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Jehan De Nuevile
Jehan de Nuevile (''c''.1200–''c''.1250) was the second son of the Eustache de Nuevile, a minor nobleman with land in Neuville-Vitasse, near Arras. Jehan succeeded to the patrimony on the death of his elder brother, Eustache. He himself was dead by 1254, when his younger brother, Gilles, appears as lord at Neuville. Jehan is better known as a trouvère. Colart le Boutellier dedicated one of his songs to Jehan. The song ''L'autrier par un matinet'', dedicated to Colart, may be a response from Jehan, although there are competing attributions. The Chansonnier du Roi ( BnF fr.844) ascribes sixteen '' chansons courtoises'' to Jehan in its table of contents, although six of these are attributed to two other poets, Gautier d'Espinal and Guiot de Dijon, in the rubrics. Only three of Jehan's pieces survive with melodies in the Chansonnier to Roi and these are his only pieces to appear in other manuscripts: *''Desoremais est raison'' *''Quant li boscages retentist'' *''L'autrier par un m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neuville-Vitasse
Neuville-Vitasse () is a commune in the Pas-de-Calais department in the Hauts-de-France region of France. Geography Neuville-Vitasse situated southeast of Arras, at the junction of the D14 and D5 roads. Population Places of interest * The church of St.Martin, rebuilt after World War I. * The Commonwealth War Graves Commission cemeteries: -The London cemetery where are buried 713 british soldiers and 23 canadian soldiers who fought the german army on the front line from 1917 to 1918. The London cemetery is located de Beaurains path. -The Neuville-Vitasse road cemetery where 80 french soldiers were buried. It is located Saint Martin path. * Two war memorials. See also *Communes of the Pas-de-Calais department The following is a list of the 890 communes of the Pas-de-Calais department of France. The communes cooperate in the following intercommunalities (as of 2020): [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isometre
In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts"Griffiths, Paul (2005). ''The Penguin Companion to Classical Music'', p.375. . or "very similar rhythm" as would be used in simple hymn or chorale settings.Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians'', p.305. . Homorhythm is a condition of homophony. All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture. Homorhythmic texture delivers lyrics with clarity and emphasis. Texture in which parts have different rhythms is heterorythmic or heterometric. The term is used for compositions in which all the voice-parts move simultaneously in the same rhythm, forming a succession of chords.Apel, Willi (1969). ''Harvard Dictionary of Music'', p.426. Harvard. . It may also be called '' chordal style'', ''familiar style'', ''note-against-note style'', ''isometric'', and ''homophonic''. ''Isometric'' may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1250s Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Karp
Theodore Cyrus Karp (17 July 1926 – 5 November 2015) was an American musicologist. His principal area of study was Secular music, mainly mediaeval monophony, especially the music of the trouvères. He was a major contributor in this area to the '' Grove Dictionary of Music and Musicians''. Biography Born in New York, New York, he attended Queens College of the City University of New York, where he received his B.A. in 1947. He later attended the Juilliard School of Music and, from 1949 to 1950, the Catholic University of Leuven. He returned to New York University, where he studied under Curt Sachs and Gustave Reese. He received his PhD from New York University in 1960. In 1963 he was taken on as a faculty member by the University of California at Davis and in 1971 became a music professor. He moved to Northwestern University in 1973, where he was dean of the department until 1988 and a professor until his retirement in 1996. Besides trouvère monophony, Karp wrote arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planh
A genre of the troubadours, the or (; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady."Elisabeth Schulze-Busacker, "Topoi", in F. R. P. Akehurst and Judith M. Davis, eds., ''A Handbook of the Troubadours'' (Berkeley: University of California Press, 1995), pp. 421–440. Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul.Patricia Harris Stäblein, "New Views on an Old Problem: The Dynamics of Death in the ", ''Romance Philology'' 35, 1 (1981): 223–234. It is descended from the medieval Latin .William D. Paden, "Planh/Complainte", in W. W. Kibler and G. A. Zinn, eds., ''Medieval France: An Encyclopedia'' (New York: Garland, 1995), pp. 1400–1401. The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Occitan
Old Occitan ( oc, occitan ancian, label=Occitan language, Modern Occitan, ca, occità antic), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is sometimes included in Old Occitan, sometimes in Modern Occitan. As the term ' appeared around the year 1300, Old Occitan is referred to as "Romance" (Occitan: ') or "Provençal" (Occitan: ') in medieval texts. History Among the earliest records of Occitan are the ''Tomida femina'', the ''Boecis'' and the ''Cançó de Santa Fe''. Old Occitan, the language used by the troubadours, was the first Romance language with a literary corpus and had an enormous influence on the development of lyric poetry in other European languages. The interpunct was a feature of its orthography and survives today in Catalan and Gascon language, Gascon. The official language of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais Departments of France, department, which forms part of the regions of France, region of Hauts-de-France; before the regions of France#Reform and mergers of regions, reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe (river), Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word ''nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubric
A rubric is a word or section of text that is traditionally written or printed in red ink for emphasis. The word derives from the la, rubrica, meaning red ochre or red chalk, and originates in Medieval illuminated manuscripts from the 13th century or earlier. In these, red letters were used to highlight initial capitals (particularly of psalms), section headings and names of religious significance, a practice known as rubrication, which was a separate stage in the production of a manuscript. Rubric can also mean the red ink or paint used to make rubrics, or the pigment used to make it. Although red was most often used, other colours came into use from the late Middle Ages onwards, and the word rubric was used for these also. Medievalists can use patterns of rubrication to help identify textual traditions. Various figurative senses of the word have been extended from its original meaning. Usually these senses are used within the set phrase "under hateverrubric", for example, "u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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