Jikken Kōbō
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Jikken Kōbō
Jikken Kōbō (実験工房, official English name: "Experimental Workshop") was one of the first avant-garde artist collectives active in postwar Japan. It was founded in Tokyo in 1951 by a group of artists working in various media. Until its disbandment in 1957, a total of fourteen members participated in the group. Members were typically in their twenties and hailed from different backgrounds – the group included not just visual artists and musicians, but also a printmaker, a lighting designer, an engineer, and others. The famous modern art critic Shūzō Takiguchi was the key mentor and promoter of the group. Jikken Kōbō organized its own exhibitions of group members’ works, which were influenced by Western avant-garde art and showed a strong interest in new technology. However, they are best known for their collaborative “presentations” (''happyōkai'' 発表会): theatrical or musical performances where each member contributed their individual works to create a mult ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Centripetal Force
A centripetal force (from Latin ''centrum'', "center" and ''petere'', "to seek") is a force that makes a body follow a curved path. Its direction is always orthogonal to the motion of the body and towards the fixed point of the instantaneous center of curvature of the path. Isaac Newton described it as "a force by which bodies are drawn or impelled, or in any way tend, towards a point as to a centre". In Newtonian mechanics, gravity provides the centripetal force causing astronomical orbits. One common example involving centripetal force is the case in which a body moves with uniform speed along a circular path. The centripetal force is directed at right angles to the motion and also along the radius towards the centre of the circular path. The mathematical description was derived in 1659 by the Dutch physicist Christiaan Huygens. Formula The magnitude of the centripetal force on an object of mass ''m'' moving at tangential speed ''v'' along a path with radius of curvatu ...
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Tetsuji Takechi
was a Japanese theatrical and film director, critic, and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in ''noh'', ''kyōgen'' and modern theater. In late 1956 and early 1957 he hosted a popular TV program, ''The Tetsuji Takechi Hour'', which featured his reinterpretations of Japanese stage classics. In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film ''Daydream'' was the first big-budget, mainstream ''pink film'' released in Japan. After the release of his 1965 film '' Black Snow'', the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore ''pink films'' which dominated Japan's domestic cine ...
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John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ...
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Ginrin
is Toshio Matsumoto's first film. Matsumoto made it in 1955 as an English-language PR film, although "a relatively avant-garde" one. The film score was the first by Toru Takemitsu. It was believed lost for many years; however, a copy has been recently found and digitally restored by the National Film Center of the National Museum of Modern Art, Tokyo. It is believed that a DVD The DVD (common abbreviation for Digital Video Disc or Digital Versatile Disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kin ... of this film is forthcoming. References External links * An interview with Toshio MatsumotoMasters of Cinema 1955 films Japanese short films 1955 short films 1955 directorial debut films 1950s Japanese films 1950s Japanese-language films {{1950s-Japan-film-stub ...
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Toshio Matsumoto
(25 March 1932 – 12 April 2017) was a Japanese film director and video artist. Biography Matsumoto was born in Nagoya, Aichi Prefecture, Japan and graduated from Tokyo University in 1955. His first short was '' Ginrin'', which he made in 1955. His most famous film is ''Funeral Parade of Roses'' (''Bara no soretsu''). The film was loosely inspired by '' Oedipus Rex'', featuring a transvestite (portrayed by Peter) trying to move up in the world of Tokyo Hostess clubs. Matsumoto published many books of photography and was a professor and dean of Arts at the Kyoto University of Art and Design. There, he taught experimental filmmaker Takashi Ito Takashi Ito may refer to: * Takashi Ito (basketball) (b. 1990), Japanese professional basketball player * Takashi Ito (director) (b. 1956), Japanese experimental filmmaker * Takashi Ito (kickboxer) is a Japanese former welterweight kickboxer f .... He was also president of the Japan Society of Image Arts and Sciences. In the early ...
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Asahi Picture News
, also known as ''The Asahi Picture News'', was a Japanese weekly pictorial magazine that ran from 1923 until 2000. ''Asahi Graph'' started on 25 January 1923 as a daily feature from Asahi Shinbunsha (publisher of ''Asahi Shimbun'' and soon also of ''Asahi Camera''); this ran until 1 September 1923 when it was stopped by the major earthquake in Tokyo. It was back as a weekly from 14 November. In 1926 it was joined by ''Asahi Graphic'' (朝日グラフィック) which the Osaka branch of Asahi Shinbunsha had been publishing since 2 January 1921. ''Asahi Graph'' survived World War II and reemerged as something of a Japanese equivalent of the US magazine ''Life Life is a quality that distinguishes matter that has biological processes, such as signaling and self-sustaining processes, from that which does not, and is defined by the capacity for growth, reaction to stimuli, metabolism, energ ...''. (''Mainichi Graph'', from Asahi's rival ''Mainichi Shinbunsha'', was s ...
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Experiments In Art And Technology (E
Experiments in Art and Technology (E.A.T.), a non-profit and tax-exempt organization, was established in 1967 to develop collaborations between artists and engineers. The group operated by facilitating person-to-person contacts between artists and engineers, rather than defining a formal process for cooperation. E.A.T. initiated and carried out projects that expanded the role of the artist in contemporary society and helped explore the separation of the individual from technological change. History E.A.T. was officially launched in 1967 by the engineers Billy Klüver and Fred Waldhauer and the artists Robert Rauschenberg and Robert Whitman. These people had previously collaborated in 1966 when they together organized '' 9 Evenings: Theatre and Engineering'', a series of performance art presentations that united artists and engineers. Ten New York artists worked with 30 engineers and scientists from the world-renowned Bell Telephone Laboratories to create groundbreaking performances ...
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Independent Group (art Movement)
The Independent Group (IG) met at the Institute of Contemporary Arts (ICA) in London, England, from 1952 to 1955. The IG consisted of painters, sculptors, architects, writers and critics who wanted to challenge prevailing modernist approaches to culture. They introduced mass culture into debates about high culture, re-evaluated modernism and created the "as found" or " found object" aesthetic.Livingstone, M., (1990), ''Pop Art: A Continuing History'', New York: Harry N. Abrams, Inc. The subject of renewed interest in a post-disciplinary age, the IG was the topic of a two-day, international conference at the Tate Britain in March 2007. The Independent Group is regarded as the precursor to the Pop Art movement in Britain.Arnason, H., ''History of Modern Art: Painting, Sculpture, Architecture'', New York: Harry N. Abrams, Inc. 1968. First session (1952) The Independent Group had its first meeting in April 1952, which consisted of artist and sculptor Eduardo Paolozzi feeding a mass o ...
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László Moholy-Nagy
László Moholy-Nagy (; ; born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing. He also worked collaboratively with other artists, including his first wife Lucia Moholy, Walter Gropius, Marcel Breuer, and Herbert Bayer. His largest accomplishment may be the School of Design in Chicago, which survives today as part of the Illinois Institute of Technology, which art historian Elizabeth Siegel called "his overarching work of art". He also wrote books and articles advocating a utopian type of high modernism. Early life and education (1895–1922) Moholy-Nagy was born László Weisz in B ...
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Bauhaus
The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 2009), , pp. 64–66 The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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