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John Curwen
John Curwen (14 November 1816 – 26 May 1880) was an English Congregationalist minister and diffuser of the tonic sol-fa system of music education created by Sarah Ann Glover. He was educated at Wymondley College in Hertfordshire, then Coward College as that institution became known when it moved to London, and finally University College London. Background and biography John Curwen was a descendant of the Curwens of Workington Hall in Cumbria, one of the oldest families in England, the male line proper being a direct descent from Eldred, a pre-Norman Englishman, whose son Ketel held lands in the Barony of Kendal. Orm, Ketel's son, inherited the Cumbrian manor of Workington. Curwen was born 14 November 1816, at Heckmondwike, West Riding of Yorkshire, the son of Spedding Curwen and Mary Jubb. His father was a Non-conformist minister, as John was also from 1838 until 1864. Curwen gave up full-time ministry to devote himself to his new method of musical nomenclature. He establi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Curwen By William Gush
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sight Reading
In music, sight-reading, also called ''a prima vista'' (Italian meaning "at first sight"), is the practice of reading and performing of a piece in a music notation that the performer has not seen or learned before. Sight-singing is used to describe a singer who is sight-reading. Both activities require the musician to play or sing the notated rhythms and pitches. Terminology Sight-reading People in music literature commonly use the term "sight-reading" generically for "the ability to read and produce both instrumental and vocal music at first sight ... the conversion of musical information from sight to sound". Udtaisuk and some other authors prefer the use of the more specific terms "sight-playing" and "sight-singing" where applicable. This differentiation leaves a third, more restricted use of the term "sight-reading" for the silent reading of music without creating sound by instrument or voice. Highly skilled musicians can sight-read ''silently''; that is, they can look at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shape Note
Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the noteheads in written music to help singers find pitches within major and minor scales without the use of more complex information found in key signatures on the staff. Shape notes of various kinds have been used for over two centuries in a variety of music traditions, mostly sacred music but also secular, originating in New England, practiced primarily in the Southern United States for many years, and now experiencing a renaissance in other locations as well. Nomenclature Shape notes have also been called character notes and patent notes, respectfully, and buckwheat notes and dunce notes, pejoratively. Overview The idea behind shape notes is that the parts of a vocal work can be learned more quickly and easily if the music is printed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalmist Movement
Psalmist movement is a term that covers a period of mass musical education in Britain having its roots in the dissenting congregational church singing organisations of late 18th century in regional Scotland and Northern England, which, by the mid-19th century, was to become a vibrant metropolitan cultural institution, coinciding with radical developments in broader national schools policy, the latter owing much to the teaching methods used by the psalmist singing schools. It is sometimes also referred to as the 'choral revival'. The names most often associated with the 'movement' in Britain are John Curwen (1816–1880), Sarah Ann Glover (1785–1867) and John Pyke Hullah (1812–24), However it had its philosophical roots in Europe, particularly in the social idealism of Johann Heinrich Pestalozzi. In Bernarr Rainbow's words 'As a result of the series of weekly massed singing classes introduced at Exeter Hall Exeter Hall was a large public meeting place on the north side ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curwen Press
The Curwen Press was founded by the Reverend John Curwen in 1863 to publish sheet music for the "tonic sol-fa" system. The Press was based in Plaistow, Newham, east London, England, where Curwen was a pastor from 1844. The Curwen Press is best known for its work in the period 1919-1939. The Press's output included books, advertising posters and published ephemera which typically used three interrelated elements: typography, decoration, and publicity which together give the Press a unique and memorable style. The work of the Press provides important evidence that the fine printing of the interwar years was not confined to private presses. The Curwen Press, under the management of Harold Curwen, John's grandson, was at the vanguard of the design revolution that saw expression in British printing in the early 20th century. An underlying ethos of the Curwen Press was that its craftsmanship could and should take both craftsman and consumer on an emotional and aesthetic voyage. Haro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emile Chevé
Emil or Emile may refer to: Literature *''Emile, or On Education'' (1762), a treatise on education by Jean-Jacques Rousseau * ''Émile'' (novel) (1827), an autobiographical novel based on Émile de Girardin's early life *''Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *''Emil i Lönneberga'', a series of children's novels by Astrid Lindgren Military *Emil (tank), a Swedish tank developed in the 1950s * Sturer Emil, a German tank destroyer People *Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' *Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other * ''Emile'' (film), a Canadian film made in 2003 by Carl Bessai *Emil (river), in China and Kazakhstan See also * * *Aemilius (other) *Emilio (other) *Emílio (other) *Emilios (other) Emilios, or Aimilios, (Greek: Αιμίλιος) is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aimé Paris
Aimé Paris (1798–1866) was a French scholar. He was the developer of a method of stenography, and co-developer and propagator of what became the Galin-Paris-Chevé system of music notation. Paris studied mathematics and law, and became a lawyer. His techniques of memory were well known; at one point he was the "professeur de mnémonique" at the Athenée in Paris. Stenography In 1815, he learned the system of Samuel Taylor (1772–1834) adapted by Théodore-Pierre Bertin for French. In 1820, after inventing his own method of stenography, he abandoned his career as a lawyer and traveled across France, as well as the Netherlands, Belgium, and Switzerland, giving conferences and teaching his system. He published the books ''History of Stenography'' and ''Inventions of Aimé Paris''. His stenographic works were followed and completed by Louis Prosper Guénin. Music system advocacy He approached Pierre Galin when he moved to Paris, and asked to be his business-manager, so Galin cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Galin
Pierre Galin (1786–1822) was a French music educator, and developer of what became the Galin-Paris-Chevé system. Life and career Galin studied mathematics and commerce, and became a mathematics teacher in Bordeaux, at a school for children with speech and hearing difficulties. He studied music on his own, but had difficulty understanding his textbooks until he discovered the principles of movable do solfège. He advised separate study of pitch and rhythm, and devised a numbered musical notation similar to that of Rousseau, although he recommended students learn staff notation as well. After success teaching with his ideas in Bordeaux, he moved to Paris where he led a group of enthusiastic students, especially Aimé Paris. Paris ended up plagiarizing his ideas in print, and later claimed never to have known him. Galin became sick, though he continued teaching up to his death. He is buried in Père Lachaise Cemetery. System He never published an explanation of his teaching syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday School
A Sunday school is an educational institution, usually (but not always) Christian in character. Other religions including Buddhism, Islam, and Judaism have also organised Sunday schools in their temples and mosques, particularly in the West. Sunday school classes usually precede a Sunday church service and are used to provide catechesis to Christians, especially children and teenagers, and sometimes adults as well. Churches of many Christian denominations have classrooms attached to the church used for this purpose. Many Sunday school classes operate on a set curriculum, with some teaching attendees a catechism. Members often receive certificates and awards for participation, as well as attendance. Sunday school classes may provide a light breakfast. On days when Holy Communion is being celebrated, however, some Christian denominations encourage fasting before receiving the Eucharistic elements. Early history Sunday schools were first set up in the 18th century in England to pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Line
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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