Johann Heinrich Buttstett
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Johann Heinrich Buttstett
Johann Heinrich Buttstett (also ''Buttstedt'', ''Buttstädt'') (25 April 1666 – December 1, 1727) was a German Baroque organist and composer. Although he was Johann Pachelbel's most important pupil and one of the last major exponents of the south German organ tradition, Buttstett is best remembered for a dispute with Johann Mattheson. Life Buttstett was born in Bindersleben (now part of Erfurt) into the family of Johann Henricus Buttstett, a well-educated local pastor who had studied at the University of Erfurt. He began studying music at an early age, becoming a pupil of Johann Pachelbel, then organist of Erfurt's Predigerkirche, in 1678. His professional career began in 1684 at the Reglerkirche and continued at the Kaufmannskirche, where he was working in 1687. In both cases, he was not only the church organist but also teaching in church schools. In 1691, Buttstett succeeded Nicolaus Vetter at the Predigerkirche (Pachelbel quit in 1690 and Vetter, who succeeded him, moved t ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ...
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18th-century German Male Musicians
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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18th-century German Composers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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18th-century Classical Composers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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1727 Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ...
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1666 Births
This is the first year to be designated as an ''Annus mirabilis'', in John Dryden's 1667 poem so titled, celebrating England's failure to be beaten either by the Dutch or by fire. It is the only year to contain each Roman numeral once in descending order (1000(M)+500(D)+100(C)+50(L)+10(X)+5(V)+1(I) = 1666). Events January–March * January 17 – The Chair of Saint Peter (''Cathedra Petri'', designed by Bernini) is set above the altar in St. Peter's Basilica in Rome. * February 1 – The joint English and Scottish royal court returns to London, as the Great Plague of London subsides. * March 11 – The tower of St. Peter's Church in Riga, collapses, burying eight people in the rubble. April–June * April 20 – In colonial British North America, " Articles of Peace and Amity" are signed between the governments of the Province of Maryland and 12 Eastern Algonquian tribes — the Piscataways, Anacostancks, Doegs, Mattawomans, Portobac ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Helga Schauerte-Maubouet
Helga Schauerte-Maubouet (born 8 Mars, 1957, Lennestadt) is a German-French organist, writer and editor of music. Schauerte has recorded the complete organ works of Jehan Alain, Dietrich Buxtehude, and J. S. Bach (in process), portraits of Buttstett, Corrette, Reger, Boëllmann, Dubois and Langlais, comprising some thirty recordings). She works as a performing artist in Europe and throughout the USA, and is Organist of the German Lutheran Church in Paris, and teaches at the Paris Conservatory Nadia et Lili Boulanger. She is also lecturer and jury member for international organ competitions. Her career has been influenced by German and French music. In 2006 she founded a Bach-organ-academy in Pontaumur (Auvergne, France). She wrote the first book in German on Jehan Alain’s music, and has acquired some forty of this composer’s musical autographs. She has been engaged by Bärenreiter to contribute to the new edition of MGG, to write on French organ music subjects in the Han ...
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Repercussion (singing)
Repercussion (latinized form of "repeating" or "rebounding") is a special vocal singing technique consisting on singing a tone with a constant pitch. The technique has been and is especially used in Gregorian chantWilli Apel ''Gregorian Chant'' 0253326508 - 1958 Page 107 "Another repercussion of seven notes occurs at the beginning of the Offertory Reges Tharsis 61 and one of nine notes in the Gradual Quemadmodum 478on “(siti)vit.” b. " where repetitions of sounds are prescribed by certain neumes, such as a distropha or a tristropha. The vocals are modulated in volume, without necessarily resulting in a pitch fluctuation, or a vibrato. If the singing is not performed by a soloist, the singers modulate their voices in unison according to the direction of the cantor. The perfect singing of repercussion requires vocal training and appropriate respiratory support. A similar term, which means something different, is the word "repercussa". This is another name for the recitation ...
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