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Josef Strzygowski
Josef Rudolph Thomas Strzygowski (March 7, 1862 – January 2, 1941) was a Polish-Austrian art historian known for his theories promoting influences from the art of the Near East on European art, for example that of Early Christian Armenian architecture on the early Medieval architecture of Europe, outlined in his book, ''Die Baukunst der Armenier und Europa''. He is considered a member of the Vienna School of Art History. Life Strzygowski was born in Biala, Kingdom of Galicia and Lodomeria (today part of Poland). His mother, Edle Trass von Friedelfeldt, was from minor nobility and his father was a cloth manufacturer. Strzygowski initially intended to pursue the same trade, beginning an apprenticeship in a weaving plant in 1880, however, in 1882 he abandoned this career and enrolled at the University of Vienna. He soon transferred to the University of Munich, where he studied art history and completed a dissertation on the iconography of the Baptism of Christ, published in 18 ...
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Josef Strzygowski
Josef Rudolph Thomas Strzygowski (March 7, 1862 – January 2, 1941) was a Polish-Austrian art historian known for his theories promoting influences from the art of the Near East on European art, for example that of Early Christian Armenian architecture on the early Medieval architecture of Europe, outlined in his book, ''Die Baukunst der Armenier und Europa''. He is considered a member of the Vienna School of Art History. Life Strzygowski was born in Biala, Kingdom of Galicia and Lodomeria (today part of Poland). His mother, Edle Trass von Friedelfeldt, was from minor nobility and his father was a cloth manufacturer. Strzygowski initially intended to pursue the same trade, beginning an apprenticeship in a weaving plant in 1880, however, in 1882 he abandoned this career and enrolled at the University of Vienna. He soon transferred to the University of Munich, where he studied art history and completed a dissertation on the iconography of the Baptism of Christ, published in 18 ...
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University Of Graz
The University of Graz (german: link=no, Karl-Franzens-Universität Graz, ), located in Graz, Austria, is the largest and oldest university in Styria, as well as the second-largest and second-oldest university in Austria. History The university was founded in 1585 by Archduke Charles II of Austria. The bull of 1 January 1586, published on 15 April 1586, was approved by Pope Sixtus V. For most of its existence it was controlled by the Catholic Church, and was closed in 1782 by Emperor Joseph II in an attempt to gain state control over educational institutions. Joseph II transformed it into a ''lyceum'', where civil servants and medical personnel were trained. In 1827 it was re-instituted as a university by Emperor Francis I, thus gaining the name ''Karl-Franzens-Universität'', meaning ''Charles Francis University''. Over 30,000 students are currently enrolled at the university. Academics The university is divided into six faculties, the two largest are the Faculty of ...
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Archduke Franz Ferdinand
Archduke Franz Ferdinand Carl Ludwig Joseph Maria of Austria, (18 December 1863 – 28 June 1914) was the heir presumptive to the throne of Austria-Hungary. His assassination in Sarajevo was the most immediate cause of World War I. Franz Ferdinand was the eldest son of Archduke Karl Ludwig of Austria, the younger brother of Emperor Franz Joseph I of Austria. Following the death of Crown Prince Rudolf in 1889 and the death of Karl Ludwig in 1896, Franz Ferdinand became the heir presumptive to the Austro-Hungarian throne. His courtship of Sophie Chotek, a lady-in-waiting, caused conflict within the imperial household, and their morganatic marriage in 1900 was only allowed after he renounced his descendants' rights to the throne. Franz Ferdinand held significant influence over the military, and in 1913 he was appointed inspector general of the Austro-Hungarian armed forces. On 28 June 1914, Franz Ferdinand and his wife were assassinated in Sarajevo by the 19-year-old Ga ...
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Wilhelm Von Bode
Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904. Career Bode studied law at the Universities of Göttingen and Berlin, but took an interest in art during his university years. While practicing law in Braunschweig he systematically rearranged the ducal art collections, and visited a number of museums and private collections in Belgium, the Netherlands, and Italy. After studies in art history in Berlin and Vienna, he received his doctorate from the University of Leipzig in 1870 based on his dissertation ''Frans Hals und seine Schule''. In 1871 Bode participated in the so-called " Holbein convention" in Dresden, at which a number of prominent art historians convened to determine which of two versions of Hans Holbein the Younger's ''Mey ...
