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Jerusalem (painting)
''Jerusalem'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It is also known as ''Golgotha, Consumatum Est'' and ''The Crucifixion'' (''La Crucifixion''). The foreground depicts the ground of Golgotha with the shadows of three crucified men: Jesus and the two thieves. Further back in the picture is a crowd of people moving away from the scene. In the background is the city of Jerusalem under a cloudy sky. It was characteristic of Gérôme to depict not a violent event itself, but the aftermath of such violence; see '' The Death of Caesar'', ''The Execution of Marshal Ney'', and ''The Duel After the Masquerade ''The Duel After the Masquerade'' is a painting by the French artist Jean-Léon Gérôme, of which multiple copies exist. The original, ''Suite d'un bal masqué'', first shown in 1857, is in the Musée Condé in Chantilly, France. History Gér ...''. The painting marked Gérôme's return to history painting after a period of exploring orientalism. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Jean-Léon Gérôme
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Musée D'Orsay
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1867 Paintings
Events January–March * January 1 – The Covington–Cincinnati Suspension Bridge opens between Cincinnati, Ohio, and Covington, Kentucky, in the United States, becoming the longest single-span bridge in the world. It was renamed after its designer, John A. Roebling, in 1983. * January 8 – African-American men are granted the right to vote in the District of Columbia. * January 11 – Benito Juárez becomes Mexican president again. * January 30 – Emperor Kōmei of Japan dies suddenly, age 36, leaving his 14-year-old son to succeed as Emperor Meiji. * January 31 – Maronite nationalist leader Youssef Bey Karam leaves Lebanon aboard a French ship for Algeria. * February 3 – ''Shōgun'' Tokugawa Yoshinobu abdicates, and the late Emperor Kōmei's son, Prince Mutsuhito, becomes Emperor Meiji of Japan in a brief ceremony in Kyoto, ending the Late Tokugawa shogunate. * February 7 – West Virginia University is established in Morgantown, West Virginia. * February 13 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Renan
Joseph Ernest Renan (; 27 February 18232 October 1892) was a French Orientalist and Semitic scholar, expert of Semitic languages and civilizations, historian of religion, philologist, philosopher, biblical scholar, and critic. He wrote influential and pioneering historical works on the origins of early Christianity, and espoused popular political theories especially concerning nationalism and national identity. Renan is known as being among the first scholars to advance the now-discredited Khazar theory, which held that Ashkenazi Jews were descendants of the Khazars, Turkic peoples who had adopted Jewish religion and migrated to Western Europe following the collapse of their khanate. Life Birth and family He was born at Tréguier in Brittany to a family of fishermen. His grandfather, having made a small fortune with his fishing smack, bought a house at Tréguier and settled there, and his father, captain of a small cutter and an ardent republican, married the daughter of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duel After The Masquerade
''The Duel After the Masquerade'' is a painting by the French artist Jean-Léon Gérôme, of which multiple copies exist. The original, ''Suite d'un bal masqué'', first shown in 1857, is in the Musée Condé in Chantilly, France. History Gérôme exhibited ''Suite d'un bal masqué'' at the Paris Salon of 1857, then in London the same year with the English merchant Gambart. The painting became famous almost overnight with critics of the Salon speculating about Gerome's sources for the incident depicted in the painting. (The theme seems to have been in fashion; Thomas Couture dealt with the same subject in 1857 with '' Le Duel après le bal masqué'', now in the Wallace Collection). The painting was acquired in 1858 by the duc d'Aumale. Gérôme borrowed the painting to present it at the Universal Exhibition of 1867, and received the Grand Prix de Peinture. The original is part of the collection of the Musée Condé in Chantilly, France. In 1859, William Thompson Walters pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Execution Of Marshal Ney
''The Execution of Marshal Ney'' () is an 1868 painting by the French artist Jean-Léon Gérôme. It depicts the French Marshal Michel Ney immediately after his execution on 7 December 1815, with the firing squad seen marching away from the site. On the wall behind Ney's corpse are two inscriptions: one that says "vive l'empereur" ("long live the emperor") and is crossed out, and one that says "vive" right before the bullet holes from the execution. According to Gérôme this was a comment on Ney's multiple shifts of allegiance between Napoleon and the House of Bourbon.. The painting has been owned by the Sheffield Galleries and Museums Trust since 1931, and is now in the collection of the Graves Art Gallery in Sheffield, England. Historical background Michel Ney was a marshal in Napoleon’s army, a heroic figure called "the bravest of the brave" by Napoleon.Chandler 1999, p. 314. When Napoleon abdicated in 1814, Ney pledged his allegiance to the Bourbon monarchy, but when Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Caesar (Gérôme)
''The Death of Caesar'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It depicts the moment after the assassination of Julius Caesar, when the jubilant conspirators are walking away from Caesar's dead body at the Theatre of Pompey, on the Ides of March (March 15), 44 BC. The painting is kept at the Walters Art Museum in Baltimore, Maryland.Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, "If photography had existed in Caesar's day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe." Gérôme's depiction of the aftermath of violence can also be seen in ''The Execution of Marshal Ney'', ''The Duel After the Masquerade'', and ''Jerusalem''. Exhibitions The Walters indicates that the work has been included in the following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
