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John Gibson Gallery
The John Gibson Gallery was a contemporary Contemporary art gallery, art gallery in New York City, in operation from November 1967 to 2000, and founded by . Early on, the gallery specialized in selling contemporary monumental–sized sculptures. History Precursor The Park Place Gallery in New York became a center of attention for the downtown art scene and their original gallery members were all of the cutting edge. John Gibson was the first director of Park Place Gallery from 1963 to 1965. By 1966, the SoHo neighborhood of New York City had a growing artist community, and had revolutionized what was possible for young artists. John Gibson Gallery John Gibson later opened his own gallery in 1967, in the neighborhood of Lenox Hill. Gibson was aided in running the John Gibson Gallery by his wife, Susan Gibson. The John Gibson Gallery held its first group exhibition on November 1967, ''The Hanging, Floating, Cantilever Show.'' The first exhibition featured installation art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art Gallery
A contemporary art gallery is normally a commercial art gallery operated by an art dealer which specializes in displaying for sale contemporary art, usually new works of art by living artists. This approach has been called the "Castelli Method" after Leo Castelli, whose success was attributed to his active involvement in discovering and promoting emerging artists beginning in the late 1950s with Jasper Johns and Robert Rauschenberg. Galleries in the market for art At the high end of the art market, a handful of elite auctioneers and dealers sell the work of celebrity artists; at the low end artists sell their work from their studio, or in informal venues such as restaurants. In the middle, art galleries are the primary connection between artists and collectors; accounting for the majority of transactions. ''Point-of-sale'' galleries connect artists with buyers by hosting exhibitions and openings. The artworks are on consignment, with the artist and the gallery splitting the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenox Hill
Lenox Hill () is a neighborhood on Manhattan's Upper East Side. It forms the lower section of the Upper East Side—east of Park Avenue in the 60s and 70s. A significant portion of the neighborhood lies within the Upper East Side Historic District designated by the New York City Landmarks Preservation Commission in 1981 and expanded in 2010. The neighborhood is part of Manhattan Community Board 8. Geography Based on the location of the original Lenox Hill, which was on a farm that spanned present-day 68th Street to 74th Street, east of Fifth Avenue, ''The Encyclopedia of New York City'' defines the neighborhood as the area between 60th Street and 77th Street, from Fifth Avenue on the west to Lexington Avenue on the east. ("...bounded to the north by East 77th Street, to the east by Lexington Avenue] to the south by East 60th Street, and to the west by Fifth Avenue") However, neighborhood boundaries can shift and most residents see the modern boundaries differently, as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Beuys
Joseph Heinrich Beuys ( , ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art movement known as Fluxus and was a key figure in the development of Happenings. Beuys is known for his "extended definition of art" in which the ideas of social sculpture could potentially reshape society and politics. He frequently held open public debates on a wide range of subjects, including political, environmental, social, and long-term cultural issues. Biography Childhood and early life in the Third Reich (1921–1941) Joseph Beuys was born in Krefeld, Germany, on 12 May 1921, to Josef Jakob Beuys (1888–1958), a merchant, and Johanna Maria Margarete Beuys née Hülsermann (1889–1974). Soon after his birth, the family moved from Krefeld to Kleve, an industrial town in Germany's Lower Rhine region, close to the Dutch border. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jennifer Bartlett
Jennifer Bartlett ( Losch; March 14, 1941 – July 25, 2022) was an American artist. She was known for paintings and prints that combine the system-based aesthetic of conceptual art with the painterly approach of Neo-Expressionism. Many of her pieces were executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works. Early life and education Bartlett was born Jennifer Losch in 1941 in Long Beach, California, one of four children. Her father owned a construction company, and her mother was a fashion illustrator who left the field to raise her children. She grew up in the suburbs of Long Beach, close enough to the ocean that she developed an affinity for water, which would reappear in her mature work. She attended Mills College in Oakland, California, graduating with a BA in 1963. During her college years, she met Elizabeth Murray, who became a lifelong friend. She then moved to New Haven to study at the Yale School of Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Askevold
