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John Minton (artist)
Francis John Minton (25 December 1917 – 20 January 1957) was an English painter, illustrator, stage designer and teacher. After studying in France, he became a teacher in London, and at the same time maintained a consistently large output of works. In addition to landscapes, portraits and other paintings, some of them on an unusually large scale, he built up a reputation as an illustrator of books. In the mid-1950s, Minton found himself out of sympathy with the abstract trend that was then becoming fashionable, and felt increasingly sidelined. He suffered psychological problems, self-medicated with alcohol, and in 1957 died by suicide. Life and career Early years Minton was born in Great Shelford, Cambridgeshire, the second of three sons of Francis Minton, a solicitor, and his wife, Kate, ''née'' Webb.Middleton, Michael"Minton, (Francis) John (1917–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, online edition, Oct 2006, accessed 16 Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Shelford
Great Shelford is a village located approximately to the south of Cambridge, in the county of Cambridgeshire, in eastern England. In 1850 Great Shelford parish contained bisected by the river Cam. The population in 1841 was 803 people. By 2001, this had grown to 3,949 and by the Census 2011 to 4,233. It was described as Britain's twenty-second richest village in 2011. Great Shelford is twinned with Verneuil-en-Halatte, in the Oise département of France. Services and culture Great Shelford has a range of shops and services, including a wine merchant/bar, two public houses, two restaurants, a library, several estate agents, two barbers, a building society, a chemist, a dentist, a solicitor, an accountant, a delicatessen, a bakery and a garden centre. There is a monthly Farmers' Market. The villages of Great and Little Shelford are served by Shelford railway station on the West Anglia Main Line from Cambridge to London Liverpool Street. The old Great Shelford library was demo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxfordshire And Buckinghamshire Light Infantry
The Oxfordshire and Buckinghamshire Light Infantry was a light infantry regiment of the British Army that existed from 1881 until 1958, serving in the Second Boer War, World War I and World War II. The regiment was formed as a consequence of the 1881 Childers Reforms, a continuation of the Cardwell Reforms, by the amalgamation of the 43rd (Monmouthshire) Regiment of Foot (Light Infantry) and the 52nd (Oxfordshire) Regiment of Foot (Light Infantry), forming the 1st and 2nd Battalions of the Oxfordshire Light Infantry on 1 July 1881. In 1908, as part of the Haldane Reforms, the regiment's title was altered to become the Oxfordshire and Buckinghamshire Light Infantry, commonly shortened to the ''Ox and Bucks.'' After service in many conflicts and wars, the Ox and Bucks Light Infantry was, in 1948, reduced to a single Regular Army battalion and on 7 November 1958, following Duncan Sandys' 1957 Defence White Paper, it was renamed the 1st Green Jackets (43rd and 52nd), forming par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lefevre Gallery
The Lefevre Gallery (or The Lefevre Galleries) was an art gallery in London, England, operated by Alex. Reid & Lefevre Ltd. The gallery was opened at 1a, King Street, St James's, in 1926, when rival art dealers Alexander Reid and Ernest Lefevre joined forces. Upon Reid's death in 1928, his son, A J McNeill Reid succeeded him. Lefevre resigned in 1931. In 1950, the gallery relocated to premises at 30, Bruton Street, Mayfair. Among artists whose first British solo exhibitions were hosted by the gallery were Salvador Dalí, Edgar Degas, André Derain, L. S. Lowry, Amedeo Modigliani, Henri Rousseau, Gregorio Prieto and Georges Seurat, It also held the first London exhibitions for Bernard Buffet, Balthus and René Magritte. Others who exhibited there included Francis Bacon, Lucian Freud, Walter Sickert, Wyndham Lewis, and the East London Group. The gallery closed in 2002, citing competition from auction houses, changes in tax on works imported from outside the European Union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Palmer
Samuel Palmer Hon.RE (Hon. Fellow of the Society of Painter-Etchers) (27 January 180524 May 1881) was a British landscape painter, etcher and printmaker. He was also a prolific writer. Palmer was a key figure in Romanticism in Britain and produced visionary pastoral paintings. Early life Palmer, who was born in Surrey Square off the Old Kent Road in Newington, London (now Walworth), was the son of a bookseller and sometime Baptist minister, and was raised by a pious nurse. Palmer painted churches from around age twelve, and first exhibited Turner-inspired works at the Royal Academy at the age of fourteen. He had little formal training, and little formal schooling, although he was educated briefly at Merchant Taylors' School. Shoreham Through John Linnell, he met William Blake in 1824. Blake's influence can be seen in work he produced over the next ten years (generally reckoned to be his greatest). The works were landscapes around Shoreham, near Sevenoaks in the west of K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keith Vaughan
John Keith Vaughan (23 August 1912 – 4 November 1977), was a British painter. Biography Born at Selsey in West Sussex, Vaughan attended Christ's Hospital school. He worked in an advertising agency until the World War II, when as an intending conscientious objector he joined the St John Ambulance; in 1941 he was conscripted into the Non-Combatant Corps. Vaughan was self-taught as an artist. His first exhibitions took place during the war. In 1942 he was stationed at Ashton Gifford near Codford in Wiltshire, and paintings from this time include ''The Wall at Ashton Gifford'' (Manchester Art Gallery). During the war Vaughan formed friendships with the painters Graham Sutherland and John Minton, with whom after demobilisation in 1946 he shared premises. Through these contacts he formed part of the neo-romantic circle of the immediate post-war period. However, Vaughan rapidly developed an idiosyncratic style which moved him away from the Neo-Romantics. Concentrating on studie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert MacBryde
