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Jean-Toussaint Merle
Jean-Toussaint Merle (10 June 1785– 27 February 1852) was a French playwright and journalist. Biography Merle had a good education at the Central School of the department of Hérault before arriving in Paris in 1803. At first an employee at the Ministry of Interior, he soon left the position for military service, and returned to Paris only towards the end of 1808. He then made his debut in literature. His amiable character and easy spirit made him a reputation for indolence which seems in little agreement with the activity of his literary life. He put his name to more than one hundred and twenty plays, almost all of them made in collaboration. In turn attached to various newspapers, he has written numerous articles in the ''Mercure de France'', '' la Gazette de France'', , '' Le Nain jaune'', etc. For a long time he wrote the dramatic serial of . A spiritual critic and pleasant writer, he was among those who were appreciated by their contemporaries and whose name tend to di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montpellier
Montpellier (, , ; oc, Montpelhièr ) is a city in southern France near the Mediterranean Sea. One of the largest urban centres in the region of Occitania (administrative region), Occitania, Montpellier is the prefecture of the Departments of France, department of Hérault. In 2018, 290,053 people lived in the city, while its Functional area (France), metropolitan area had a population of 787,705.Comparateur de territoire INSEE, retrieved 20 June 2022. The inhabitants are called Montpelliérains. In the Middle Ages, Montpellier was an important city of the Crown of Aragon (and was the birthplace of James I of Aragon, James I), and then of Kingdom of Majorca, Majorca, before its sale to France in 1349. Established in 1220, the University of Montpellier is one of the List of oldest univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Alhoy
Philadelphe-Maurice Alhoy (1802 – 27 April 1856) was a 19th-century French journalist, writer and playwright, born and died in Paris. As journalist Under the Restauration and the July Monarchy, when "every day saw the birth of a new paper" (Eugène de Mirecourt), Maurice Alhoy founded ''Le Philanthrope'' (1825), "newspaper devoted to charity, morality and the public good.", ''Le Dandy'', ''Le Pauvre Jacques'' (1829), the ''Journal des familles'', the ''Gazette des enfants'', the ''Moniteur des gourmands'', ''L’Ours'' (1834), a newspaper written "by a company of beasts with beaks and nails". He was involved in the writing of several other journals, including a ''journal-vaudeville'', ''La Foire aux idées'' (1849). But he will remain above all as the creator, with Étienne Arago, of ''Le Figaro'' on 14 janvier 1826. The beginnings were difficult; the newspaper was sold two months later to Auguste Le Poitevin de L'Égreville, then to Victor Bohain who took over the responsibili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumarchais
Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May 1799) was a French polymath. At various times in his life, he was a watchmaker, inventor, playwright, musician, diplomat, spy, publisher, horticulturist, arms dealer, satirist, financier and revolutionary (both French and American). Born a Parisian watchmaker's son, Beaumarchais rose in French society and became influential in the court of Louis XV as an inventor and music teacher. He made a number of important business and social contacts, played various roles as a diplomat and spy, and had earned a considerable fortune before a series of costly court battles jeopardized his reputation. An early French supporter of American independence, Beaumarchais lobbied the French government on behalf of the American rebels during the American War of Independence. Beaumarchais oversaw covert aid from the French and Spanish governments to supply arms and financial assistance to the rebels in the years before France's forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Guillaume Alexandre
Charles-Guillaume Alexandre (ca.1735 – 1787 or 1788) was a French classical violinist and composer. Biography Born in Paris, Alexandre was a violinist at the Théâtre de l'Opéra-Comique from 1753 to 1755. Master of music at the Dubugrarre School of Music (1760), he became first violin of the Duke of Aiguillon then in 1783, violin teacher in Paris. He wrote operas and instrumental music. Works *1755: ''Le Triomphe de l'amour conjugal'', spectacle orné de machines, lyrics by Giovanni Niccolo Servandoni *1756: ''La Conquête du Mogol par Thamas Kouli-Kan, roi de Perse, et son triomphe'', spectacle à machines, lyrics by Servandoni *1761: ''Georget et Georgette'', one-act opéra-comique, libretto by Harny de Guerville *1764: ''Dictionnaire lyrique portatif, ou Choix des plus jolies ariettes de tous les genres disposées pour la voix et les instrumens avec les paroles françoises sous la musique'', 2 volumes, Didot *1765: ''La Belle Arsène'', opéra-comique, lyrics by Charle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Alexandre Piccinni