David Askevold (30 March 1940 – 23 January 2008) was an experimental Canadian artist who lived in Nova Scotia. Askevold studied art and anthropology at the University of Montana. In 1963, he won a Max Beckmann Scholarship to study painting for a year at the Brooklyn Museum Art School in New York. In 1966, he enrolled at the Kansas City Art Institute to complete a Bachelor of Fine Arts degree, in Sculpture. Askevold went to Halifax and joined the faculty of the Nova Scotia College of Art and Design in 1968. Projects Class As a teacher at Nova Scotia College of Art and Design in the 1970s, David Askevold developed and led what he called the Projects Class. In what was identified as "the most innovative and interesting aspect of the NSCAD curriculum of the period," (Gil McElroy, ARTSatlantic, Spring/Summer 1996). Askevold selected artists, including Dan Graham, Lawrence Weiner, Robert Smithson, Lucy Lippard, Joseph Kosuth and Mel Bochner and invited them to submit projects that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arman
Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave (''cachets'', ''allures d'objet'') to using them as the artworks themselves. He is best known for his ''Accumulations'' and destruction/recomposition of objects. Early life and education Arman's father, Antonio Fernandez, an antiques dealer from Nice, was also an amateur artist, photographer, and cellist. From his father, Arman learned oil painting and photography. After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman began studying at the École Nationale des Arts Décoratifs in Nice. He also studied judo at a police school in Nice, where he met Yves Klein and Claude Pascal. The trio bonded closely on a subsequent hitch-hiking tour around Europe. Completing his studies in 1949, Arman enrolled as a student at the École du Louvre in Paris, where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Armleder
John Armleder (born 1948, in Geneva) is a Swiss performance artist, painter, sculptor, critic, and curator. His work is based on his involvement with Fluxus in the 1960s and 1970s, when he created performance art pieces, installations and collective art activities that were strongly influenced by John Cage. However, Armleder's position throughout his career has been to avoid associating his artistic practice with any type of manifesto. Early life and education Armleder was born as the son of a hotelier (owners of Le Richemond). He studied at the Ecole des Beaux-Arts, Geneva (1966-7) and at the Glamorgan Summer School, Britain (1969). Work In 1969, with Patrick Lucchini and Claude Rychner, Armleder founded the ''Groupe Ecart'' in Geneva, from which stemmed the Galerie Ecart and its associated performance group and publications. The ''Groupe Ecart'' was particularly important in Europe during the 1970s and 1980s, not only through its activity as an independent publishing house, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Andre
Carl Andre (born September 16, 1935) is an American minimalist artist recognized for his ordered linear and grid format sculptures and for the suspected murder of contemporary and wife, Ana Mendieta. His sculptures range from large public artworks (such as ''Stone Field Sculpture'', 1977 in Hartford, Connecticut and ''Lament for the Children'', 1976 in Long Island City, New York), to large interior works exhibited on the floor (such as ''144 Magnesium Square'', 1969), to small intimate works (such as ''Satier: Zinc on Steel'', 1989, and ''7 Alnico Pole'', 2011). Andre married earth-body artist Ana Mendieta. In 1985, she fell from their apartment window and died after an argument with him. He was acquitted of a second-degree murder charge in a 1988 bench trial, but supporters of Mendieta, have protested at his subsequent exhibitions. Early life Andre was born September 16, 1935 in Quincy, Massachusetts. He completed primary and secondary schooling in the Quincy public schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mac Adams
Mac Adams (born in 1943 in Brynmawr, South Wales, UK) is a British artist. Early life and education Adams studied at Cardiff School of Art & Design 1962–1967. In 1966 he married Barbara Whedon, an American art student studying at Cardiff. He has a daughter Boram born in 1986. Adams Received an MFA degree from Rutgers University (1967–69), where he studied with the fluxest artist Bob Watts. In 1969 while still a grad student he participated in the first ‘Soft Art’ Exhibitions at The New Jersey State Museum, along with Richard Serra. Richard Archwager, Keith Sonnier, and John Chamberlain among others. In 1970 he moved to New York City where he lived and worked until 2002. Early mystery work In 1974 his first ‘Mystery' series was shown at the legendary 112 Green Street Gallery in Soho, N.Y. In 1976 he began showing with the John Gibson Gallery, where he became part of a movement known as Narrative Art. Adams was associated with a group of Conceptual artists who used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
