Jeter-Pillars Orchestra
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Jeter-Pillars Orchestra
Jeter-Pillars Orchestra was an American jazz troupe, led by altoist James Jeter and tenor-saxophonist Hayes Pillars. Career Jeter and Pillars were previously members of Alphonso Trent's big band. After that outfit split in 1933 they formed the group, which subsequently became the house band at the Club Plantation in St. Louis, Missouri, their home base for the next decade. Most of the Jeter-Pillars band served as musicians during World War II, several recruited into the United States Navy by Len Bowden, who also had a band in St. Louis prior to the war. Joining the Navy in September 1942 were James Cannady, guitarist and arranger for Jeter-Pilars; Roy Torian, a trombonist who had been treasurer of the Musicians Equity Association in St. Louis, the "race sub-local of the American Federation of Musicians"; Merrill Tarrant, trumpet; Sykes Smith, trumpet; and Charles Pillars, saxophone, who with his brother, Hayes Pillar, was co-leader of Jeter-Pilars. Elbert Claybrook, trumpet, had ...
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Missouri
Missouri is a state in the Midwestern region of the United States. Ranking 21st in land area, it is bordered by eight states (tied for the most with Tennessee): Iowa to the north, Illinois, Kentucky and Tennessee to the east, Arkansas to the south and Oklahoma, Kansas and Nebraska to the west. In the south are the Ozarks, a forested highland, providing timber, minerals, and recreation. The Missouri River, after which the state is named, flows through the center into the Mississippi River, which makes up the eastern border. With more than six million residents, it is the 19th-most populous state of the country. The largest urban areas are St. Louis, Kansas City, Springfield and Columbia; the capital is Jefferson City. Humans have inhabited what is now Missouri for at least 12,000 years. The Mississippian culture, which emerged at least in the ninth century, built cities and mounds before declining in the 14th century. When European explorers arrived in the 17th ...
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Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ...
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Musical Groups Established In 1933
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * '' Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giova ... * Musicality, the ability to perceive music or to create music * {{Music disambiguation ...
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American Jazz Ensembles From Missouri
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * Ba ...
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Make Believe (Jerome Kern Song)
"Make Believe" is a show tune from the 1927 Broadway musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. Background In the show, it is first sung as a duet by the characters Gaylord Ravenal, a handsome riverboat gambler, and the teenage Magnolia Hawks, an aspiring performer and daughter of the show boat captain, soon after their meeting in Act I. It reveals that they are smitten with each other almost immediately upon meeting and sets the tone for the contrasts between the ideal “make believe” world of the young lovers and the harsh realities of life that they will encounter throughout the story. In Act II, Ravenal sings it to his little daughter Kim, just before he deserts her and Magnolia because of his compulsive gambling. He tells Kim to sing it whenever she is lonely and to pretend he has never been away. The song was introduced by Norma Terris and Howard Marsh. It was not performed in the 1929 part-talkie film of ''Show Boat''. The f ...
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Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded " Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's " Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca Decca may refer to: Music * Decca Records or Decca Music Group, a record label * Decca Gold, a classical music record label owned by Universal Music Group * Decca Broadway, a musical theater record label * Decca Studios, ...
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Chris Woods (musician)
Chris Woods (December 25, 1925, Memphis, Tennessee – July 4, 1985, New York City) was an American jazz alto saxophonist. Woods played locally in Memphis early in his career before moving to St. Louis to play with the Jeter-Pillars Orchestra and trumpeter George Hudson. He then joined Tommy Dean's combo, recording with them for Town and Country, Miracle, and States. Striking out on his own, he first recorded as a leader in 1953 for United Records. In 1962 he moved to New York, where he played with Dizzy Gillespie, Clark Terry, Sy Oliver, and Ted Curson. He continued working with Terry into the 1970s, playing flute at times in his Big Bad Band. Jim McNeely played as a sideman on his 1978 release for Delmark Records. In 1983 he began playing in the Count Basie Orchestra, where he worked until his death in 1985. Discography * ''Somebody Done Stole My Blues'' ( Delmark, 1976) * ''Modus Operandi'' (Delmark, 1978) As sideman With Count Basie * '' Me and You'' (Pablo ...
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Jimmy Forrest (musician)
James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career. Forrest is known for his first solo recording of " Night Train". It reached No. 1 on the ''Billboard'' R&B chart in March 1952, and stayed at the top for seven weeks. "Hey Mrs. Jones" (No. 3 R&B) and "Bolo Blues" were his other hits. All were made for United Records, for which he recorded between 1951 and 1953; he recorded frequently as both a sideman and a bandleader. Biography Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington. During the early 1950s, Forrest led his own combos. He also played with Miles Davis, in early 1952 at The Barrel Club. After his solo career, he played in small combos with Harry "Sweets" Edison and Al Grey, as well as appearing with Count Basie. L ...
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Floyd Smith (musician)
Floyd George Smith (January 25, 1917 – March 29, 1982), sometimes credited as Floyd "Guitar" Smith, was an American jazz guitarist and record producer. Biography Born in St. Louis, Missouri, Smith studied music theory as a teenager and learned ukulele as a child before taking up guitar. He spent his early career in territory bands, playing in groups such as Eddie Johnson's Crackerjacks, the Jeter-Pillars Orchestra, the Sunset Royal Orchestra, the Brown Skin Models, and Andy Kirk's 12 Clouds Of Joy. Biography by Eugene Chadbourne, ''Allmusic.com''
Retrieved 14 October 2016
His composition "Floyd's Guitar Blues", recorded with Andy Kirk's orchestra in March 1939, has been claimed as the first hit record to feature a
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Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with th ...
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Sid Catlett
Sidney "Big Sid" Catlett (January 17, 1910 – March 25, 1951) was an American jazz drummer. Catlett was one of the most versatile drummers of his era, adapting with the changing music scene as bebop emerged. Early life Catlett was born in Evansville, Indiana, United States, and at an early age he was instructed in the rudiments of piano and drums, under the tutelage of a music teacher hired by his mother. When he and his family relocated to Chicago, Catlett received his first drum kit, and immersed himself in the diverse styles and techniques of Zutty Singleton, Warren "Baby" Dodds, and Jimmy Bertrand, among others. Later life and career In 1928, Catlett began playing with violinist and clarinet player Darnell Howard, before joining pianist Sammy Stewart's Orchestra in New York City, and making appearances at the Savoy Ballroom. After performing for several lesser established musical acts, Catlett began recording and performing with multiple musicians including Benny Carter, ...
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Jo Jones
Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones. Biography Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter's Serenaders in 1931, and later joined pianist Count Basie's band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an "All-American Rhythm section," an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. ...
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