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Josefa Díaz Fernández
Josefa Díaz Fernández, popularly known as Pepa de Oro'','' ( Cádiz, 29 January 1871 – Cádiz, 18 May 1918), was a Spanish flamenco dancer and singer. She shot to fame when she introduced Spain to the first '' milongas aflamencadas'' of Argentine folklore in 1904. Biography Josefa Díaz Fernández, ''Pepa de Oro'', was born in Cádiz on 29 January 1871. She was the daughter of the bullfighter Francisco Díaz García, ''Paco de Oro'', and the flamenco singer Agustina Fernández Fernández. Pepa de Oro, was better known for her role in the world of dance than in that of folk singing. As young girl she accompanied her father in the bullfighting seasons of Latin America. There she encountered and absorbed '' milonga'' folk singing and gave it its unique style, mastering the rhythm of the tango; and she is credited for the creation of the flamenco milonga. Her grandfather, on her father’s side, was the bullfighter Gaspar Díaz Cantoral also known as Lavi, and her great- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cádiz
Cádiz (, , ) is a city and port in southwestern Spain. It is the capital of the Province of Cádiz, one of eight that make up the autonomous community of Andalusia. Cádiz, one of the oldest continuously inhabited cities in Western Europe, was founded by the Phoenicians.Strabo, '' Geographica'' 3.5.5 In the 18th century, the Port in the Bay of Cádiz consolidated as the main harbor of mainland Spain, enjoying the virtual monopoly of trade with the Americas until 1778. It is also the site of the University of Cádiz. Situated on a narrow slice of land surrounded by the sea‚ Cádiz is, in most respects, a typically Andalusian city with well-preserved historical landmarks. The older part of Cádiz, within the remnants of the city walls, is commonly referred to as the Old Town (Spanish: ''Casco Antiguo''). It is characterized by the antiquity of its various quarters (''barrios''), among them ''El Pópulo'', ''La Viña'', and ''Santa María'', which present a marked contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appoggiatura
An appoggiatura ( , ; german: Vorschlag or ; french: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord. By putting the non-chord tone on a strong beat, (typically the first or third beats of the measure, in 4/4 time) this accents the appoggiatura note, which also delays the appearance of the principal, expected chord note. The added non-chord note, or auxiliary note, is typically one degree higher or lower than the principal note, and may be chromatically altered. An appoggiatura may be added to a melody in a vocal song or in an instrumental work. The term comes from the Italian verb , "to lean upon". The appoggiatura is often used to express emotional "yearning". It is also called a long appoggiatura to distinguish it from the short appoggiatura, the acciaccatura. An ascending appoggiatura was previously known as a forefall, while a descending appoggiatura was known as a backfall. Notatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1871 Births
Events January–March * January 3 – Franco-Prussian War – Battle of Bapaume: Prussians win a strategic victory. * January 18 – Proclamation of the German Empire: The member states of the North German Confederation and the south German states, aside from Austria, unite into a single nation state, known as the German Empire. The King of Prussia is declared the first German Emperor as Wilhelm I of Germany, in the Hall of Mirrors at the Palace of Versailles. Constitution of the German Confederation comes into effect. It abolishes all restrictions on Jewish marriage, choice of occupation, place of residence, and property ownership, but exclusion from government employment and discrimination in social relations remain in effect. * January 21 – Giuseppe Garibaldi's group of French and Italian volunteer troops, in support of the French Third Republic, win a battle against the Prussians in the Battle of Dijon. * February 8 – 1871 French legislative election elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Spanish Dancers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1918 Deaths
This year is noted for the end of the World War I, First World War, on the eleventh hour of the eleventh day of the eleventh month, as well as for the Spanish flu pandemic that killed 50–100 million people worldwide. Events Below, the events of World War I have the "WWI" prefix. January * January – 1918 flu pandemic: The "Spanish flu" (influenza) is first observed in Haskell County, Kansas. * January 4 – The Finnish Declaration of Independence is recognized by Russian Soviet Federative Socialist Republic, Soviet Russia, Sweden, German Empire, Germany and France. * January 9 – Battle of Bear Valley: U.S. troops engage Yaqui people, Yaqui Native American warriors in a minor skirmish in Arizona, and one of the last battles of the American Indian Wars between the United States and Native Americans. * January 15 ** The keel of is laid in Britain, the first purpose-designed aircraft carrier to be laid down. ** The Red Army (The Workers and Peasants Red Army) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Dancers
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepe Marchena
