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Jean-Louis Martinoty
Jean-Louis Martinoty (20 January 1946 in Étampes – 27 January 2016 in Neuilly-sur-Seine) was a French writer and an opera director.. Renowned for his stagings of baroque operas in the eighties, he was also General Administrator of the Paris Opera (1986–1989). Biography Jean-Louis Martinoty spent his childhood and his teens in Algeria where his father was a tax official. In 1961, his parents returned to France and settled in Nice. Martinoty studied classical letters and cello. He started his professional life as a French teacher for some years, then becoming a writer and music critic for the newspaper ''L'Humanité''. In 1972, he interviewed the stage director Jean-Pierre Ponnelle, who invited him to come to the Salzburg Festival where he was preparing Mozart's ''The Marriage of Figaro''. After replacing Ponnelle for a rehearsal he became his assistant and the writer of the scripts for most of his opera films (including ''La clemenza di Tito'', ''Madama Butterfly'' and ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis Martinoty
Jean-Louis Martinoty (20 January 1946 in Étampes – 27 January 2016 in Neuilly-sur-Seine) was a French writer and an opera director.. Renowned for his stagings of baroque operas in the eighties, he was also General Administrator of the Paris Opera (1986–1989). Biography Jean-Louis Martinoty spent his childhood and his teens in Algeria where his father was a tax official. In 1961, his parents returned to France and settled in Nice. Martinoty studied classical letters and cello. He started his professional life as a French teacher for some years, then becoming a writer and music critic for the newspaper ''L'Humanité''. In 1972, he interviewed the stage director Jean-Pierre Ponnelle, who invited him to come to the Salzburg Festival where he was preparing Mozart's ''The Marriage of Figaro''. After replacing Ponnelle for a rehearsal he became his assistant and the writer of the scripts for most of his opera films (including ''La clemenza di Tito'', ''Madama Butterfly'' and ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aix-en-Provence Festival
The Festival d'Aix-en-Provence is an annual international music festival which takes place each summer in Aix-en-Provence, principally in July. Devoted mainly to opera, it also includes concerts of orchestral, chamber, vocal and solo instrumental music. Establishment The first festival took place in July 1948. It was founded by Countess Lily Pastré, who covered the entire costs in 1948.Le Salon de Lily, Hommage à la Comtesse Pastré, mécène , Culture 13 , Culture 13 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Boréades
''Les Boréades'' is a ''tragédie lyrique mise en musique'', or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas. Background There were no known performances of this opera in Rameau's lifetime. The work was in rehearsal in 1763 at the Paris Opéra, probably for a private performance at the court at Choisy. It is not known why the performance was abandoned, though many theories have been put forward, including that factions at court fought over it, the music was too difficult, there were subversive plot elements, and that the Opéra was burnt down in the month of rehearsals. The first known performance of the work was in 1770 in a concert performance at Lille. J. J. M. Decroix had collected Rameau' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Malgoire
Jean-Claude Malgoire (25 November 1940 – 14 April 2018) was a French oboist and later conductor. Early life Malgoire was born on 25 November 1940 in Avignon, France. His mother was born in Italy. Malgoire graduated from the Paris Conservatory. Career Malgoire began his career as an oboist. He played the cor anglais for the Orchestre de Paris, under the direction of conductor Charles Munch. Over the course of his career, he played for conductors Herbert von Karajan, Georg Solti and Seiji Ozawa. In 1971, he played the cor anglais in Ravel's '' Piano Concerto'' alongside pianist Samson François, conducted by André Cluytens. He also played the cor anglais in Richard Wagner's ''Tristan und Isolde''. Malgoire founded La Grande Écurie et la Chambre du Roy, a period-instrument Baroque music ensemble, in 1966. He played the works of Jean-Baptiste Lully, Marc-Antoine Charpentier, André Campra. and Jean-Philippe Rameau. He also founded the Florilegium Musicum de Paris, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Amante
''Ercole amante'' (''Hercules in Love'', French: ''Hercule amoureux'') is an opera in a prologue and five acts by Francesco Cavalli. Its Italian libretto is by Francesco Buti, based on Sophocles' ''The Trachiniae'' and on the ninth book of Ovid's ''Metamorphoses''. The first performance took place on 7 February 1662 in the Salle des Machines of the Tuileries in Paris. Background Cardinal Mazarin commissioned the opera to celebrate the June 1660 wedding of Louis XIV and Maria Theresa of Spain, but preparations for the staging were on a grand scale and caused a twenty-month delay, irritating the composer. Worse for him, eighteen ballet '' entrées'' and ''intermède Intermède (also intermédie, intramède, entremets) is a French term for a musical or theatrical performance involving song and dance, also an 18th-century opera genre. The context in which the 'intermède' was performed has changed over time. ...s'' with music by Isaac de Benserade and Jean-Baptiste Lully were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra National De Lyon
The Opéra National de Lyon, marketed as Opéra de Lyon during the last decade, is an opera company in Lyon, based and performing mostly at the Opéra Nouvel, an 1831 theater that was modernized and architecturally transformed in 1993. The inaugural performance of François-Adrien Boïeldieu's ''La Dame blanche'' was given on 1 July 1831. The Nineteenth and Twentieth Centuries saw some significant French premieres of major operas including Richard Wagner's ''Die Meistersinger'' in 1896, Giordano's '' Andrea Chénier'' in the following year, and Moussorgsky's ''Boris Godunov'' in 1913. In addition, many world premieres such as Arnold Schoenberg's ''Erwartung'' (1967) have been presented. In the years after the 1969 appointment of Louis Erlo as general director, many innovative productions and premieres of both French operas and Twentieth Century operas have been staged. Two significant French artists who have been associated with the Opéra in recent years are the stage director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Périchole
''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. ''La Périchole''s title character is based on Micaela Villegas, a beloved 18th century Peruvian entertainer and the famous mistress of Manuel de Amat y Juniet, Viceroy of Peru from 1761 to 1776. The story concerns two impoverished Peruvian street-singers, too poor to afford a marriage license, and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Péric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strasbourg Opera House
The Strasbourg Opera House (), located on Place Broglie on the Grande Île in the city center of Strasbourg, in the French department of the Bas-Rhin, is the main seat and mother house of the opera company Opéra national du Rhin. It has been classified as a Monument historique since 1921. History After a fire in 1800 that destroyed a previous opera house, also located on Place Broglie, the Strasbourg municipality set up plans for a new one in 1804. As the Napoleonic Empire came and went, the plans for the ''théâtre municipal'' were altered several times, until the building, designed in the Neoclassical style by architect Jean-Nicolas Villot (1782–1857) finally opened to great acclaim in 1821. The monumental façade is adorned by sandstone statues of six muses by Landolin Ohmacht (three muses were left out: Clio, Thalia and Urania), each statue corresponding to a column below. During the Siege of Strasbourg in 1870, the opera was heavily damaged by Prussian artillery. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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