Joe Schenkman
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Joe Schenkman
Joseph Quarles Schenkman (born September 8, 1947) is an American publisher and underground cartoonist. Schenkman was part of underground cartooning's original wave, active in the late 1960s as a regular contributor to '' Rat Subterranean News'', ''Gothic Blimp Works'' and the ''East Village Other'' in New York City. Arcade In San Francisco in the early 1970s, he worked alongside such cartoonists as S. Clay Wilson, Spain Rodriguez, Justin Green, Bill Griffith and Art Spiegelman. With the latter three, he collaborated on '' Arcade: The Comics Revue''. In the 1980s, his cartoons appeared regularly in the '' National Lampoon'', where he was a contributing editor and collaborated with P.J. O'Rourke on satirical features. Books Schenkman is currently head of the Rochester, Vermont Rochester is a town in Windsor County, Vermont, United States. The population was 1,099 at the 2020 census. The central village is delineated as the Rochester census-designated place. Set on the ...
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Arcade (comics Magazine)
''Arcade: The Comics Revue'' is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, ''Arcade'' "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics.'"Fox, M. Steven"Arcade, The Comics Revue,"ComixJoint. Accessed June 19, 2018. Many observers credit it with paving the way for the Spiegelman-edited anthology ''Raw'', the flagship publication of the 1980s alternative comics movement. Well-known creators who contributed to the anthology include R. Crumb, Kim Deitch, Jay Kinney, Aline Kominsky, Jay Lynch, Spain Rodriguez, Gilbert Shelton and S. Clay Wilson. Overview By the mid-1970s, the underground comix movement was encountering a slowdown, and Spiegelman and Griffith conceived of ''Arcade'' as a "safe berth." It ...
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Underground Comix
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s. Robert Crumb, Gilbert Shelton, Barbara "Willy" Mendes, Trina Robbins and numerous other cartoonists created underground titles that were popular with readers within the counterculture scene. Punk had its own comic artists like Gary Panter. Long after their heyday, underground comix gained prominence with films and television shows influenced by the movement and with mainstream comic books, but their legacy is most obvious with alternative comics. History United States The United States underground comics scene emerged in the 1960s, focusing on subjects dear to the count ...
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Cartoonist
A cartoonist is a visual artist who specializes in both drawing and writing cartoons (individual images) or comics (sequential images). Cartoonists differ from comics writers or comic book illustrators in that they produce both the literary and graphic components of the work as part of their practice. Cartoonists may work in a variety of formats, including booklets, comic strips, comic books, editorial cartoons, graphic novels, User guide, manuals, gag cartoons, storyboards, posters, shirts, books, advertisements, greeting cards, magazines, newspapers, webcomics, and video game packaging. Terminology Cartoonists may also be denoted by terms such as comics artist, comic book artist, graphic novel artist or graphic novelist. Ambiguity may arise because "comic book artist" may also refer to the person who only illustrates the comic, and "graphic novelist" may also refer to the person who only writes the script. History The English satire, satirist and editorial cartoonist Willi ...
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Rat Subterranean News
''Rat Subterranean News,'' New York's second major underground newspaper, was created in March 1968, primarily by editor Jeff Shero, Alice Embree and Gary Thiher, who moved up from Austin, Texas, where they had been involved in ''The Rag''. Beginnings Probably more than any other underground paper, ''Rat'' was in the eye of the political hurricane, making news as well as reporting it. ''Rat'' immediately attained national notoriety for its exclusive inside stories from the Columbia University student uprising in the spring of 1968. Its notoriety grew further when a couple of staff members (including star reporter Jane Alpert) were arrested in connection with a series of non-lethal bombings of corporate offices and military targets in late 1969. Its reputation took a new turn when it was done over as a feminist magazine in 1970; the first women-only issue was published in January 1970 with the headline "Women Seize Rat! Sabotage Tales!". In its new incarnation as ''Women's LibeRAT ...
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Gothic Blimp Works
''Gothic Blimp Works'', an all-comics tabloid published in 1969 by Peter Leggieri and the ''East Village Other'', was billed as "the first Sunday underground comic paper". During its eight-issue run, the publication displayed comics in both color and black-and-white. The first issue was titled ''Gothic Blimp Works Presents: Jive Comics''. Contributors and editors Vaughn Bodé was the founding editor but soon stepped down after the first two issues. At Bodé's invitation, Bhob Stewart became the publication's editor, introducing a line-up of contributing artists and writers that included Larry Hama, Michael Kaluta, Willy Mendes, George Metzger, Ralph Reese, Steve Stiles and Bernie Wrightson. The first two issues also featured work by Bodé, Joel Beck, Roger Brand, Robert Crumb, Kim Deitch, Simon Deitch, Bill Griffith, Ron Haydock, Jay Lynch, Trina Robbins, Spain Rodriguez, Art Spiegelman, John Thompson, Larry Todd, and S. Clay Wilson. Stewart and Deitch co-edited the fourth issu ...