José Tejada Marín (November 7, 1903 – December 4, 1976), known as Pepe Marchena and also as Niño de Marchena in the first years of his career, was a Spanish flamenco singer who achieved great success in the ópera flamenca period (1922–1956). Influenced by singers like Antonio Chacón, he carried to the extreme the tendency to a more mellow and ornamented style of flamenco singing. Owing to his particular vocal conditions and singing style, he excelled mainly in palos (styles) like fandangos, cantes de ida y vuelta and cantes libres, contributing to making them the most popular flamenco styles in the era of the ''ópera flamenca'', and created a new ''cante de ida y vuelta'', the ''colombiana'', later recorded by many other artists like El Lebrijano or Enrique Morente. He was also the first flamenco singer to use an orchestra to accompany flamenco singing, though later he returned to the guitar.Álvarez Caballero, Ángel: Introductory leaflet to ''Un monumento al cante'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Género Chico
Género chico (literally, "little genre") is a Spanish genre of short, light plays with music. It is a major branch of ''zarzuela'', Spain's form of popular music theatre with dialogue, and differs from ''zarzuela grande'' and most other operatic forms both in its brevity and by being aimed at audiences of a wide social spectrum. Origin and development Historical context ''Zarzuela'' was developed during the reign of Philip IV (1605–1665, reigned from 1621), who during the 1640s began to commission musico-theatrical entertainments on mythological themes mixed with popular peasant song and dance, from the writer Calderón de la Barca working with composers such as Juan de Hidalgo. These were performed at the Royal hunting lodge, the ''Palacio de la Zarzuela''. During the next two hundred years, ''zarzuela'', as these mixed entertainments swiftly became known, became the native-language alternative to the Italian operatic form nurtured by successive monarchs. In the 19th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zarzuela
() is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles () that grew there. There are two main forms of ''zarzuela'': Baroque ''zarzuela'' (c. 1630–1750), the earliest style, and Romantic ''zarzuela'' (c. 1850–1950). Romantic zarzuelas can be further divided into two main subgenres, ''género grande'' and ''género chico'', although other sub-divisions exist. ''Zarzuela'' spread to the Spanish dominions, and many Spanish-speaking countries – notably Cuba – developed their own traditions. ''Zarzuela'' is also a strong tradition in the Philippines, where it is also referred to in certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantes De Ida Y Vuelta
Cantes de ida y vuelta () is a Spanish expression literally meaning roundtrip songs. It refers to a group of flamenco musical forms or palos with diverse musical features, which "travelled back" from Latin America (mainly Cuba) as styles that, having originated in the interplay between musical traditions of peninsular Spain and those of Latin America, developed into renewed forms that were reintroduced in Spain. Usually they have a more mellow character than the more traditional flamenco songs. History In the Spanish Golden Age, dramatists like Lope de Vega and Tirso de Molina already included songs and dances of Latin American influence.BLAS VEGA, José: ''Magna Antología del Cante'', Introduction booklet, Hispavox, CD Edition 1992 (First Edition 1982) There is also evidence of their popularity in the 19th century: many examples still remain of printed songbooks and sheets, often mixing Andalusian and Latin American songs, which were sold in the streets, and Baron Charles Davill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantes De Ida Y Vuelta
Cantes de ida y vuelta () is a Spanish expression literally meaning roundtrip songs. It refers to a group of flamenco musical forms or palos with diverse musical features, which "travelled back" from Latin America (mainly Cuba) as styles that, having originated in the interplay between musical traditions of peninsular Spain and those of Latin America, developed into renewed forms that were reintroduced in Spain. Usually they have a more mellow character than the more traditional flamenco songs. History In the Spanish Golden Age, dramatists like Lope de Vega and Tirso de Molina already included songs and dances of Latin American influence.BLAS VEGA, José: ''Magna Antología del Cante'', Introduction booklet, Hispavox, CD Edition 1992 (First Edition 1982) There is also evidence of their popularity in the 19th century: many examples still remain of printed songbooks and sheets, often mixing Andalusian and Latin American songs, which were sold in the streets, and Baron Charles Davill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punto Guajiro
Punto guajiro or ''punto cubano'' – or simply ''punto'' – is a sung genre of Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. Description Punto is played by a group with various types of guitar: the Spanish guitar, the Cuban tres, the laúd and the tiple. The ''punto'' refers to the use of a pick (punteando), rather than strumming (rasgueado). There are three percussion instruments: the clave, the güiro and the ''guayo'' (also a scraper, but of metal). Singers form themselves into teams, and improvise their lines. They sing, or chant, an unvarying melody, with intervals between stanzas to give the singers time to prepare the next verse. Early compositions were sometimes recorded in print, as were the names of some of the singer/composers. Beginning around 1935, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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