Louis Alexandre Piccinni (variously Louis Alexandre, Luigi Alessandro or Lodovice Alessandro) (10 September 1779 – 24 April 1850) was a prolific music composer born in Paris of Italian ancestry. Alexandre Piccinni was born in Paris. The grandson of the Italian composer of symphonies, sacred music, chamber music, and opera, Niccolò Piccinni, and the son of Giuseppe Luigi Piccinni, Louis was already giving piano lessons at age 13. He studied piano, and later attended the Conservatoire where he studied composition from Jean-François Le Sueur. He was accompanist at the Théâtre Feydeau, and from 1802 at the Opéra-Comique. From 1803 to 1816, he was conductor of the Théâtre de la Porte Saint-Martin, and from 1804 to 1818 accompanist in the chapels of Louis XVIII at the court. Piccinni taught singing and piano at Paris until 1836, when he moved to Boulogne to teach and direct at the National Conservatory in Toulouse. He later moved to Strasburg and directed the Baden-B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Laloue
Ferdinand Laloue (1794 in Passy – 27 September 1850) was a French dramatist, librettist and theatre producer. Administrator of the Théâtre du Cirque-Olympique, he also was director of the Hippodrome and the théâtre des Délassements comiques. His onerous plays with fastuous settings were performed on the most important Parisian stages (Théâtre des Folies-Dramatiques, Théâtre de la Porte-Saint-Martin, Théâtre du Châtelet, Théâtre des Variétés etc.). Works * ''Le Fort de la halle'', vaudeville in 1 act, with Michel-Nicolas Balisson de Rougemont and Pierre Carmouche, 1821 * ''Le Petit Georges, ou la Croix d'honneur'', comedy in 1 act, 1821 * ''La Bataille de Bouvines, ou le Rocher des tombeaux'', mimodrame in 3 acts, with René Perin, 1822 * ''L'Arabe hospitalier'', melodrama in 1 act, 1822 * ''La diligence attaquée, or L'auberge des Cévennes'', with Constant Ménissier and Ernest Renaud, 1822 * ''La Fille à marier ou La Double éducation'', comédie en va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Simon
General Henri Joseph Simon (23 February 1866 – 15 May 1956) was a French army officer. He is particularly associated with the French protectorate of Morocco where he spent much of his army career. Simon served as head of intelligence to Hubert Lyautey and as director of the Moroccan Indigenous Affairs Service as well as conventional combat roles. He later wrote books about his time in Morocco and helped the production of the 1934 film ''Itto''. Morocco Simon was born on 23 February 1866 at Sélestat in the Bas-Rhin department of Alsace. As a captain Simon was attached to the native affairs office of Algeria and was appointed a chevalier of the Legion of Honour on 11 July 1903. As a Chef de bataillon (major) he was with the 116th Infantry Regiment in Casablanca on 30 December 1911 when he was appointed an officer of the Legion of Honour. He was given command of the irregular Moroccan Goumiers in French service in 1911. An initially temporary arrangement Simon provided such "go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Féerie
''Féerie'', sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Baudouin D'Aubigny
Jean-Marie-Théodore Baudouin also d’Aubigny, born in Paris 19 August 1786 - died 1866, was a French playwright. Theatre * ''La Pie voleuse'', a play in collaboration with Louis-Charles Caigniez, based on an authentic event. Théâtre de la Porte Saint-Martin, 29 April 1815. The play later served as the base for the 1817 opera ''La gazza ladra'' by Rossini. * ''Le Barbier de la cité ou Un pied dans l'abîme'', melodrama in 3 acts and in prose, ballets by Frédéric-Auguste Blache, music by Louis Alexandre Piccinni, Théâtre de la Porte Saint-Martin, 22 August 1816; * ''Les Paratonnerres ou les Bulles de savon'', comedy in 1 act and in prose, with Boirie, Théâtre de la Porte Saint-Martin, 21 November 1821; * ''Chacun son numéro ou le Petit Homme gris'', comédie en vaudevilles in 1 act, with Carmouche and Boirie, Théâtre de la Porte Saint-Martin, 6 December 1821 ; * ''Le Lépreux de la vallée d'Aoste'', melodrama in 3 acts, with Hyacinthe Decomberousse and Jean-Toussa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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