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Alois Riegl
Alois Riegl (14 January 1858, Linz – 17 June 1905, Vienna) was an Austrian art historian, and is considered a member of the Vienna School of Art History. He was one of the major figures in the establishment of art history as a self-sufficient academic discipline, and one of the most influential practitioners of formalism. Life Riegl studied at the University of Vienna, where he attended classes on philosophy and history taught by Franz Brentano, Alexius Meinong, Max Büdinger, and Robert Zimmerman, and studied connoisseurship on the Morellian model with Moritz Thausing. His dissertation was a study of the Jakobskirche in Regensburg, while his habilitation, completed in 1889, addressed medieval calendar manuscripts. In 1886 Riegl accepted a curatorial position at the k.k. Österreichisches Museum für Kunst und Industrie (today the Museum für angewandte Kunst) in Vienna, where he would work for the next ten years, eventually as director of the textile department. His first ...
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Late Antiquity
Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has generally been credited to historian Peter Brown, after the publication of his seminal work '' The World of Late Antiquity'' (1971). Precise boundaries for the period are a continuing matter of debate, but Brown proposes a period between the 3rd and 8th centuries AD. Generally, it can be thought of as from the end of the Roman Empire's Crisis of the Third Century (235–284) to the early Muslim conquests (622–750), or as roughly contemporary with the Sasanian Empire (224–651). In the West its end was earlier, with the start of the Early Middle Ages typically placed in the 6th century, or earlier on the edges of the Western Roman Empire. The Roman Empire underwent considerable social, cultural and organizational changes startin ...
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Franz Wickhoff
Franz Wickhoff (7 May 1853 – 6 April 1909) was an Austrian art historian, and is considered a member of the Vienna School of Art History. Early life Franz Wickhoff was born on 7 May 1853 in Steyr. He studied at the University of Vienna under Alexander Conze and Moritz Thausing. Career In 1879 he received a position at the k.k. Österreichisches Museum für Kunst und Industrie (today the Museum für angewandte Kunst) in Vienna, where he met Giovanni Morelli and became interested in his theories of connoisseurship. In 1882 Wickhoff began to teach at the University of Vienna. In 1895 Wickhoff published his major work, ''Die Wiener Genesis'', a study of the development of Roman art from the time of Augustus to that of Constantine I. The book was significant for its appreciation of both "high imperial" Roman art, and indeed also late antique art, both of which had previously, under the overwhelming influence of Johann Joachim Winckelmann, been considered as stages of pr ...
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Palmyra
Palmyra (; Palmyrene: () ''Tadmor''; ar, تَدْمُر ''Tadmur'') is an ancient city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD. The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene Aramaic, a variety of Western Middle Aramaic, while using Koine Greek for commercial and diplomatic purposes ...
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The Courtauld Institute Of Art
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art ...
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Conway Library
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the ...
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Cairo Museum
The Museum of Egyptian Antiquities, known commonly as the Egyptian Museum or the Cairo Museum, in Cairo, Egypt, is home to an extensive collection of ancient Egyptian antiquities. It has 120,000 items, with a representative amount on display and the remainder in storerooms. Built in 1901 by the Italian construction company, Garozzo-Zaffarani, to a design by the French architect Marcel Dourgnon, the edifice is one of the largest museums in the region. As of March 2019, the museum was open to the public. In 2022, the museum is due to be superseded by the newer and larger Grand Egyptian Museum at Giza. History The Egyptian Museum of Antiquities contains many important pieces of ancient Egyptian history. It houses the world's largest collection of Pharaonic antiquities. The Egyptian government established the museum built in 1835 near the Ezbekieh Garden and later moved to the Cairo Citadel. In 1855, Archduke Maximilian of Austria was given all of the artifacts by the Egyptia ...
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Coptic Art
Coptic art is the Christian art of the Byzantine- Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and craftsmanship, and includes tunics and tombstones as well as portraits of saints. The Coptic Museum in Coptic Cairo houses some of the world's most important examples of Coptic art. Origins Coptic art displays a mix of Egyptian and Hellenistic influences. Subjects and symbols were taken from both Greek and Egyptian mythology, sometimes altered to fit Christian beliefs. Persia and Syria also influenced Coptic and Hellenistic art, though to a lesser extent, leaving images such as the peacock and the griffin. Icon painting Coptic icons have their origin in the Greco-Roman art of Egypt's Late Antiquity, as exemplified by the Fayum mummy ...
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