Robert MacBryde (5 December 1913 – 6 May 1966) was a Scottish still-life and figure painter and a theatre set designer. Early life and career MacBryde was born in Maybole, Ayrshire, to John MacBryde, a cement labourer, and Agnes Kennedy MacBryde. He worked in a factory for five years after leaving school before studying art at Glasgow School of Art from 1932 to 1937. There, he met Robert Colquhoun, with whom he established a lifelong romantic relationship and professional collaboration, the pair becoming known as "the two Roberts". MacBryde studied and travelled in France and Italy, assisted by scholarships, returning to London in 1939. He shared studio space with Colquhoun, and the pair shared a house with John Minton and, from 1943, Jankel Adler. MacBryde held his first one-person exhibition at the Lefevre Gallery in 1943. Rise, decline and influences At the height of their acclaim they courted a large circle of friends - including Michael Ayrton, Francis Bacon, Lucian Freu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Colquhoun
Robert Colquhoun (20 December 1914 – 20 September 1962) was a Scottish painter, printmaker and theatre set designer. Colquhoun was born in Kilmarnock and was educated at Kilmarnock Academy. He won a scholarship to study at the Glasgow School of Art, where he met Robert MacBryde with whom he established a lifelong homosexual relationship and professional collaboration, the pair becoming known as "the two Roberts". He joined MacBryde on a travelling scholarship to France and Italy from 1937 to 1939, before serving as an ambulance driver in the Royal Army Medical Corps during the Second World War. After being injured, he returned to London in 1941 where he shared studio space with MacBryde. The pair shared a house with John Minton and, from 1943, Jankel Adler. Colquhoun's early works of agricultural labourers and workmen were strongly influenced by the colours and light of rural Ayrshire. His work developed into a more austere, Expressionist style, heavily influenced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central School Of Art And Design
The Central School of Art and Design was a public school of fine and applied arts in London, England. It offered foundation and degree level courses. It was established in 1896 by the London County Council as the Central School of Arts and Crafts. Central became part of the London Institute in 1986, and in 1989 merged with Saint Martin's School of Art to form Central Saint Martins College of Arts and Design. History The Central School of Arts and Crafts was established in 1896 by the London County Council. It grew directly from the Arts and Crafts movement of William Morris and John Ruskin. The first principal – from 1896 to 1900 as co-principal with George Frampton – was the architect William Richard Lethaby, from 1896 until 1912; a blue plaque in his memory was erected in 1957. He was succeeded in 1912 by Fred Burridge. The school was at first housed in Morley Hall, rented from the Regent Street Polytechnic. In 1908 it moved to purpose-built premises in Southampt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camberwell College Of Arts
Camberwell College of Arts is a public tertiary art school in Camberwell, in London, England. It is one of the six constituent colleges of the University of the Arts London. It offers further and higher education programmes, including postgraduate and PhD awards. The college has retained single degree options within Fine Art, offering specialist Bachelor of Arts courses in painting, sculpture, photography and drawing. It also runs graduate and postgraduate courses in art conservation and fine art as well as design courses such as graphic design, illustration and 3D design. It was established as the Camberwell School of Arts and Crafts in 1898, and adopted its present name in 1989. History The history of the College is closely linked with that of the South London Gallery, with which the College shares its site. The manager of the South London Working Men's College in 1868, William Rossiter, purchased the freehold of Portland House on which the College now stands in 1889. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tate Gallery
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Digital, Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leicester Galleries
Leicester Galleries was an art gallery located in London from 1902 to 1977 that held exhibitions of modern British, French and international artists' works. Its name was acquired in 1984 by Peter Nahum, who operates "Peter Nahum at the Leicester Galleries" in Mayfair. History In July 1902, Cecil and Wilfred Phillips opened a gallery in Leicester Square. The following year Ernest Brown joined the organisation, and they became Ernest Brown and Phillips Ltd, operating the Leicester Galleries. The exhibited works of modern British and French painters, including John Lavery, Robert Medley, Mark Gertler and Henry Moore. Works exhibited included drawings, watercolours, paintings, prints and sculptures. Every one of the more than 1,400 exhibitions had a printed catalogue. Emerging artists - such as William Roberts, Christopher Nevinson, David Bomberg, and Jacob Epstein - were recognized in their annual "Artists of Fame and Promise" exhibition. Henri Matisse, Picasso, Camille Pissar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Manchester Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and '' The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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