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Jofre De Foixà
Jofre de Foixà (or Jaufre de Foixa) (died c. 1300) was a troubadour from Foixà in the Empordà, the second son of Bernard of Foixà. At a young age Jofre became a Franciscan and appears in that position when mentioned for the first time at Monzón in 1267. In 1275 he put off the Franciscan habit for the black cowl of the Benedictines, almost certainly at the monastery of Sant Feliu de Guíxols. When the French under Philip III invaded Catalonia as part of the Aragonese Crusade, king Peter III nominated Jofre procurator of the monastery of Sant Pere de Galligants and trusted to him many important missions. In 1293 he was in Sicily as abbot of San Giovanni degli Eremiti in Palermo. There he enjoyed the favour of both James II of Aragon and Frederick II. The last time Jofre is mentioned is in 1295. While in Sicily, Jofre was commissioned by James to write a tract, ''Vers e regles de trobar'', concerning the rules of the troubadour art, mainly the grammar of Lemosi. The work, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaufre De Foixa
''Jaufre'' (also called ''Jaufré'' or ''Jaufri'') is the only surviving Arthurian romance written in Occitan. A verse romance approximately 11,000 lines long, its main character is equivalent to Sir Griflet son of Do, a Knight of the Round Table known from other literature. Translations of ''Jaufre'' were popular on the Iberian peninsula; a version of the tale (from a Spanish redaction) even exists in Tagalog, the language of the Philippines. Synopsis Below is a summary based on the ms. A version, after Lavaud & Nelli's 1960 translation into modern French, and Ross G. Arthur's English translation. Chapter names approximately follow the latter. Prologue: 1–55 After a short eulogy to the court of King Arthur, the poet dedicates his work to the young King of Aragon, who has recently defeated God's enemies, possibly the Saracens in Spain. King Arthur's Court: 95–485 The poem proper begins. The court of King Arthur is assembled in the hall at (i.e. Carlisle) for the feast o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick III Of Sicily
Frederick II (or III) (13 December 1272 – 25 June 1337) was the regent of the Kingdom of Sicily from 1291 until 1295 and subsequently King of Sicily from 1295 until his death. He was the third son of Peter III of Aragon and served in the War of the Sicilian Vespers on behalf of his father and brothers, Alfonso ΙΙΙ and James ΙΙ. He was confirmed as king by the Peace of Caltabellotta in 1302. His reign saw important constitutional reforms: the ''Constitutiones regales'', ''Capitula alia'', and ''Ordinationes generales''. Name Although the second Frederick of Sicily, he chose to call himself "Frederick III" (being one of the rare medieval monarchs who actually used a regnal number) – presumably because only some fifty years before, his well-known and remembered great-grandfather had ruled Sicily and also used an official ordinal: ''Fridericus secundus, imperator etc.''. Thus, ''Fridericus tertius'' was better in line with the precedent of his ancestor's ordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Catalonia
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1300 Deaths
Thirteen or 13 may refer to: * 13 (number), the natural number following 12 and preceding 14 * One of the years 13 BC, AD 13, 1913, 2013 Music * 13AD (band), an Indian classic and hard rock band Albums * ''13'' (Black Sabbath album), 2013 * ''13'' (Blur album), 1999 * ''13'' (Borgeous album), 2016 * ''13'' (Brian Setzer album), 2006 * ''13'' (Die Ärzte album), 1998 * ''13'' (The Doors album), 1970 * ''13'' (Havoc album), 2013 * ''13'' (HLAH album), 1993 * ''13'' (Indochine album), 2017 * ''13'' (Marta Savić album), 2011 * ''13'' (Norman Westberg album), 2015 * ''13'' (Ozark Mountain Daredevils album), 1997 * ''13'' (Six Feet Under album), 2005 * ''13'' (Suicidal Tendencies album), 2013 * ''13'' (Solace album), 2003 * ''13'' (Second Coming album), 2003 * ''13'' (Ces Cru EP), 2012 * ''13'' (Denzel Curry EP), 2017 * ''Thirteen'' (CJ & The Satellites album), 2007 * ''Thirteen'' (Emmylou Harris album), 1986 * ''Thirteen'' (Harem Scarem album), 2014 * ''Thirtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolce Stil Novo
