Jens-Daniel Herzog
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Jens-Daniel Herzog
Jens-Daniel Herzog (born 12 July 1964) is a German stage director for play and opera, and a theater manager. Career Jens-Daniel Herzog was born in Berlin, the son of the actor Peter Herzog. He studied Philosophy at the FU Berlin. From 1989 Herzog was an assistant to the stage directors Dieter Dorn and Hans Lietzau at the Münchner Kammerspiele. In 1993 he directed there the premiere of Marlene Streeruwitz's ''New York. New York'', in 1994 the premiere of Simone Schneider's ''Die Nationalgaleristen'', also ''Die Nacht kurz vor den Wäldern'' ('' The Night Just Before The Forests'') of Bernard-Marie Koltès. His production of David Mamet's '' Oleanna'' at the Schauspielhaus Zürich was invited to the festival Berliner Theatertreffen. From 1995 Herzog was stage director and "Oberspielleiter" at the Kammerspiele. He also staged plays at the Hamburg Thalia Theater, the Burgtheater in Vienna and the Schauspiel Frankfurt. His first opera productions were Wagner's ''Tannhäuser'' and ...
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FU Berlin
The Free University of Berlin (, often abbreviated as FU Berlin or simply FU) is a public research university in Berlin, Germany. It is consistently ranked among Germany's best universities, with particular strengths in political science and the humanities. It is recognised as a leading university in international university rankings. The Free University of Berlin was founded in West Berlin in 1948 with American support during the early Cold War period as a Western continuation of the Friedrich Wilhelm University, or the University of Berlin, whose traditions and faculty members it retained. The Friedrich Wilhelm University (which was renamed the Humboldt University), being in East Berlin, faced strong communist repression; the Free University's name referred to West Berlin's status as part of the Western Free World, in contrast to communist-controlled East Berlin. In 2008, as part of a joint effort, the Free University of Berlin, along with the Hertie School of Governanc ...
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The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ...
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William Christie (musician)
William Lincoln Christie (born December 19, 1944) is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants. Biography Christie studied art history at Harvard University, where he was briefly assistant conductor of the Harvard Glee Club. From 1966, he began studies at Yale University in music, where he was a student of harpsichordist Ralph Kirkpatrick. He was opposed to the Vietnam War, and served in a reserve officers course to avoid the draft. He subsequently taught at Dartmouth College. When his Dartmouth post was not renewed, Christie moved first to the United Kingdom (1970), and in 1971 to France. He was one of a number of young men who left the United States at this time because of disagreement with the Vietnam War, and in order to avoid the draft. In France, he became known for his interpretations of Baroque music, particularly French Baroque music, workin ...
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Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ...
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Horst Koegler
Horst Koegler (22 March 1927 – 11 May 2012) was a German dance critic, journalist and writer. He was the editor and author of books on the ballet scene in Germany, as well as the author of essays in journals and introductions to illustrated books. As a reviewer of German and English-language books, he formed a bridge between American and German dance research. Life Born in Neuruppin, Koegler studied musicology, German and art history in Kiel from 1945 to 1946 and directing, dramaturgy and acting at the newly founded in Halle an der Saale from 1947 to 1949. He then received a three-year engagement at the as assistant dramaturg and director. Since moving to West Berlin in 1951, he worked as a freelance journalist and writer, increasingly for English-language magazines. A stay of several months in the US followed in 1964. He first gained access to his later focus on dance as a reporter of Berlin opera performances. From 1957 to 1959 he was a critic for ''Die Welt''. In 1959 he m ...
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Liliana Nikiteanu
Liliana is derived from the Latin word 'lilium' or 'lilion', both mean 'lily' in English. Due to this, the name means "pure" and "innocent". The name is generally found in North America, though it is more common in Italian, Spanish and Portuguese. Notable people and fictional characters with the name include: People *Liliana Abud, Mexican actress in telenovelas and cinema *Liliana Allen (born 1970), Cuban track and field athlete, competing for Mexico *Liliana Leah Archibald (1928–2014), English insurance broker *Liliana Ayalde, American diplomat, former United States ambassador to Brazil * Liliana Barba, Latin American voice actress * Liliana V. Blum (born 1974), Mexican short story writer * Liliana Campos (born 1971), Portuguese television presenter and model *Liliana Castro (born 1979), Ecuadorian-born Brazilian actress *Liliana Cavani (born 1933), Italian film director and screenwriter * Liliana Chalá (born 1965), female athlete from Ecuador * Liliana Díaz Mindurry (born ...
