Johann Crüger
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Johann Crüger
Johann Crüger (9 April 1598 – 23 February 1662) was a German composer of well-known hymns. He was also the editor of the most widely used Lutheran hymnal of the 17th century, ''Praxis pietatis melica''. Early life and education Crüger was born in Groß Breesen (now part of Guben) as the son of an innkeeper, Georg Crüger.Nummert, Dietrich"Mit 24 schon Musikdirektor. Kantor und Lehrer Johann Crüger" ''Berlinische Monatsschrift'', pp. 64–68 (April 1998) He was an ethnic Sorb, baptized as Jan Krygar.Zersen, David and Mellenbruch, Eric. “Najwuznamn-niši němski kěrlušer poreforma-ciskeje doby bě Serb”, Serbsky protyka, pp. 53–56 (2018) (In Sorbian) He studied at the nearby Lateinschule (then located in Guben) until 1613, and that school's teaching program included music and singing. He then traveled to Sorau and Breslau for further education, and finally to Regensburg, where he received musical training from Paulus Homberger (1560–1634). In 1615 he traveled to ...
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University Of Wittenberg
Martin Luther University of Halle-Wittenberg (german: Martin-Luther-Universität Halle-Wittenberg), also referred to as MLU, is a public, research-oriented university in the cities of Halle and Wittenberg and the largest and oldest university in the German state of Saxony-Anhalt. MLU offers German and international (English) courses leading to academic degrees such as BA, BSc, MA, MSc, doctoral degrees, and Habilitation. The university was created in 1817 through the merger of the University of Wittenberg (founded in 1502) and the University of Halle (founded in 1694). MLU is named after Protestant reformer Martin Luther, who was a professor in Wittenberg. Today, the university campus is located in Halle, while ''Leucorea Foundation'' in Wittenberg serves as MLU's convention centre. Both Halle and Wittenberg are about one hour from Berlin via the Berlin–Halle railway, which offers Intercity-Express (ICE) trains. History University of Wittenberg (''Universität Wittenbe ...
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Thirty Years' War
The Thirty Years' War was one of the longest and most destructive conflicts in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD 500), the Middle Ages (AD 500 to AD 1500), and the modern era (since AD 1500). The first early ..., lasting from 1618 to 1648. Fought primarily in Central Europe, an estimated 4.5 to 8 million soldiers and civilians died as a result of battle, famine, and disease, while some areas of what is now modern Germany experienced population declines of over 50%. Related conflicts include the Eighty Years' War, the War of the Mantuan Succession, the Franco-Spanish War (1635–1659), Franco-Spanish War, and the Portuguese Restoration War. Until the 20th century, historians generally viewed it as a continuation of the religious struggle initiated by the 16th-century Reformation within the Holy Roman Empire. The 1555 Peace of Augsburg atte ...
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Jesu, Meine Freude, BWV 227
(Jesus, my joy), 227, is a motet by Johann Sebastian Bach. The longest and most musically complex of Bach's motets, it is set in eleven movements for up to five voices. It is named after the Lutheran hymn "" with words by Johann Franck, first published in 1653. The motet contains the six stanzas of the hymn in its odd-numbered movements. The hymn tune by Johann Crüger appears in all of these movements in different styles of chorale settings. The text of the motet's even-numbered movements is taken from the eighth chapter of the Epistle to the Romans, a passage that influenced key Lutheran teachings. The hymn, written in the first person with a focus on an emotional bond with Jesus, forms a contrasting expansion of the doctrinal biblical text. Bach set both texts alternating with and complementing each other, in a structure of symmetries on different layers. Bach's treatment of Crüger's melody ranges from four-part chorale harmonisations that begin and end the work, to a ch ...
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Jesu, Meine Freude
"" (; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence. The poetry is bar form, with irregular lines from 5 to 8 syllables. The melody repeats the first line as the last, framing each of the six stanzas. Several English translations have been made of the hymn, including Catherine Winkworth's "Jesu, priceless treasure" in 1869, and it has appeared in around 40 hymnals. There have been choral and organ settings of the hymn by many composers, including by Johann Sebastian Bach in a motet, BWV 227, for unaccompanied chorus, and a chorale prelude, BWV 610, for organ. In the modern German Protestant hymnal, '' Evangelisches Gesangbuch'', it is No. 396. Text The text is presented in six stanzas of nine lines each. It is in bar form; three lines form the ...
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Nun Danket Alle Gott
A nun is a woman who vows to dedicate her life to religious service, typically living under vows of poverty, chastity, and obedience in the enclosure of a monastery or convent.''The Oxford English Dictionary'', vol. X, page 599. The term is often used interchangeably with religious sisters who do take simple vows but live an active vocation of prayer and charitable work. In Christianity, nuns are found in the Roman Catholic, Oriental Orthodox, Eastern Orthodox, Lutheran, and Anglican traditions, as well as other Christian denominations. In the Buddhist tradition, female monastics are known as Bhikkhuni, and take several additional vows compared to male monastics (bhikkhus). Nuns are most common in Mahayana Buddhism, but have more recently become more prevalent in other traditions. Christianity Catholicism In the Catholic tradition, there are many religious institutes of nuns and sisters (the female equivalent of male monks or friars), each with its own charism ...
