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John Shank (director)
John Shank (also spelled Shanke or Shanks) (died January 1636) was an actor in English Renaissance theatre, a leading comedian in the King's Men during the 1620s and 1630s. Early career By his own testimony, Shank began his stage career with Pembroke's Men and Queen Elizabeth's Men. "Presumably the Pembroke's company in question was that of 1597–1600, and the Queen Elizabeth's Men the travelling company of the latter years of the reign" – that is to say, the later years of Elizabeth I. Shank was with Prince Henry's Men by 1610, and was a sharer in the company (that is, a partner who shared in the profits rather than a hired man) by 1613. Shank seems to have fulfilled the function that clowns had filled at least since the time of Richard Tarleton: he was a "jigging clown" who sang and danced the jig that concluded each performance. In the controversy surrounding the Prince's Men's production of ''The Roaring Girl'' in 1611, Shank seems to have temporarily lost his jiggi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Comedy Of Errors
''The Comedy of Errors'' is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play. It has been adapted for opera, stage, screen and musical theatre numerous times worldwide. In the centuries following its premiere, the play's title has entered the popular English lexicon as an idiom for "an event or series of events made ridiculous by the number of errors that were made throughout". Set in the Greek city of Ephesus, ''The Comedy of Errors'' tells the story of two sets of identical twins who were accidentally separated at birth. Antipholus of Syracuse and his servant, Dromio of Syracuse, arrive in Ephesus, which turns out to be the home of their twin brothers, Antipholus of Ephesus and his servant, Dromio of Ephesus. When the Syracusans encounter the friends and families of their twins, a series of wild mishaps based on m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Burt
Nicholas Burt (1621 ? — after 1689), or Birt or Burght among other variants, was a prominent English actor of the seventeenth century. In a long career, he was perhaps best known as the first actor to play the role of Othello in the Restoration era. A "Nicholas Bert" was christened on 27 May 1621, in Norwich; the record may refer to the actor, though this is not certain. According to James Wright's ''Historia Histrionica'' (1699), Burt began as a boy player with the King's Men, an apprentice of John Shank (died 1636). He was with the celebrated young company Beeston's Boys in the 1638–42 period. As a young actor filling female roles, Burt gained particular notice for playing Clariana in Shirley's ''Love's Cruelty''. After the theatres closed in 1642 at the start of the English Civil War, Burt, like some other actors, joined the Royalist army supporting the cause of King Charles I. Like fellow actors Charles Hart and Robert Shatterell, Burt served as an officer in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Honyman
John Honyman (1613 – April 1636), also Honeyman, Honiman, Honnyman, or other variants, was an English actor of the Caroline era. He was a member of the King's Men, the most prominent playing company of its era, best known as the company of William Shakespeare and Richard Burbage. Honyman belonged to the generation that followed Shakespeare and Burbage. He was christened on 7 February 1613, in the parish of St. Botolph's, Bishopsgate. An apprentice of John Shank, he started his career as a boy player filling female roles; in his teens he was playing leading female parts, Domitilla in '' The Roman Actor'' (1626) and Sophia in '' The Picture'' (1629), both plays by Philip Massinger, and Clarinda in Lodowick Carlell's '' The Deserving Favourite'' (also 1629). Some boy actors of Honyman's era made successful transitions from filling lead female roles as boys to lead male roles as young men; Stephen Hammerton and Richard Sharpe are two examples of this successful transitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men Personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men (for all practical purposes a single continuous theatrical enterprise) from 1594 to 1642 (and after). The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists. The actors who performed the plays have left the most evidence of their lives and activities; but they were supported by musicians and other functionaries, and were enabled by managers and financial backers like Cuthbert Burbage. For more information on specific individuals, see individual entries: Robert Armin, Christopher Beeston, Robert Benfield, etc. Terms * "Sharer" – an actor who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Pollard
Thomas Pollard (1597 – 1649×1655) was an actor in the King's Men – a prominent comedian in the acting troupe of William Shakespeare and Richard Burbage. Thomas Pollard was christened on 11 December 1597 in Aylesbury, Buckinghamshire. His date of death is not known. Career Pollard starting as a boy player specializing in women's roles. He was trained by John Shank, a noted comic actor; and after he matured and left female roles behind, Pollard acquired his own reputation as a gifted comic performer. His most notable part was the title role in Fletcher's ''The Humorous Lieutenant''. He had the comical role of Timentes the cowardly general in Arthur Wilson's '' The Swisser''. He played Silvio in Webster's ''The Duchess of Malfi'', in the productions of c. 1614 and c. 1621. He appeared in Shakespeare's '' Henry VIII'', probably in the 1628 revival at the Globe Theatre. Pollard played the role of Pinac in ''The Wild Goose Chase'' in the 1632 revival, and was in a numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wild Goose Chase
''The Wild Goose Chase'' is a late Jacobean stage play, a comedy written by John Fletcher, first performed in 1621. It is often classed among Fletcher's most effective and best-constructed plays; Edmund Gosse called it "one of the brightest and most coherent of Fletcher's comedies, a play which it is impossible to read and not be in a good humour." The drama's wit, sparkle, and urbanity anticipated and influenced the Restoration comedy of the later decades of the seventeenth century. The term "wild-goose chase" is first documented when used by Shakespeare in the early 1590s, but appears as a term with which his audience would be familiar, as there is no attempt to define its meaning. History Firm data on the play's date of authorship and early performance history have not survived. "In the absence of evidence to the contrary, the year 1621 is a plausible date." "No one has ever questioned Fletcher's sole authorship of this play..."; his distinctive style is continuous through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1632 In Literature
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 '' Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1630 In Literature
This article contains information about the literary events and publications of 1630. Events *April 10 – English literature, drama, and education lose a major patron and benefactor when William Herbert, 3rd Earl of Pembroke and Lord Chamberlain of England, dies at Baynard's Castle in London. * June – Scottish-born Presbyterian Alexander Leighton is brought before Archbishop William Laud's Star Chamber court in England for publishing the seditious pamphlet ''An Appeale to the Parliament, or, Sions Plea Against the Prelacy'' (printed in the Netherlands, 1628). He is sentenced to be pilloried and whipped, have his ears cropped, one side of his nose slit, and his face branded with "SS" (for "sower of sedition"), to be imprisoned, and be degraded from holy orders. New books Prose *Johann Heinrich Alsted – ''Encyclopaedia'' * Thomas Dekker – ''London Look Back'' * Thomas Randolph – ''Aristippus, or The Jovial Philosopher'' and ''The Conceited Pedlar'' (in one volume) Dra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
