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Jersey Club
Jersey club (originally called Brick City club) is a style of electronic club music that originated in Newark, New Jersey in the late 2000s. It was pioneered by DJ Tameil and other members of the Brick Bandits crew, who were inspired by Baltimore club's uptempo hybrid of house and hip hop. Other young producers also pushed for the progression of this style of music in the late 2000s. Similarly to its Baltimore influences, Jersey club is an aggressive style defined by its fast, “bouncy” groove at tempos near 130–140 BPM, but more prominent use of staccato, chopped samples and heavy triplet kick patterns. The style often consists of remixes of rap and R&B tracks. It is often accompanied by frenetic, competitive dances which have gained global popularity through viral videos. Style and characteristics Jersey club has been described as a "fast and aggressive dance music" with roots in the Baltimore club scene's fusion of house music and hip hop. By comparison with the Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baltimore Club
Baltimore club, also called Bmore club, Bmore house or simply Bmore, is a fusion of breakbeat and house genres. It is often referred to as a blend of hip hop and chopped, staccato house music. It was created in Baltimore, Maryland, United States in the early 1990s by 2 Live Crew's Luther Campbell, Frank Ski, Miss Tony (known as Big Tony after he stopped presenting in drag), Scottie B. and DJ Spen. Baltimore club is based on an 8/4 beat structure, and includes tempos around 130 beats per minute. It combines repetitive, looped vocal snippets similar to trap, bounce, ghetto house and ghettotech. Baltimore club is a sample-based form of breakbeat. Samples used include theme songs from shows like ''Sanford and Son'', ''SpongeBob SquarePants'' and ''Elmo's World''. The instrumental tracks include heavy breakbeats and call and response stanzas similar to those found in the go-go music of Washington, D.C. The most prominent breakbeats sampled include "Sing Sing" by disco band Gaz and "T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Culture
Pop or POP may refer to: Arts, entertainment, and media Music * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop!, a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * Pop (Gas album), ''Pop'' (Gas album) * Pop (Joachim Witt album), ''Pop'' (Joachim Witt album) * Pop (Mao Abe album), ''Pop'' (Mao Abe album) * Pop (Same Difference album), ''Pop'' (Same Difference album) * Pop (Tones on Tail album), ''Pop'' (Tones on Tail album) * Pop (U2 album), ''Pop'' (U2 album) * ''Pop'', an album by Topi Sorsakoski and Agents * ''P.O.P'', The Mad Capsule Markets album * ''Pop! The First 20 Hits'', an album by English duo Erasure Songs * Pop (song), "Pop" (song), by 'N Sync * "Pop", a song by A.R. Kane * "Pop", a song by Ari Lennox from ''Shea Butter Baby'' * "Pop", a song by La Oreja de Van Gogh from ''El viaje de Copperpot'' * "Pop! (song), Pop!", a song by Nayeon from ''Im Nayeon (EP), Im Nayeon'' Periodicals * Pop (fashion m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Think (About It)
"Think (About It)" is a funk song recorded by Lyn Collins and released as a single on James Brown's People Records in 1972. The recording was produced by Brown (who also wrote the song) and features instrumental backing from his band The J.B.'s. It was the title track of Collins' 1972 debut album. The song is very popular for its raw drumbeat dressed with tambourine and multiple background vocals, which suggest the song was recorded altogether in one take, with Jabo Starks playing drums. It peaked at No. 9 on the ''Billboard'' Best Selling Soul Singles chart and No. 66 on the Hot 100. Owing to the composition, it became a fan favourite and has been featured on various compilation albums posthumously. In the closing lyrics, Collins sings lines from "Think", which shows that this song was one of the few adaptations of the 5 Royales song that Brown loved to do. Sampling Along with "Funky Drummer" and "Funky President", "Think (About It)" is one of the most frequently sampled James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyn Collins
Gloria Lavern Collins (June 12, 1948 – March 13, 2005), better known as Lyn Collins, was an American soul singer best known for working with James Brown in the 1970s and for the influential 1972 funk single, "Think (About It)". A favorite among hip hop, R&B, and dance music producers for decades, Collins is by far the most sampled female artist of all time, with portions of her recordings used in well over 3,500 songs. Early life and career Collins began her recording career at age 14. She played with Charles Pike & The Scholars. Collins recorded "What My Baby Needs Now Is a Little More Lovin'" with James Brown in 1972. Her biggest solo hit was the James Brown-produced gospel-style song "Think (About It)", from her 1972 album of the same name on People Records. The song contains five breaks which have been sampled widely in hip-hop and drum and bass, most famously, the "Yeah! Woo!" and "It takes two to make a thing go right" loops in Rob Base and DJ E-Z Rock's " It Takes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Mag
''DJ Magazine'' (also known as ''DJ Mag'') is a British monthly magazine dedicated to electronic dance music and DJs. Founded in 1991, the magazine is adapted for distribution in the United Kingdom, the United States, Spain, France, Italy, Latin America, China, South Korea, Indonesia, and the Netherlands. History An earlier version of the magazine appeared towards the end of the 1980s when it was then known as ''Disc Jockey Magazine.'' The name was then changed to ''Jocks Magazine,'' however, the publication underwent re-branding shortly afterwards. After this process the first issue of DJ Magazine launched in the middle of 1991; it was initially produced as weekly publication with Chris Mellor as its first editor. The magazine at this point was already the UK's top-selling disc jockey magazine and was widely regarded as one of the magazines of choice in the burgeoning house and rave music scenes. The first edition featured artists such as Frankie Knuckles and the Ragga Twins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viral Videos
A viral video is a video that becomes popular through a viral process of Internet sharing, typically through video sharing websites such as YouTube as well as social media and email.Lu Jiang, Yajie Miao, Yi Yang, ZhenZhong Lan, Alexander Hauptmann. Viral Video Style: A Closer Look at Viral Videos on YouTube. Retrieved 30 March 2016. Paper: https://www.cs.cmu.edu/~lujiang/camera_ready_papers/ICMR2014-Viral.pdf Slides: https://www.cs.cmu.edu/~lujiang/resources/ViralVideos.pdf For a video to be shareable or spreadable, it must focus on the social logics and cultural practices that have enabled and popularized these new platforms, logics that explain why sharing has become such common practice, not just how. Viral videos may be serious, and some are deeply emotional, but many more are centered on entertainment and humorous content. They may include televised comedy sketches, such as ''The Lonely Island''s " Lazy Sunday" and "Dick in a Box", '' Numa Numa'' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rap Music
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence (music), cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop music, hip hop genre and Hip hop, cultural movement. Rapping developed from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triplet (music)
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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