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Johann Nepomuk Fuchs (composer)
Johann Nepomuk Fuchs (5 May 1842 – 15 October 1899) was an Austrian composer, opera conductor, teacher and editor. His editorial work included an important role in the preparation of the first complete edition of Schubert's works. He was an older brother of the composer Robert Fuchs. Life and works Johann Nepomuk Fuchs was born on 5 May 1842 at Frauental in Styria in the south of Austria. His youngest brother was the composer and music teacher Robert Fuchs. Johann studied musical theory in Vienna with the prominent theorist and composer Simon Sechter, with whom Schubert had planned to study. In 1864, he was appointed Kapellmeister of the Bratislava Opera. He also conducted opera outside Bratislava, in Brno, Kassel, Cologne, Hamburg, and Leipzig, before moving to the Vienna Court Opera in 1880. In 1888, Fuchs joined the faculty of the Vienna Conservatory, where the composer Alexander von Zemlinsky was one of his students of composition. Other notable students included comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nepomuk Fuchs - Komponist Und Kapellmeister
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name '' Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for war crimes * Johann Andreas Eisenmenger (1654–1704), German Orientalist * Johann Baptist Wanhal (1739–1813), Czech composer * Johann Bernhard Fischer von Erlach (1656–1723), Austrian architect * Johann Bernoulli (1667–1748), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Und Estrella
' (''Alfonso and Estrella''), 732, is an opera with music by Franz Schubert, set to a German libretto by Franz von Schober, written in 1822. Along with the later '' Fierrabras'', composed in 1823, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition. Unlike ''Fierrabras'', it contains no spoken dialogue. Background In close collaboration with von Schober in the region of Sankt Pölten, Schubert wrote the vocal numbers of ''Alfonso und Estrella'' between September 1821 and February 1822. Schober, only one year older than the young Schubert, and a dabbler in literature, music and theatre, was enthusiastic about the collaboration. Schubert and Schober shared an appreciation for the operatic theories of Ignaz von Mosel, a patron of Schubert's, who supported Gluck's operatic ideals. This influence may have led to the omission of all spoken dialog, parting from the German Singspiel form followed in operas such as Mozart's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almira
''Almira, Königin von Castilien'' ("Almira, Queen of Castile", HWV 1; full title: ''Der in Krohnen erlangte Glücks-Wechsel, oder: Almira, Königin von Castilien'') is George Frideric Handel's first opera, composed when he was 19 years old. It was first performed in Hamburg in January 1705. Background Handel came to the city of Hamburg in the summer of 1703 and played as a violinist in the theatre at the ''Gänsemarkt'', the local market place. On later occasions, he also played the harpsichord in the orchestra. His first opera – announced as a '' Singspiel'' although it has no spoken dialogue – was premiered on 8 January 1705, after being composed in the months directly preceding this. An Italian libretto was written by Giulio Pancheri in Venice in 1691 for Giuseppe Benevento's opera ''L'Almira''. The German translation used by Handel was made by Friedrich Christian Feasting. The recitatives of the opera are in German, and while most of the arias are also in German, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Cadi Dupé
''Le cadi dupé'' (''The Duped Qadi'', or ''The Duped Judge'') is an opéra comique in one act by Christoph Willibald Gluck. It has a French-language libretto by Pierre-René Lemonnier. It premiered at the Burgtheater in Vienna on 8 December 1761. The libretto had already been set by Pierre-Alexandre Monsigny Pierre-Alexandre Monsigny ( – ) was a French composer and a member of the French Académie des Beaux-Arts (1813). He is considered alongside André Grétry and François-André Danican Philidor to have been the founder of a new musical gen ... in an opera that had premiered on 4 February of the same year at the Paris Foire St-Germain. The music belongs to the Turkish-influenced fashion of the period and features janissary music, represented by piccolo, drums, and cymbals. Roles Synopsis The Cadi has been flirting with other women and neglecting his wife, Fatima. The mischievous Zelmire, who is in love with Nuradin, tricks the Cadi in order to teach hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hofkapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Hellmesberger, Sr
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled '' Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schenker
Heinrich Schenker (19 June 1868 – 14 January 1935) was a Galician-born Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. His approach, now termed Schenkerian analysis, was most fully explained in a three volume series entitled ''Neue musikalische Theorien und Phantasien'' (''New Musical Theories and Phantasies''), which included '' Harmony'' (1906), '' Counterpoint'' (1910; 1922) and ''Free Composition'' (1935). Born in Wiśniowczyk, Austrian Galicia, he studied law at University of Vienna and music at what is now the University of Music and Performing Arts Vienna where his teachers included Franz Krenn, Ernst Ludwig, Anton Bruckner and Johann Nepomuk Fuchs. Despite his law degree, he focused primarily on a musical career following graduation, finding minimal success as a composer, conductor and accompanist. From the 20th-century on, Schenker increasingly directed his efforts towards music theory, developing a syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubin Goldmark
Rubin Goldmark (August 15, 1872 – March 6, 1936) was an American composer, pianist, and educator.Perlis, ''New Grove Dictionary of American Music'', v. II, p. 239 Although in his time he was an often-performed American nationalist composer, his works are seldom played now. Today he is best known as the teacher of other important composers, including Aaron Copland and George Gershwin. Early life Rubin Goldmark was born in New York City in 1872, a nephew of composer Karl Goldmark, and of Jewish heritage. Goldmark completed his undergraduate studies at City College in New York. After completing his studies in the United States in 1889, Goldmark traveled to Austria, where he studied at the Vienna Conservatory until 1891. There he studied piano and composition, the former with Alfred von Livonius, the latter with Johann Nepomuk Fuchs. Return to the United States After the conclusion of his studies in Vienna, Goldmark returned to United States. From 1891 to 1893 he taught pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Fall
Leopold Fall (2 February 187316 September 1925) was an Austrian Kapellmeister and composer of operettas. Life Born in Olmütz (Olomouc), Leo (or Leopold) Fall was taught by his father Moritz Fall (1848–1922), a bandmaster and composer, who settled in Berlin. The younger Fall studied at the Vienna Conservatory before rejoining his father in Berlin. His teachers in Vienna were Robert Fuchs and Johann Nepomuk Fuchs. In 1895 he began a new career as an operetta conductor in Hamburg, and started to compose. From 1904 onwards he devoted himself to composition. While less successful than his contemporary Franz Lehár, he was nevertheless capable of producing melodious and well orchestrated work. After working in Berlin, Hamburg and Cologne he settled in Vienna in 1906, where he died. He is buried at the Vienna Central Cemetery. His brothers and Richard were also composers; both were murdered by Nazi concentration camps. His best known operettas in the English-speaking world are '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
