John Coates (tenor)
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John Coates (tenor)
John Coates (29 June 1865 – 16 August 1941) was a leading English tenor, who sang in opera and oratorio and on the concert platform. His repertoire ranged from Bach and Purcell to contemporary works, and embraced the major heldentenor roles in Richard Wagner's operas. For more than 40 years, with only a four-year interruption for military service during World War I, he overcame the limitations of a voice that was not naturally large by impressing listeners with his intense artistic expression, lively diction, musical versatility and memorable stage presence. Coates spent some time on the European continent, toured Australia and South Africa in 1912–13 and performed in North America in the 1890s and again in 1925. He performed most often, however, in his native country and became a beloved figure at England's regional music festivals. Elgar's ''Dream of Gerontius'' was one of his specialties. After 1921, he limited his performances to the concert stage and recitals, still pe ...
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John Coates Tenor
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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The Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ...
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Globe Theatre (Newcastle Street)
The Globe was a Victorian theatre built in 1868 and demolished in 1902. It was the third of five London theatres to bear the name, following Shakespeare’s Bankside house, which closed in 1642, and the former Rotunda Theatre in Blackfriars Road, which for a few years from 1833 was renamed the Globe. The new theatre was also known at various times as the Royal Globe Theatre or Globe Theatre Royal. Its repertoire consisted mainly of comedies and musical shows. The theatre's most famous production was ''Charley's Aunt'' by Brandon Thomas, which enjoyed a record-setting run there, having transferred from the Royalty Theatre. Other long-running pieces included the opéra-comique ''The Chimes of Normandy'' (1878) and the farce ''The Private Secretary'' (1884). History Background and first years In the 16th century Lyon's Inn, one of the Inns of Chancery attached to London's Inner Temple, stood on the site. By the 1860s the area had deteriorated greatly and the old inn had been c ...
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Alhambra Theatre
The Alhambra was a popular theatre and music hall located on the east side of Leicester Square, in the West End of London. It was built originally as the Royal Panopticon of Science and Arts opening on 18 March 1854. It was closed after two years and reopened as the Alhambra. The building was demolished in 1936. The name was also adopted by many other British music hall theatres located elsewhere; in Bradford, in Hull and in Glasgow etc. The name comes from association with the Moorish splendour of the Alhambra palace in Granada, Spain. History Origins The Alhambra was originally known as the Royal Panopticon and was a landmark building at 23–27 Leicester Square, completed in 1854 by T. Hayter Lewis as a venue for showcasing the finest in the arts and for scientific demonstrations and popular education. This lasted for two years, and then the decision to add a circus ring was taken. When it reopened on 3 April 1858 it was renamed the Alhambra. The 1858 building conversion to ...
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The Absent-Minded Beggar
"The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan and often accompanied by an illustration of a wounded but defiant British soldier, "A Gentleman in Kharki", by Richard Caton Woodville. The song was written as part of an appeal by the ''Daily Mail'' to raise money for soldiers fighting in the Second Boer War and their families. The fund was the first such charitable effort for a war. The chorus of the song exhorted its audience to "pass the hat for your credit's sake, and pay– pay– pay!" The patriotic poem and song caused a sensation and were constantly performed throughout the war and beyond. Kipling was offered a knighthood shortly after publication of the poem but declined the honour. Vast numbers of copies of the poem and sheet music were published, and large quantities of related merchandise were sold to aid the charity. The "Absent-Minded Beggar Fund" was an unprecedented success and raised a total of more than £250,000. ...
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Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 â€“ 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ...
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Edwardian Musical Comedies
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War. Between '' In Town'' in 1892 and ''The Maid of the Mountains'', premiering in 1917, this new style of musical theatre became dominant on the musical stage in Britain and the rest of the English-speaking world. The popularity of ''In Town'' and ''A Gaiety Girl'' (1893), led to an astonishing number of hits over the next three decades, the most successful of which included ''The Shop Girl'' (1894), ''The Geisha'' (1896), ''Florodora'' (1899), '' A Chinese Honeymoon'' (1901), ''The Earl and the Girl'' (1903), '' The Arcadians'' (1909), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), ''Betty'' (1914), ''Chu Chin Chow'' (191 ...
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Savoy Theatre
The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre was designed by C. J. Phipps for Richard D'Oyly Carte and opened on 10 October 1881 on a site previously occupied by the Savoy Palace. Its intended purpose was to showcase the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy operas. The theatre was the first public building in the world to be lit entirely by electricity. For many years, the Savoy Theatre was the home of the D'Oyly Carte Opera Company, which continued to be run by the Carte family for over a century. Richard's son Rupert D'Oyly Carte rebuilt and modernised the theatre in 1929, and it was rebuilt again in 1993 following a fire. It is a Grade II* listed building. In addition to ''The Mikado'' and other famous Gilbert and Sullivan premières, the theatre has hosted such premières as the first public performance in England of Oscar Wilde's '' Salome'' (1931) and Noà ...
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Mirette (opera)
''Mirette'' is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894. ''Mirette'' exists in two distinct versions. The first version of the libretto was written in French by Michel Carré but this was never performed. English lyrics were written by Frederic E. Weatherly, and English dialogue based on the Carré libretto was written by Harry Greenbank. This first English version of the opera ran for 41 performances, closing on 11 August 1894. This was the shortest run of any opera produced at the Savoy Theatre under the management of Richard D'Oyly Carte. The second version, advertised as a "new version with new lyrics by Adrian Ross," ran for 61 performances, from 6 October 1894 to 6 December 1894. Both versions essentially tell the same story, with the second version emphasising comedy over the romance of the first version. The music has been mostly forgotten. However, one song ("Long ago in Alcala") becam ...
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Utopia Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions. Gilbert's libretto Satire, satirises limited liability company, limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Companies Act 1862, Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, i ...
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D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera. In 1875 Richard D'Oyly Carte asked the dramatist W. S. Gilbert and the composer Arthur Sullivan to collaborate on a short comic opera to round out an evening's entertainment. When that work, ''Trial by Jury'', became a success, Carte put together a syndicate to produce a full-length Gilbert and Sullivan work, ''The Sorcerer'' (1877), followed by ''H.M.S. Pinafore'' (1878). After ''Pinafore'' became an international sensation, Carte jettisoned his difficult investors and formed a new partnership with Gilbert and Sullivan that became the D'Oyly Carte Opera Company. The company produced the succeeding ...
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