assassination of Caesar'', and ''Bathsheba'' (Budapest Gallery). Among his portraits are those of the Emperor Joseph II, the Grand Duchess Elizabeth Wilhelmine of Württemberg, Queen Caroline of Naples, and Horatio Nelson, who sat for him in Vienna in 1800 (National Portrait Gallery, London). He ...
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Academy Of Fine Arts Vienna
The Academy of Fine Arts Vienna (german: link=no, Akademie der bildenden Künste Wien) is a public art school in Vienna, Austria. History The Academy of Fine Arts Vienna was founded in 1692 as a private academy modelled on the Accademia di San Luca and the Parisien Académie de peinture et de sculpture by the court-painter Peter Strudel, who became the ''Praefectus Academiae Nostrae''. In 1701 he was ennobled by Emperor Joseph I as ''Freiherr'' (Baron) of the Empire. With his death in 1714, the academy temporarily closed. On 20 January 1725, Emperor Charles VI appointed the Frenchman Jacob van Schuppen as Prefect and Director of the Academy, which was refounded as the ''k.k. Hofakademie der Maler, Bildhauer und Baukunst'' (Imperial and Royal Court Academy of painters, sculptors and architecture). Upon Charles's death in 1740, the academy at first declined, however during the rule of his daughter Empress Maria Theresa, a new statute reformed the academy in 1751. The prestige ...
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Karl Theodor Anton Maria Von Dalberg
Karl Theodor Anton Maria von Dalberg (8 February 1744 – 10 February 1817) was Prince- Archbishop of Regensburg, Arch-Chancellor of the Holy Roman Empire, Bishop of Constance and Worms, prince-primate of the Confederation of the Rhine and Grand Duke of Frankfurt. Early life and career Born in Herrnsheim near Worms, Germany, as a member of Dalberg family, he was the son of Franz Heinrich von Dalberg (1716–1776), administrator of Worms, one of the chief counsellors of the Prince-elector and Archbishop of Mainz and his wife Baroness Maria Sophie Anna von Eltz-Kempenich (1722–1763). Karl devoted himself to the study of canon law, and entered the church. Having been appointed in 1772 governor of Erfurt, he won further advancement by his successful administration. In 1787 he was elected coadjutor cum iure successionis of the Archbishopric of Mainz and the Bishopric of Worms, and in 1788 of the Bishopric of Constance; at the same time, he became titular archbishop ...
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Aschaffenburg
Aschaffenburg (; South Franconian: ''Aschebersch'') is a town in northwest Bavaria, Germany. The town of Aschaffenburg is not part of the district of Aschaffenburg, but is its administrative seat. Aschaffenburg belonged to the Archbishopric of Mainz for more than 800 years. The town is located at the westernmost border of Lower Franconia and separated from the central and eastern part of the ''Regierungsbezirk'' (administrative region) by the Spessart hills, whereas it opens towards the Rhine-Main plain in the west and north-west. Therefore, the inhabitants speak neither Bavarian nor East Franconian but rather a local version of Rhine Franconian. Geography Location The town is located on both sides of the Main in north-west Bavaria, bordering to Hesse. On a federal scale it is part of central Germany, just southeast of Frankfurt am Main. In the western part of the municipality, the smaller Aschaff flows into the Main. The region is also known as ''Bayerischer Untermain ...
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Friedrich Karl Joseph Von Erthal
Friedrich Karl Joseph Reichsfreiherr von Erthal (3 January 1719 – 25 July 1802) was prince-elector and archbishop of Mainz from 18 July 1774 to 4 July 1802, shortly before the end of the archbishopric in the ''Reichsdeputationshauptschluss''. Family Erthal was born in Lohr am Main on 3 January 1719. His younger brother, Franz Ludwig von Erthal, was the prince-bishop of Würzburg and Bamberg. Election Erthal's predecessor, archbishop Emmerich Joseph von Breidbach zu Bürresheim, had introduced some ideas of the Enlightenment, and had been a popular figure. After his death, the '' Domkapitel'' was split in two fractions, one representing the openness to reform of the Enlightenment, the larger one advocating immediate restoration. Directly after the death of archbishop Emmerich Joseph, Friedrich von Erthal, then ''Domkustos'', was charged with reducing the influence of the Enlightenment in the schools and monasteries of the archbishopric. After his election on 18 July 1774, and ...
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French First Republic
In the history of France, the First Republic (french: Première République), sometimes referred to in historiography as Revolutionary France, and officially the French Republic (french: République française), was founded on 21 September 1792 during the French Revolution. The First Republic lasted until the declaration of the First Empire on 18 May 1804 under Napoléon Bonaparte, although the form of the government changed several times. This period was characterized by the fall of the monarchy, the establishment of the National Convention and the Reign of Terror, the Thermidorian Reaction and the founding of the Directory, and, finally, the creation Creation may refer to: Religion *''Creatio ex nihilo'', the concept that matter was created by God out of nothing * Creation myth, a religious story of the origin of the world and how people first came to inhabit it * Creationism, the belief tha ... of the French Consulate, Consulate and Napoleon's rise to power. End of the m ...
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Bourgeoisie
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ...
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Portrait Miniature
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married. The first miniaturists used watercolour to paint on stretched vellum, or (especially in England) on playing cards trimmed to the shape required. The ...
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