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East Village Other
''The East Village Other'' (often abbreviated as ''EVO'') was an American underground newspaper in New York City, issued biweekly during the 1960s. It was described by ''The New York Times'' as "a New York newspaper so countercultural that it made ''The Village Voice'' look like a church circular." Published by Walter Bowart, ''EVO'' was among the first countercultural newspapers to emerge. ''EVO'' was one of the founding members of the Underground Press Syndicate, a network that allowed member papers to freely reprint each other's contents.Reed, John"The Underground Press and Its Extraordinary Moment in US History,"'' Hyperallergic'' (July 26, 2016). The paper's design, in its first years, was characterized by Dadaistic montages and absurdist, non-sequitur headlines. Later, the paper evolved a more colorful psychedelic layout that became a distinguishing characteristic of the underground papers of the time. ''EVO'' was an important publication for the underground comix moveme ...
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Spain Rodriguez
Manuel Rodriguez (March 2, 1940 – November 28, 2012), better known as Spain or Spain Rodriguez, was an American underground cartoonist who created the character Trashman. His experiences on the road with the motorcycle club, the Road Vultures M.C., provided inspiration for his work, as did his left-wing politics. Strongly influenced by 1950s EC Comics illustrator Wally Wood, Spain pushed Wood's sharp, crisp black shadows and hard-edged black outlines into a more simplified, stylized direction. His work also extended the eroticism of Wood's female characters. Biography Early life Manuel Rodriguez was born March 2, 1940, in Buffalo, New York. He picked up the nickname Spain as a child, when he heard some kids in the neighborhood bragging about their Irish ancestry, and he defiantly claimed Spain was just as good as Ireland. Rodriguez studied at the Silvermine Guild Art School in New Canaan, Connecticut alongside cartoonist M.K. Brown. Career In New York City, during the lat ...
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Justin Green (cartoonist)
Justin Considine Green (July 25, 1945 – April 23, 2022)Justin Green bio
, Iconoclast Editions website. Accessed Dec. 14, 2013.
was an American cartoonist who is known as the "father of autobiography, autobiographical comics." A key figure and pioneer in the 1970s generation of underground comics artists, he is best known for his 1972 comic book ''Binky Brown Meets the Holy Virgin Mary''.


Biography

Green was born in Boston, Massachusetts, but grew up in Chicago, Illinois, the son of a Jewish father and Catholic mother; he was raised Catholic. As a child he at first attended a Catholic parochial school, and later transferred to a school where most students were Jews. He rejected the Catholic faith in 1958 as he believed it caused him "Scrupulosity, compulsive neurosis" t ...
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Bill Griffith
William Henry Jackson Griffith (born January 20, 1944) is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip '' Zippy''. The catchphrase "Are we having fun yet?" is credited to Griffith. Over his career, which started in the underground comix era, Griffith has worked with the industry's leading underground/alternative publishers, including Print Mint, Last Gasp, Rip Off Press, Kitchen Sink, and Fantagraphics Books. He co-edited the notable comics anthologies ''Arcade'' and '' Young Lust'', and has contributed comics and illustrations to a variety of publications, including '' National Lampoon'', ''High Times'', ''The New Yorker'', ''The Village Voice'' and ''The New York Times''. Early life, family and education Born in Brooklyn, New York City, New York, Griffith grew up in Levittown on Long Island. He is the great-grandson and namesake of the photographer and artist William Henry Jackson (Jackson died at age 9 ...
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Art Spiegelman
Art Spiegelman (; born Itzhak Avraham ben Zeev Spiegelman on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel ''Maus''. His work as co-editor on the comics magazines ''Arcade (comics magazine), Arcade'' and ''Raw (magazine), Raw'' has been influential, and from 1992 he spent a decade as contributing artist for ''The New Yorker''. He is married to designer and editor Françoise Mouly, and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters. Spiegelman began his career with Topps (a bubblegum and trading card company) in the mid-1960s, which was his main financial support for two decades; there he co-created parodic series such as ''Wacky Packages'' in the 1960s and ''Garbage Pail Kids'' in the 1980s. He gained prominence in the underground comix scene in the 1970s with short, experimental, and ...
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The Comics Revue
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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National Lampoon (magazine)
''National Lampoon'' was an American humor magazine that ran from 1970 to 1998. The magazine started out as a Spin-off (media), spinoff from the ''Harvard Lampoon''. ''National Lampoon'' magazine reached its height of popularity and critical acclaim during the 1970s, when it had a far-reaching effect on American humor and comedy. The magazine spawned National Lampoon's Vacation (film series), films, The National Lampoon Radio Hour, radio, live theater, various sound recordings, and print products including books. Many members of the creative staff from the magazine subsequently went on to contribute creatively to successful media of all types. During the magazine's most successful years, parody of every kind was a mainstay; surrealist content was also central to its appeal. Almost all the issues included long text pieces, shorter written pieces, a section of actual news items (dubbed "True Facts"), cartoons and comic strips. Most issues also included "Foto Funnies" or Photonove ...
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