Jimmy Cozier (jazz Musician)
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Jimmy Cozier (jazz Musician)
Jimmy Cozier Sr. (born 1954) is a jazz musician from New York City. He plays saxophone, flute, and clarinet. He is the father of R&B singer Jimmy Cozier. He has performed and toured with Panama Francis, Sam Rivers, Reggie Workman, Mongo Santamaria, and Abdullah Ibrahim. He played lead alto saxophone with the big bands of Cab Calloway, Frank Foster, Charlie Persip, Jaki Byard, and Chico O'Farrill. Background Cozier studied saxophone with Bill Barron, George Coleman, and William "Buddy" Pearson and clarinet with Charles Russo of the New York City Opera. He is the author of ''The Jazz Improviser's Woodshed'' Volumes 1–3 and is a member of the faculty of the Jazz at Lincoln Center Middle School Jazz Academy. Cozier also leads ensemble workshops where he teaches jazz improvisation. He is a recipient of the National Endowment for the Arts Fellowship Grant. Discography With Chico O'Farrill * ''Heart of a Legend'' Milestone (1999) * ''Carambola'' (Milestone, 2000) ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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New York City Opera
The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived. The opera company, dubbed "the people's opera" by New York Mayor Fiorello La Guardia, was founded in 1943. The company's stated purpose was to make opera accessible to a wide audience at a reasonable ticket price. It also sought to produce an innovative choice of repertory, and provide a home for American singers and composers. The company was originally housed at the New York City Center theater on West 55th Street in Manhattan. It later became part of the Lincoln Center for the Performing Arts at the New York State Theater from 1966 to 2010. During this time it produced autumn and spring seasons of opera in repertory, and maintained extensive education and outreach programs, offering arts-in-education programs to 4,000 students in over 30 schools. In 2011, th ...
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Grover Washington Jr
Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer. Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic", "Reed Seed", "Black Frost", "Winelight", "Inner City Blues", "Let it Flow (For 'Dr. J')" and "The Best is Yet to Come". In addition, he performed very frequently with other artists, including Bill Withers on "Just the Two of Us", Patti LaBelle on "The Best Is Yet to Come" and Phyllis Hyman on "A Sacred Kind of Love". He is also remembered for his take on the Dave Brubeck classic "Take Five", and for his 1996 version of "Soulful Strut". Early life Washington was born in Buffalo, New York, United States, on December 12, 1943. His mother was a church chorist ...
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All My Tomorrows (Grover Washington Jr
All My Tomorrows may refer to: * "All My Tomorrows" (song), a 1959 ballad * ''All My Tomorrows'' (Crystal Gayle album), 2003 * ''All My Tomorrows'' (Grover Washington Jr. album), 1994 {{disambiguation ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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DIW Records
DIW Records is a Japanese record label specializing in avant-garde jazz. It is a subsidiary of Disk Union. Kazunori Sugiyama was an executive producer for the label before starting Tzadik Records with John Zorn. DIW's name stands for "Discs in the World" and is from a music magazine sold at Disk Union stores that announced the latest releases from American and European labels. Wilber Morris recorded the first album for DIW in 1983 in New York City. The catalogue includes music by the Art Ensemble of Chicago, Lester Bowie, James Carter, Steve Grossman, Harold Mabern, David Murray, James Blood Ulmer, David S. Ware, Rodney Whitaker Rodney Whitaker (born February 22, 1968) is an American jazz double bass player and educator. Biography Born in Detroit, Whitaker attended Wayne State University, and studied with Robert Gladstone, principal bass with the Detroit Symphony Orche ..., and John Zorn. Discography References {{DEFAULTSORT:Diw Records Japanese record labels Ja ...
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M-Base
The term "M-Base" is used in several ways. In the 1980s, a loose collective of young African American musicians including Steve Coleman, Graham Haynes, Cassandra Wilson, Geri Allen, Robin Eubanks, and Greg Osby emerged in Brooklyn with a new sound and specific ideas about creative expression. Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene's music as a jazz style. But Coleman stressed "M-Base" doesn't denote a musical style but a way of thinking about creating music. As famous musicians did in the past, he also refuses the word "jazz" as a label for his music and the music tradition represented by musicians like John Coltrane, Charlie Parker, Louis Armstrong, etc. However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show many simila ...
