John Ayldon
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John Ayldon
John Ayldon (11 December 1943 – 16 February 2013) was an English opera singer and comic actor, best known for his performances in bass-baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Though born in England, Ayldon spent several years of his youth in the US, where he became interested in acting and received some professional engagements. He performed in Gilbert and Sullivan productions later in London but did not begin his professional performing career in earnest until 1967, when he joined the D'Oyly Carte as a chorister and small role player. In 1969, he took over the principal bass-baritone roles in the company's entire repertoire, and he continued to play them full-time until the company closed in 1982. After this, he sang roles with opera companies throughout Britain and with Canadian Opera; he appeared frequently in concerts, music hall, cabaret, and pantomime. In London's West End, he understudied and played the role of Firmin in ''The Phant ...
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John Ayldon, D'Oyly Carte
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ...
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Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadia (utopia), Arcadian shepherd who wants to marry Phyllis, a Ward (law), Ward of Court of Chancery, Chancery. All the members of the House of Lords, House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother – immortal fairies all appear young), she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satire, satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's ...
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Peter Pratt
Peter Pratt (21 March 1923 – 11 January 1995) was an English actor and singer. He was best known for his comic roles in the Gilbert and Sullivan comic operas. Pratt started his career in the chorus of the D'Oyly Carte Opera Company in 1945, moving up to small roles and then understudying Martyn Green, the principal comedian. From 1951 to 1959, he was the company's principal comedian, earning critical praise in the famous "patter" roles. After leaving the company, he moved on to a career in theatre, television, concert and radio, although he continued to perform the Gilbert and Sullivan roles throughout his career. Among his television roles Pratt was the second actor to play the Master in the science fiction series ''Doctor Who''. Biography Pratt was born and grew up in Eastbourne, England, where he began to study singing as a child and was a soloist in his church choir. He was also involved in amateur theatrical societies.
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William Douglas-Home
William Douglas Home (3 June 1912 – 28 September 1992) was a British dramatist and politician. Early life Douglas-Home (he later dropped the hyphen from his surname) was the third son of Charles Douglas-Home, 13th Earl of Home, and Lady Lilian Lambton, daughter of the 4th Earl of Durham. His eldest brother was Sir Alec Douglas-Home, Prime Minister from 1963 to 1964. He was educated at Ludgrove School, Eton College and New College, Oxford, where he read history. His first play, ''Murder in Pupil Room'', was performed by his classmates at Eton in 1926 when he was only fourteen. On 26 July 1951, he married the Hon. Rachel Brand (who later inherited the barony of Dacre), the daughter of Thomas Brand, 4th Viscount Hampden and 26th Baron Dacre, and Leila Emily Seely. They had four children. Political career During the Second World War, Douglas-Home contested three parliamentary by-elections as an independent candidate opposed to Winston Churchill's war aim of an unconditional ...
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The Grand Duke
''The Grand Duke; or, The Statutory Duel'', is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on 7 March 1896, and ran for 123 performances. Despite a successful opening night, the production had a relatively short run and was the partnership's only financial failure, and the two men never worked together again. In recent decades, the opera has been revived professionally, first in the US and then in the UK. In ''The Grand Duke'', Gilbert and Sullivan come full circle, back to the theme of their first collaboration, ''Thespis (opera), Thespis'': a troupe of actors taking political power. The plot hinges on the mis-interpretation of a 100-year-old law regarding statutory duels (decided by drawing cards). The baffled leading man of the troupe, Ludwig, spearheads the rebellion against the hypochondriac, miserly Grand Duke and becomes engaged to four different w ...
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Utopia Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions. Gilbert's libretto Satire, satirises limited liability company, limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Companies Act 1862, Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, i ...
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The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over ''The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its si ...
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The Sorcerer
''The Sorcerer'' is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of ''The Sorcerer'' is based on a Christmas story, ''An Elixir of Love'', that Gilbert wrote for ''The Graphic'' magazine in 1876. A young man, Alexis, is obsessed with the idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell. The opera opened on 17 November 1877 at the Opera Comique in London, where it ran for 178 performances. It was considered a success by the standards of that time and encouraged the collaborators to write their next opera, ''H.M.S. Pinafore''. ''The Sorcerer'' was r ...
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The Yeomen Of The Guard
''The Yeomen of the Guard; or, The Merryman and His Maid'', is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888 and ran for 423 performances. This was the eleventh collaboration of fourteen between Gilbert and Sullivan. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, of the Savoy Operas, ending with a broken-hearted main character and two very reluctant engagements, rather than the usual numerous marriages. The libretto does contain considerable humour, including a lot of pun-laden one-liners, but Gilbert's trademark satire and topsy-turvy plot complications are subdued in comparison with the other Gilbert and Sullivan operas. The dialogue, though in prose, is quasi-William Shakespeare, Shakespearean, or Early Modern English, early modern English, in style. Critics considered the score to be Sullivan's finest, including its ...
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Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was originally spelled) did not measure up to its predecessor, '' The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the ''Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody pre ...
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Princess Ida
''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes. The opera satirizes feminism, women's college, women's education and Charles Darwin, Darwinian evolution, which were controversial topics in conservative Victorian era, Victorian England. ''Princess Ida'' is based on a narrative poem by Alfred, Lord Tennyson called ''The Princess (Tennyson poem), The Princess'' (1847), and Gilb ...
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Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore'', and the seco ...
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