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Ich Will Den Kreuzstab Gerne Tragen, BWV 56
(),  56, is a church cantata composed by Johann Sebastian Bach for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October, 1726. The composition is a solo cantata (german: Solokantate) because, apart from the closing chorale, it requires only a single vocal soloist (in this case a bass). The autograph score is one of a few cases where Bach referred to one of his compositions as a . In English, the work is commonly referred to as the ''Kreuzstab'' cantata. Bach composed the cantata in his fourth year as Thomaskantor; it is regarded as part of his third cantata cycle. The text was written by Christoph Birkmann, a student of mathematics and theology in Leipzig who collaborated with Bach. He describes in the first person a Christian willing to "carry the cross" as a follower of Jesus. The poet compares life to a voyage towards a harbour, referring indirectly to the prescribed Gospel reading which says that Jesus travelled by boat. The person, a ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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Du, O Schönes Weltgebäude
"" (You, O beautiful building of the world) is a Lutheran hymn in German, with text by Johann Franck and melody by Johann Crüger. It was first published in Crüger's 1649 ''Geistliche Kirchen-Melodien'', and was later adopted in other hymnals, such as the 1653 edition of his . The topic is renouncing the world, hoping to be united with Jesus. While the hymn is no longer in practical use, one stanza, "" (Come, O death, to sleep a brother), was prominently used in Bach's solo cantata ''Ich will den Kreuzstab gerne tragen'', BWV 56; in English, it is commonly referred to as the ''"Kreuzstab cantata"''. History The text, a reflection on the tribulations when facing death, was written by Johann Franck in eight stanzas. With a melody by Johann Crüger, the song appeared first in Crüger's hymnal ''Geistliche Kirchen-Melodien'' (Sacred church melodies) of 1649, with the incipit "Du geballtes Weltgebäude". It was included in his in the 1653 edition. A 1864 anthology of sacred poetry ...
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Wie Soll Ich Dich Empfangen
"Wie soll ich dich empfangen" ("Ah! Lord, how shall I meet Thee", literally: How shall I receive you) is a Christian hymn for Advent by Paul Gerhardt. It was first published in 1653 in the fifth edition of the hymnal ''Praxis Pietatis Melica'' by Johann Crüger, who also created a melody. Johann Sebastian Bach used it as a chorale in his ''Christmas Oratorio'', but with a different melody. Catherine Winkworth translated five of its ten stanzas. History Paul Gerhardt wrote the lyrics in the first person, beginning with the theme, the question how to receive Jesus who is expected to arrive. The poet alludes to biblical narrations, such as his entry into Jerusalem and the parable of the ten virgins. The lyricist was also inspired by prophetic words from the Old Testament. The hymn appeared first in the fifth edition of the hymnal ''Praxis Pietatis Melica'' by Johann Crüger in 1653. Text The song is structured in ten stanzas of eight lines each, in bar form. The singer, speaking ...
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Paul Gerhardt
Paul Gerhardt (12 March 1607 – 27 May 1676) was a German theologian, Lutheran minister and hymnodist. Biography Gerhardt was born into a middle-class family at Gräfenhainichen, a small town between Halle and Wittenberg. His father died in 1619, his mother in 1621. At the age of fifteen, he entered the Fürstenschule in Grimma. The school was known for its pious atmosphere and stern discipline. The school almost closed in 1626 when the plague came to Grimma, but Paul remained and graduated from there in 1627. In January 1628 he enrolled in the University of Wittenberg. There, two teachers in particular had an influence on him: Paul Röber and Jacob Martini. Both of these men were staunch Lutherans, promoting its teachings not only in the classroom but in sermons and hymns. Röber in particular often took his sermon texts from hymns. In this way Gerhardt was taught the use of hymnody as a tool of pastoral care and instruction. Gerhardt graduated from the University of Witt ...
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Nikolaikirche (Berlin)
The following cathedrals, churches and chapels are dedicated to Saint Nicholas: Austria *Church of St. Nikolaus, Lockenhaus * St. Nicholas Church, Inzersdorf, Vienna Albania * St. Nicholas Church, Moscopole * St. Nicholas Church, Perondi *Church of St. Nicholas (Shelcan) Belgium *Saint Nicholas Church, Ghent Bulgaria *Church of St Nicholas, Sapareva Banya *Russian Church, Sofia * Church of St. Nicholas, Sofia *Church of St Nicholas, Vukovo Canada *St. Nicholas Macedonian Orthodox Church, Windsor, Ontario Croatia * Church of St. Nicholas, Rijeka Czech Republic *St. Nicholas Church (Lesser Town), Prague * St. Nicholas Church (Old Town), Prague * St. Nicholas Church, Louny * St. Nicholas Church (Vršovice) Denmark * St. Nicolai Church (Vejle) * St. Nicholas Church, Aarhus Greenland * St Nicholas Cathedral, Garðar Estonia *St. Nicholas Church, Tallinn *St. Nicholas Orthodox Church, Tallinn Finland *St. Nicholas Church, former name of Helsinki Cathedral * St. Nicholas Church ...
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