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No Fear, No Die
''No Fear, No Die'' (french: S'en fout la mort) is a 1990 drama film directed by Claire Denis and written by Denis in collaboration with Jean-Pol Fargeau. It features Isaach De Bankolé, Alex Descas and Solveig Dommartin. Plot Two young men, Dah ( Isaach De Bankolé) from Benin and Jocelyn (Alex Descas) from the Caribbean decide to work together as a team that organizes illegal cockfights in order to gain quick cash. Dah is responsible for the financial transactions while Jocelyn trains the animals. Jocelyn has a special attachment to one of the champion roosters he has named No Fear, No Die. No Fear, No Die, like all roosters, is eventually defeated causing Jocelyn to begin to lose interest in cockfighting. Dah and Jocelyn have a third partner, Pierre ( Jean Claude Brialy) who owns the space where the cockfights take place. Pierre has a pre-existing relationship with Jocelyn, having known both him and his mother before he immigrated to France. However he constantly haggles with t ...
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Black Saint Records
Black Saint and Soul Note are two affiliated Italian independent record labels. Since their conception in the 1970s, they have released albums from a variety of influential jazz musicians, particularly in the genre of free jazz. History Black Saint was established in 1975 by Giacomo Pelliciotti and devoted to recording avant-garde musicians who might not have an opportunity elsewhere. In 1979, a sister label, Soul Note, was established as a home for artists who, while being no less creative, might be considered slightly closer to the mainstream. The labels specialize in avant-garde jazz stemming from the free jazz tradition. Some of its roster of artists were members of the Chicago-based music association Association for the Advancement of Creative Musicians and the St. Louis-based multidisciplinary arts collectives Black Artists Group and the Human Arts Ensemble. The company was based in Tribiano, Italy. Many of the recordings were made in Milan, as the performers passed thro ...
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Colours (Sam Rivers Album)
''Colours'' is an album by American jazz saxophonist Sam Rivers (jazz musician), Sam Rivers featuring Winds of Manhattan, an 11-piece woodwind orchestra. The album was recorded in 1982 for the Italian Black Saint/Soul Note, Black Saint label.Black Saint discography
accessed July 8, 2011.
The album was composed with some sections of group improvisation. According to participant Steve Coleman, solo improvisations were omitted before the album's release to shorten the track times.


Reception

The AllMusic review by Ron Wynn stated that it had "stomping, swinging arrangements".Wynn, R
AllMusic Review
accessed Ju ...
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Chesky Records
Chesky Records is a record company and label founded in 1978 by brothers David and Norman Chesky. The company produces high-definition recordings of music in a variety of genres, including jazz, classical, pop, R&B, folk and world/ethnic. Chesky artists include McCoy Tyner, Herbie Mann, David Johansen and the Harry Smiths, Joe Henderson, Macy Gray, Chuck Mangione, Paquito D'Rivera, Ron Carter, Larry Coryell, John Pizzarelli, Bucky Pizzarelli, Babatunde Olatunji, Ana Caram, and Rebecca Pidgeon. Chesky Records also offers binaural recordings, which seeks to replicate 3-D stereo sound so that the recording sounds as if the listener is in the same room with the musicians. They capture this sound using dummy head recording. For its recordings, Chesky Records uses acoustically vibrant spaces, including the Hirsch Center in Greenpoint, Brooklyn and St. Paul the Apostle Church located in Manhattan. The company has a mastering studio in New York City, New York. History Studi ...
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Milestone Records
Milestone Records is an American jazz record company and label founded in 1966 by Orrin Keepnews and Dick Katz in New York City. The company was bought by Fantasy Records in 1972. Since then, it has produced LP reissues (including items from Keepnew's earlier Riverside label) as well as new recordings. Sonny Rollins and McCoy Tyner are among the musicians who recorded for the label. Milestone has reissued many historic jazz recording sessions, including the Jelly Roll Morton, King Oliver, and the New Orleans Rhythm Kings sides made for Gennett Records in the 1920s. The label also issued blues albums, most of them produced by Pete Welding. They include Driftin' Slim & His Blues Band's ''Somebody Hoo-Doo'd The Hoo-Doo Man,'' in addition to LPs by Mississippi Fred McDowell and Big Joe Williams. Another company called Milestone Records was active in the late 1950s, releasing music by acts such as The Jodimars and The Blue Jays. This label was owned by rockabilly musician Werly ...
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