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John Bröcheler
John Bröcheler (born 21 February 1945) is a Dutch operatic baritone who began as a concert singer, specialising in contemporary music such as the world premiere of Mauricio Kagel's ''Mare Nostrum''. His appearance at the Dutch National Opera in Donizetti's ''Maria Stuarda'' alongside Joan Sutherland was followed by an international operatic career, performing for example as Mandryka in '' Arabella'' by Richard Strauss, and again in world premieres such as Menotti's '' La Loca'' at the New York City Opera and the complete version of Henze's ''König Hirsch'' at the Staatsoper Stuttgart. Life Born in Vaals, Bröcheler became a member of the men's choir Het Koninklijk Mannenkoor Cecilia 1837 in 1961, where he performed solo parts beginning with ''Die zwölf Räuber'' at age 17. He studied voice at the Conservatorium Maastricht with Leo Ketelaars and later in Paris with Pierre Bernac. He achieved first prize at the 1969 Landelijk Concours van Nederlandse Vocalisten in 's-Herto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaals
Vaals (; Ripuarian: ) is a town in the extreme southeastern part of the Dutch province of Limburg, which is in the southeastern part of the Netherlands. The municipality covers an area of in the foothills of the Ardennes–Eifelrange and is located about east of Maastricht and west of the city centre of Aachen. It borders on both Belgium and Germany. The three borders meet on the Drielandenpunt, a few meters from the highest point in the European part of the Netherlands, the Vaalserberg. The Vaalserberg used to be called "Hubertusberg". History Its occupation in ancient Roman times might be recorded by its name itself which comes from Latin 'vallis'. It is one of the few places in the Netherlands with a name deriving from Latin. In Roman times, the south of the Dutch province of Limburg was a densely populated part of the Roman empire, with its regional focus on Cologne (Colonia Claudia Ara Agrippinensium), for a while even capital of the Western Roman Empire. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalise
A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. There is very little scientific data about the benefits of vocal warm-ups. Relatively few studies have researched the effects of thesexerciseson muscle function and even fewer have studied their effect on singing-specific outcomes. Description Vocal warm-ups are intended to accomplish five things: a physical whole-body warm-up, preparing the breath, preparing the articulators and resonators, moving from the spoken register to the singing register (or an extended spoken register for acting), and preparing for the material that is going to be rehearsed or performed. Physical whole-body warm-ups help prepare a singer or actor's body in many ways. Muscles all over the body are used when singing/acting. Stretching helps to activate and prepare the large muscle groups that take care of balance and posture, and the smaller muscle groups that are directly involved with breathing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Capobianco
Tito Capobianco (28 August 1931 – 8 September 2018) was an Argentine American stage director and general manager of several opera companies. Early life Capobianco was born in La Plata, Argentina. His parents had fled from Fascist Italy in 1928 and settled in La Plata, near Buenos Aires. His parents were both musical; his father played trumpet in the local symphonic band. He grew up speaking Italian (a later advantage in the opera world) and attended a bilingual Spanish-Italian school until 4th grade. He continued his musical education at ''Hermanos Maristas de la Enseñanza'' and St. Joseph's College. He then qualified for the chorus and opera school of the Teatro Argentino de La Plata, where he graduated from being a super to singing baritone roles; he also learned stage managing. Career He made his official debut with ''Aida'' at the Teatro Argentino de La Plata in 1953, then worked at the Teatro Colón in Buenos Aires. His American debut came in 1962 with a production of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Diego Opera
The San Diego Opera Association (SDO) is a professional opera company located in the city of San Diego, California. It incorporated in 1965, presenting operas under the name of the San Diego Opera."Company History" on sdopera.com. Retrieved 2 June 2014 It is a member of the professional association OPERA America, which ranked it among the top ten opera companies in the United States. David Ng (2014) "San Diego Opera will close, in 'a sign of the times'" ''Los Angeles Times'', March 20, 2014 The company was founded in 1950 as the San Diego Opera Guild, originally to prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyndebourne Festival
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Herring
''Albert Herring'', Op. 39, is a chamber opera in three acts by Benjamin Britten. Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera ''The Rape of Lucretia''. The libretto, by Eric Crozier, was based on Guy de Maupassant's novella '' Le Rosier de Madame Husson'', with the action transposed to an English setting. Composition history After having composed and staged ''The Rape of Lucretia'', Britten decided he should attempt a comedy, preferably set in England.Nigel Douglas. "Some personal memories of Benjamin Britten, the English Opera Group and ''Albert Herring''". Booklet note to Nimbus NI 5824/6 (2008). Crozier suggested adapting the Maupassant short story ''Le rosier de Madame Husson'' and transplanting it to the Suffolk landscape already familiar to Britten from his home in Snape. Britten composed ''Albert Herring'' at his home, The Old Mill at Snape, in the winter of 1946 and the spring of 1947. He scored the oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix Italia
The Prix Italia is an international Television, Radio-broadcasting and Web award. It was established in 1948 by RAI – Radiotelevisione Italiana (in 1948, RAI had the denomination RAI – Radio Audizioni Italiane) in Capri and is honoured with the High Patronage of the President of the Italian Republic. More than one hundred public and private radio and television organisations representing 57 countries from the five continents form and outline the community of the Prix Italia which is in continuous evolution. Unique in the world, among International festivals and prizes, is the organisational and decision-making body of the Prix. The delegates of broadcating members decide and resolve the editorial outline and elect the President. RAI is in charge and responsible of the organisation of the event, and the General Secretariat has its headquarters in Rome. Prix Italia is held in an Italian city of art and culture annually every September/October for a week, in collaboration with loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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