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John Joseph Braham Sr.
John Joseph Braham (1847 – October 28, 1919) was an English-born American musical theater conductor and composer who introduced the works of Gilbert and Sullivan to the United States and composed some of the earliest original orchestral scores for silent film. Braham emigrated from England to America as a child. As a teenager, he toured as a violinist. After this he became a conductor and music director at New York and Boston theatres. In 1879, he conducted the first American production of a Savoy opera, ''H.M.S. Pinafore'' and became associated with Gilbert and Sullivan works for the next decade. He also conducted a number of other musical theatre works and at music halls. In 1913 and 1914, he composed musical scores for silent films, including '' In the Land of the Head Hunters''. Biography Early years and Gilbert and Sullivan Braham was born in 1847 in England to musician Joseph Braham (1827–1877). The Brahams emigrated from England in the 1850s. His brothers were William ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Popular Culture
''The Journal of Popular Culture'' (''JPC'') is a peer-reviewed academic journal that publishes academic essays on all aspects of popular or mass culture. It is published six times a year, printed by Wiley-Blackwell. As of Summer 2022, the editor is Novotny Lawrence. One of the cofounders was Jack Fritscher. The JPC is the official publication of the Popular Culture Association. The organization holds a national conference annually, usually within the continental United States, with the American Culture Association. There are also several regional conferences held annually. ''The Journal of Popular Culture'' began publication in 1967. At the time, it was located at Bowling Green State University and edited by Ray B. Browne. It later became headquartered at Michigan State University in East Lansing, Michigan. Abstracting and indexing The journal is abstracted and indexed in: * Academic Search Premier * Arts and Humanities Citation Index * MLA International Bibliography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Bloom (writer)
Ken Bloom is a New York-based, Grammy Award-winning theatre historian, playwright, director, record producer, and author. He began his theatre career in the mid-'70s at the New Playwrights Theatre of Washington. Along with some friends, Bloom co-founded the ASTA theatre. That company became the basis for New Playwrights. While at ASTA, Bloom joined the Smithsonian Puppet Theater, performing as part of Allan Stevens and Company in Washington and on tour throughout the United States for over two years. At New Playwrights, Bloom co-produced and directed a series of musicals and musical revues written by Tim Grundmann including ''Sirocco'', ''Bride of Sirocco'' (which transferred to a commercial run), ''Nightmare!'', ''Out to Lunch'', and ''Eddie's Catchy Tunes''. He also wrote and directed the musical revues ''Cole Porter Revisited'', ''The Unsung Jerome Kern'', and ''Sweet and Hot: The Songs of Harold Arlen''. Bloom also was in charge of the theatre's PR, audience development, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casino Theatre (Broadway)
The Casino Theatre was a Broadway theatre located at 1404 Broadway and West 39th Street in New York City. Built in 1882, it was a leading presenter of mostly musicals and operettas until it closed in 1930."Casino Theatre (Built: 1882 Demolished: 1930 Closed: 1930)" ''Internet Broadway Database'' (Retrieved on December 31, 2007) The theatre was the first in New York to be lit entirely by electricity, popularized the and later introduced white audiences to African-American shows. It originally seated approximately 875 people, however the theatre was enlarged in 1894 and again in 1905, after a fire, when its capacity was enlarged to 1,300 seats. It hosted a number of long-r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallack's Theatre
Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater, as the successive homes of the Repertory theatre, stock company managed by actors James William Wallack, James W. Wallack and his son, Lester Wallack. During its 35-year lifetime, from 1852 to 1887, that company developed and held a reputation as the best theater company in the country. Each theater operated under other names and managers after (and in one case before) the Wallack company's tenure. All three are demolished. 485 Broadway James William Wallack, James W. Wallack and Lester Wallack, father and son, were 19th century actors and theater managers; that is, Entrepreneurship, entrepreneurs whose business was a Repertory theatre, theatrical stock company, a troupe of actors and support personnel presenting a variety of plays in one theater. Actor-managers, such as the Wallacks, were members of their own company. Often, a manager leased a theater from it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utopia, Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions. Gilbert's libretto satirises limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, it takes a tilt at the cultural aspects of imperialis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gondoliers
''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances (at that time the fifth longest-running piece of musical theatre in history), closing on 30 June 1891. This was the twelfth comic opera collaboration of fourteen between Gilbert and Sullivan. The story of the opera concerns the young bride of the heir to the throne of the fictional kingdom of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yeomen Of The Guard
''The Yeomen of the Guard; or, The Merryman and His Maid'', is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh collaboration of fourteen between Gilbert and Sullivan. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages. The libretto does contain considerable humour, including a lot of pun-laden one-liners, but Gilbert's trademark satire and topsy-turvy plot complications are subdued in comparison with the other Gilbert and Sullivan operas. The dialogue, though in prose, is quasi-William Shakespeare, Shakespearean, or Early Modern English, early modern English, in style. Critics considered the score to be Sullivan's finest, including its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore'', and the seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was originally spelled) did not measure up to its predecessor, '' The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the ''Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mikado
''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.The longest-running piece of musical theatre was the operetta ''Les Cloches de Corneville'', which held the title until ''Dorothy (opera), Dorothy'' opened in 1886, which pushed ''The Mikado'' down to third place. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.H. L. Mencken, Mencken, H. L.]Article on ''The Mikado'', ''Baltimore Evening Sun'', 29 November 1910 ''The Mikado'' is the most internationally successful Savoy opera and has been especially popular with amateur and school productions. The work has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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