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Gypsy Style
The term gypsy style refers to the typical way Eastern European music is played in coffeehouses and restaurants, at parties, and sometimes on-stage, in European cities. Music played in this style and loosely called gypsy music differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community. It is mainly instrumental and usually performed by strings, except in the Romanian variant where the panflute is the main instrument. The accompaniment may be executed by various instruments, but by preference includes a cimbalom and a double bass. Characteristics Music played in the style can easily be recognized among many other styles. Characteristic elements of the style include: * instrumentation * the repertoire * the idiom Among these items the last one — the idiom — is decisive: it is mainly the way of playing that determines whether a tune is played in gypsy style or not. It is — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romani Music
Romani music (often referred to as gypsy or gipsy music, which is sometimes considered a derogatory term) is the music of the Romani people who have their origins in northern India but today live mostly in Europe. Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen. In many of the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences of: Byzantine music, Byzantine, Music of Greece, Greek, Arabic music, Arabic, Music of India, Indian, Persian traditional music, Persian, Music of Turkey, Turkish, Slavic peoples, Slavic, Music of Romania, Romanian, Music of Germany, German, Music of the Netherlands, Dutch, Music of France, French, Music of Spain, Spanish, and even Jewish musical forms. It is difficult to define the parameters of a unified Romani musical style, as there are many differences in melodic, harmonic, rhythmic and formal structures from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hora (dance)
Hora, also known as horo and oro, is a type of circle dance originating in Jewish communities and the Balkans but also found in other countries. Etymology The name, spelled differently in various countries, is derived from the Greek ('' khorós''): "dance" which is cognate with the Ancient Greek art form of ('' khoreía''). The original meaning of the Greek word may have been "circle". Also, the words ''hora'' and ''oro'' are found in many Slavic languages and have the meaning of "round (dance)"; the verb ''oriti'' means "to speak, sound, sing" and previously meant "to celebrate". The Greek () is cognate with Pontic Greek (), and has also given rise to the names of Bulgarian (), Macedonian (), Romanian , / in Serbo-Croatian, the Turkish form and in Hebrew (). The dance of Georgia also might be connected to the Horon dance in the neighbouring Turkish regions, as it rose out of the Adjara region, where Kartvelian Laz people co-existed for centuries with Greek Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nóta
Nóta is a form of 19th-century Hungarian popular song. It is one of a number of styles collectively referred to as '' cigányzene'', which literally means ''Gipsy music'' but is used to refer to a number of styles of Hungarian folk music that are played in a typical Gipsy musical style. Nóta includes a variety of tempi, from uptempo ''friss csárdás'' via a medium time "Palotas" to slow dramatic ''tempo rubato Tempo rubato (, , ; 'free in the presentation', literally ) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor. Rub ...'' ballads. Literature * ''"Zigeunermusik" (Ciganyzene)'' by Balint Sarosi, Budapest, 1971. (A classical on Gypsy music; available in Hungarian, German and English.) Hungarian styles of music 19th century in music Hungarian words and phrases {{music-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lassan (music)
Lassan ( Hungarian for "slowly") or more properly lassú ("slow") is the slow section of the ''csárdás'', a Hungarian folk dance, or of most of Liszt's ''Hungarian Rhapsodies'', which take their form from this dance. It generally either has a dark, somber tone or a formal, stately one. See also * Friska Friska (from hu, friss, fresh, pronounced ''frish'') is the fast section of the csárdás, a Hungarian folk dance, or of most of (all except for 3, 5 and 17) Liszt's ''Hungarian Rhapsodies The Hungarian Rhapsodies, S.244, R.106 (french: Rh ... zh-yue:查達斯 Hungarian styles of music Hungarian words and phrases {{Hungary-hist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doina
The doina () is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, as well as in Lăutărească. It was also adopted into klezmer music. Similar tunes are found throughout Eastern Europe and the Balkans. In some parts of the Balkans this kind of music is referred to as or . Origins and characteristics Béla Bartók discovered the ''doina'' in Northern Transylvania in 1912 and he believed it to be uniquely Romanian. After he found similar genres in Ukraine, Albania, Algeria, Middle East and Northern India, he came to the belief that these are part of a family of related genres of Arabo-Persian origin. He particularly linked the Romanian doina to the Turkish/Arabic ''Makam'' system. Bartók's conclusions were rejected by some Romanian ethnomusicologists, who accused Bartók of anti-Romanian bias. Nevertheless, the similarities between the Romanian ''doina'' and various musical forms from the Middle East have been subsequently d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naï Roumain - Profil
Naï is a town in the Bané Department of Boulgou Province in south-eastern Burkina Faso Burkina Faso (, ; , ff, 𞤄𞤵𞤪𞤳𞤭𞤲𞤢 𞤊𞤢𞤧𞤮, italic=no) is a landlocked country in West Africa with an area of , bordered by Mali to the northwest, Niger to the northeast, Benin to the southeast, Togo and Ghana to .... As of 2005, the town has a population of 1,168. References Populated places in the Centre-Est Region Boulgou Province {{Boulgou-geo-stub ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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