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Jorge Chaminé
Jorge Chaminé (born 30 April 1956) is a Portuguese operatic baritone. Biography Of Spanish and Portuguese parentage, Chaminé was born in Porto. He began his musical studies (piano, voice, cello, guitar, choral and orchestra conducting) at an early age. After studying law at Coimbra University, he decided to become a singer and received a scholarship from the Gulbenkian Foundation to further his studies in Madrid, Paris, Munich, and in New York City with personalities like Lola Rodriguez Aragon, Teresa Berganza and Hans Hotter. He made his Carnegie Hall debut with Seiji Ozawa and the Boston Symphony Orchestra and has also performed with the London Symphony Orchestra, the Czech Philharmonic Orchestra, the Rundfunk-Sinfonieorchester Berlin, and the Ensemble Intercontemporain among others. In 1988, he won the Menuhin Foundation Award which led him to perform internationally under the direction of Yehudi Menuhin. He has appeared with Claudio Scimone, Rafael Frühbeck de Burg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Chaminé
Jorge Chaminé (born 30 April 1956) is a Portuguese operatic baritone. Biography Of Spanish and Portuguese parentage, Chaminé was born in Porto. He began his musical studies (piano, voice, cello, guitar, choral and orchestra conducting) at an early age. After studying law at Coimbra University, he decided to become a singer and received a scholarship from the Gulbenkian Foundation to further his studies in Madrid, Paris, Munich, and in New York City with personalities like Lola Rodriguez Aragon, Teresa Berganza and Hans Hotter. He made his Carnegie Hall debut with Seiji Ozawa and the Boston Symphony Orchestra and has also performed with the London Symphony Orchestra, the Czech Philharmonic Orchestra, the Rundfunk-Sinfonieorchester Berlin, and the Ensemble Intercontemporain among others. In 1988, he won the Menuhin Foundation Award which led him to perform internationally under the direction of Yehudi Menuhin. He has appeared with Claudio Scimone, Rafael Frühbeck de Burg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yehudi Menuhin
{{disambiguation, given names ...
Yehudi or Jehudi (Hebrew: יהודי, endonym for Jew) is a common Hebrew name: * Yehudi Menuhin (1916–1999), violinist and conductor ** Yehudi Menuhin School, a music school in Surrey, England ** Who's Yehoodi?, a catchphrase referring to the violinist * Yehudi Wyner (born 1929), composer and pianist * Jehudi Ashmun (1794–1828), religious leader and social reformer Other uses * Yehudi lights See also * Yahud (other) * Yehuda (other) * Yuda (other), / Juda (other) / Judah (other) * Jew (word) The English term ''Jew'' originates in the Biblical Hebrew word ''Yehudi'', meaning "from the Kingdom of Judah". It passed into Greek as ''Ioudaios'' and Latin as ''Iudaeus'', which evolved into the Old French ''giu'' after the letter "d" wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinicius De Moraes
Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes () and nicknamed O Poetinha ("The little poet"), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat. Early life Moraes was born in Gávea, a neighbourhood of Rio de Janeiro, to Clodoaldo da Silva Pereira Moraes, a public servant, and Lidia Cruz, a housewife and amateur pianist. In 1916, his family moved to Botafogo, where he attended Afrânio Peixoto Primary School. Fleeing the 18 of the Copacabana Fort revolt, his parents moved to Governador Island while Moraes remained at his grandfather's home in Botafogo to finis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fado
Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado was orally transmitted and goes back to the 1820s and 1830s at best. But even that information was frequently modified within the generational transmission process that made it reach us today." Although the origins are difficult to trace, today fado is commonly regarded as simply a form of song which can be about anything, but must follow a certain traditional structure. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fate and melancholy. This is loosely captured by the Portuguese word ''saudade'', or longing, symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gypsy Style
The term gypsy style refers to the typical way Eastern European music is played in coffeehouses and restaurants, at parties, and sometimes on-stage, in European cities. Music played in this style and loosely called gypsy music differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community. It is mainly instrumental and usually performed by strings, except in the Romanian variant where the panflute is the main instrument. The accompaniment may be executed by various instruments, but by preference includes a cimbalom and a double bass. Characteristics Music played in the style can easily be recognized among many other styles. Characteristic elements of the style include: * instrumentation * the repertoire * the idiom Among these items the last one — the idiom — is decisive: it is mainly the way of playing that determines whether a tune is played in gypsy style or not. It is — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango Music
Tango is a style of music in or time that originated among European and African immigrant populations of Argentina and Uruguay (collectively, the " Rioplatenses"). It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the ''orquesta típica'', which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world. Origins Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain,José Luis Ortiz Nuevo ''El origen del tango americano'' Madrid and La Habana 1849 while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. All sources stress the influence of African communities and their rhyt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montserrat Caballé
Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's ''Lucrezia Borgia'' at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo. Caballé became popular to non-classical music audiences in 1987, when she recorded, at the request of the International Olympic Committee, "Barcelona", a duet with Freddie Mercury, which became an official theme song for the 1992 Olympic Games. She received several international awards and also Grammy A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirella Freni
Mirella Freni, OMRI (, born Mirella Fregni, 27 February 1935 – 9 February 2020) was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's ''Don Giovanni'' and as Adina in Donizetti's ''L'elisir d'amore''. Freni is associated with the role of Mimi in Puccini's ''La bohème'', which featured in her repertoire from 1957 to 1999 and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan. She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965. In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing. Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from ''The New York Times'' describes he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