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Isabel Rey
Isabel is a female name of Spanish origin. Isabelle is a name that is similar, but it is of French origin. It originates as the medieval Spanish form of '' Elisabeth'' (ultimately Hebrew ''Elisheva''), Arising in the 12th century, it became popular in England in the 13th century following the marriage of Isabella of Angoulême to the king of England. Today sometimes abbreviated to Isa. Etymology This set of names is a Spanish variant of the Hebrew name Elisheba through Latin and Greek represented in English and other western languages as Elisabeth. Albert Dauzat, ''Noms et prénoms de France'', Librairie Larousse 1980, édition revue et commentée par Marie-Thérèse Morlet, p. 337a.Chantal Tanet et Tristan Hordé, ''Dictionnaire des prénoms'', Larousse, Paris, 2009, p. 38 These names are derived from the Latin and Greek renderings of the Hebrew name based on both etymological and contextual evidence (the use of Isabel as a translation of the name of the mother of John the Bap ...
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Jonas Kaufmann
Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for the versatility of his repertoire, performing a variety of opera roles in multiple languages in recitalTommasini, Anthony (21 February 2014)"A Tenor Finds Energy for Intense, Lyrical Pain" ''The New York Times''. Retrieved 26 December 2014. and concert each season. Some of his standout roles include Don José in ''Carmen'', Cavaradossi in ''Tosca'', Maurizio in ''Adriana Lecouvreur'', Don Alvaro in ''La forza del destino'', Siegmund in ''Die Walküre'', and the title roles in ''Parsifal'', ''Werther'', ''Don Carlos'', and ''Lohengrin''. In 2014 ''The New York Times'' described Kaufmann as "a box-office draw, and... the most important, versatile tenor of his generation." Early life and education Kaufmann was born in Munich. His father worked for an insurance company, and his mother was a kindergarten teacher. He had one older sister. He started studying piano when he was eight, and he sang in his el ...
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Ingo Metzmacher
Ingo Metzmacher (born 10 November 1957 in Hanover) is a German conductor and artistic director of the festival KunstFestSpiele Herrenhausen in Hanover. Life Ingo Metzmacher is the son of the cellist Rudolf Metzmacher and the research biologist Lore Schoen. His musical education in piano, music theory and conducting was in Hanover, Salzburg and Cologne. He later joined the Ensemble Modern in 1980 as its pianist and became the orchestra's conductor in 1985. In 1987 he gave his opera debut at the Opera Frankfurt. In 1994 Metzmacher conducted the premiere of the revised version of Hans Werner Henze's Symphony No. 6. In 1997 he conducted the world premiere of Henze's Symphony No. 9 at the composer's request. Between 1995 and 1999 he was principal guest conductor of the Bamberg Symphony and from 1997 to 2005 he served as general music director of the City of Hamburg, which covered the Hamburg State Opera and its Philharmonic Orchestra. In 2005 the Hamburg State Opera was vot ...
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Königskinder
' (German for ''King's Children'' or “Royal Children”) is a stage work by Engelbert Humperdinck that exists in two versions: as a melodrama and as an opera or more precisely a '' Märchenoper''. The libretto was written by Ernst Rosmer (pen name of Else Bernstein-Porges), adapted from her play of the same name. In 1894, Heinrich Porges asked Humperdinck to write incidental music for his daughter Else's play. Humperdinck was interested in making the story into an opera but since Else Bernstein-Porges initially refused, he opted for the play to be staged as a melodrama – that is with spoken dialogue taking place along with an instrumental backdrop. (The work also included operatic arias and choruses, as well as unaccompanied dialogue.) In the melodramatic passages, Humperdinck designed an innovative hybrid notation that called for a text delivery somewhere between singing and speech. With this notation, the singer was expected to deliver a substantial portion of the text wi ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ...
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Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ...
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