''Dolce Stil Novo'' (), Italian for "sweet new style," is the name given to a literary movement in 13th and 14th century Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Divine Love. The name ''Dolce Stil Novo'' was used for the first time by Dante Alighieri in ''Purgatorio'', the second canticle of the ''Divina Commedia''. In the ''Divina Commedia'' Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a ''stil novo''. Poetry from this school is marked by adoration of the human form, incorporating vivid descriptions of female beauty and frequently comparing the desired woman to a creature from paradise. The woman is described as an "angel" or as "a bridge to God." Rather than being material in nature, the Love of the ''Dolce Stil Novo'' is a sort of Divine Love. Poetry of this movement also often includes profound introsp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaucelm Faidit
Gaucelm Faidit ( literally "Gaucelm the Dispossessed" c. 1156 – c. 1209) was a troubadour, born in Uzerche, in the Limousin, from a family of knights in service of the count of Turenne. He travelled widely in France, Spain, and Hungary. His known patrons include Geoffrey II, Duke of Brittany and Dalfi d'Alvernha; he was at one time in Poitiers at the court of Richard I of England, for whose death he wrote a famous ''planh'' (lament) in 1199. It is possible, but controversial, that Gaucelm took part in the Third Crusade from 1189–1191; it seems clear that in 1202 he set out on the Fourth Crusade, as did his current patron, Boniface of Montferrat. After 1202 there is no further historical trace of him. Three sources – the anonymous ''vida'' (biography) of Gaucelm, an exchange of verses between Gaucelm and Elias d'Ussel, and the satirical ''sirventes'' on rival troubadours by the Monk of Montaudon – allege that Gaucelm married a prostitute. According to the ''vida' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folquet De Marseille
Folquet de Marselha, alternatively Folquet de Marseille, Foulques de Toulouse, Fulk of Toulouse (c. 1150 – 25 December 1231) came from a Genoese merchant family who lived in Marseille. He is known as a trobadour, and then as a fiercely anti-Cathar bishop of Toulouse. Troubadour Initially famed as a troubadour, he began composing songs in the 1170s and was known to Raymond Geoffrey II of Marseille, Richard Coeur de Lion, Raymond V of Toulouse, Raimond-Roger of Foix, Alfonso II of Aragon and William VIII of Montpellier. He is known primarily for his love songs, which were lauded by Dante; there are 14 surviving cansos, one tenson, one lament, one invective, three crusading songs and possibly one religious song (although its authorship is disputed). Like many other troubadours, he was later credited by the ''Biographies des Troubadours'' to have conducted love affairs with the various noblewomen about whom he sang (allegedly causing William VIII to divorce his wife, Eudocia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perdigon
Perdigon or Perdigo ( fl. 1190–1220Aubrey, p. 18.) was a troubadour from Lespéron in the Gévaudan.Egan, p. 83. Fourteen of his works survive, including three ''cansos'' with melodies.Aubrey, p. 19. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours. Though his biography is made confounding by contradicting statements in his ''vida'' and allusions in his and others' poems, Perdigon's status as a jongleur from youth and an accomplished fiddler is well-attested in contemporary works (by him and others) and manuscript illustrations depicting him with his fiddle. Perdigon travelled widely and was patronised by Dalfi d'Alvernha, the House of Baux, Peter II of Aragon, and Barral of Marseille. His service to the latter provides an early definite date for his career, as Barral died in 1192 and Perdigon composed a ''canso''—which survives with music—for him. According to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnaut De Maruelh
Arnaut de Mareuil (''fl.'' late 12th century) was a troubadour, composing lyric poetry in the Occitan language. Twenty-five, perhaps twenty-nine, of his songs, all ''cansos'', survive, six with music. According to Hermann Oelsner's contribution to the 1911 ''Encyclopædia Britannica'', Arnaut de Mareuil surpassed his more famous contemporary Arnaut Daniel in "elegant simplicity of form and delicacy of sentiment". This runs against the consensus of both past and modern scholars: Dante, Petrarch, Pound and Eliot, who were familiar with both authors and consistently proclaim Daniel's supremacy His name indicates that he came from Mareuil-sur-Belle in Périgord. He is said to have been a "clerk" from a poor family who eventually became a jongleur; he settled at the courts of Toulouse and then Béziers. He apparently loved the countess Azalais, daughter of Raymond V of Toulouse, married to Roger II Trencavel, and Arnaut's surviving poems may be seen as a sequence (lyric cycle) tellin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobla (Occitan Literary Term)
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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