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Jean-Claude Éloy
Jean-Claude Éloy (born 15 June 1938) is a French composer of instrumental, vocal and electroacoustic music. Biography Jean-Claude Éloy was born in Mont-Saint-Aignan near Rouen. He studied composition with Darius Milhaud at the Paris Conservatory, where he was awarded four ''premier prix'': in piano (1957), in chamber music (1958), in counterpoint (1959), and in ondes Martenot (1960). During this same period he attended the Darmstädter Ferienkurse in 1957, 1960, and 1961, where he studied with Henri Pousseur, Hermann Scherchen, Olivier Messiaen, Pierre Boulez, and Karlheinz Stockhausen. In 1961, he also studied with Boulez at the City of Basel Music Academy. In 1966, he joined the faculty of the University of California, Berkeley, where he taught until 1968. At Stockhausen's invitation, he spent 1972–73 working at the Studio for Electronic Music (WDR) in Cologne, where he produced ''Shânti'' (revised in 1974), for electronic and concrete sounds, in which he explored ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Éloy
Jean-Claude Éloy (born 15 June 1938) is a French composer of instrumental, vocal and electroacoustic music. Biography Jean-Claude Éloy was born in Mont-Saint-Aignan near Rouen. He studied composition with Darius Milhaud at the Paris Conservatory, where he was awarded four ''premier prix'': in piano (1957), in chamber music (1958), in counterpoint (1959), and in ondes Martenot (1960). During this same period he attended the Darmstädter Ferienkurse in 1957, 1960, and 1961, where he studied with Henri Pousseur, Hermann Scherchen, Olivier Messiaen, Pierre Boulez, and Karlheinz Stockhausen. In 1961, he also studied with Boulez at the City of Basel Music Academy. In 1966, he joined the faculty of the University of California, Berkeley, where he taught until 1968. At Stockhausen's invitation, he spent 1972–73 working at the Studio for Electronic Music (WDR) in Cologne, where he produced ''Shânti'' (revised in 1974), for electronic and concrete sounds, in which he explored ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of ''elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of ''musique concrète' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercure De France
The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published from 1672 to 1724 (with an interruption in 1674–1677) under the title (sometimes spelled ; 1672–1674) and (1677–1724). The title was changed to in 1724. The gazette was briefly suppressed (under Napoleon) from 1811 to 1815 and ceased publication in 1825. The name was revived in 1890 for both a literary review and (in 1894) a publishing house initially linked with the symbolist movement. Since 1995 has been part of the Éditions Gallimard publishing group. should not be confused with another literary magazine, the (1823–1830). The original ''Mercure galant'' and ''Mercure de France'' The ''Mercure galant'' was founded by the writer Jean Donneau de Visé in 1672. The name refers to the god Mercury, the messenger of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Bernard Mâche
François-Bernard Mâche (born 4 April 1935, Clermont-Ferrand) is a French composer of contemporary music. Biography Born into a family of musicians, he is a former student of Émile Passani and Olivier Messiaen and has also received a diploma in Greek archaeology (1957) and a teaching certificate (Agrégation de Lettres classiques, 1958). He was a member of the Groupe de Recherches Musicales in Paris from 1958–63. He has composed electroacoustic, orchestral, chamber, choral, vocal and piano works. He has been a member of the Académie des Beaux-Arts since 2002 and occupies the chair of the late Iannis Xenakis. Mâche's ''Music, Myth and Nature, or The Dolphins of Arion'' (''Musique, mythe, nature, ou les Dauphins d'Arion'') (1983, 1992 ), which as a whole argues for a return in composition to mythic thought, includes a study of "ornitho-musicology" using a technique of Nicolas Ruwet's ''Langage, musique, poésie'' (1972) paradigmatic segmentation analysis, shows that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Music Journal
''Computer Music Journal'' is a peer-reviewed academic journal that covers a wide range of topics related to digital audio signal processing and electroacoustic music. It is published on-line and in hard copy by MIT Press. The journal is accompanied by an annual CD/DVD that collects audio and video work by various electronic artists. ''Computer Music Journal'' was established in 1977. According to the '' Journal Citation Reports'', the journal has a 2016 impact factor The impact factor (IF) or journal impact factor (JIF) of an academic journal is a scientometric index calculated by Clarivate that reflects the yearly mean number of citations of articles published in the last two years in a given journal, as i ... of 0.405. References External links * Journal pageat publisher's website Music journals Publications established in 1977 MIT Press academic journals Quarterly journals English-language journals {{compu-journal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Monde De La Musique
''Le Monde de la musique'' was a French monthly musical magazine published from 1978 to 2009 with a circulation of 20,000 copies in 2008. It was founded in 1978 by ''Le Monde'' and ''Télérama ''Télérama'' is a weekly French cultural and television magazine published in Paris, France. The name is a contraction of its earlier title: ''Télévision-Radio-Cinéma''. Fabienne Pascaud is currently managing editor. Ludovic Desautez is de ...'' at the initiative of Jean-Michel Croissandeau, in charge of editorial diversification in Le Monde with , then director of the daily newspaper. The design of the project - dealing with all music and not just "classical" music - was developed in partnership with ''Télérama'', with Francis Mayor as Managing Editor, with the support of an editorial board including journalists from both parent publications. The first editors of the magazine were Louis Dandrel and Anne Rey. ''Le Monde de la musique'' was then published by various companies. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Von Blumröder
Christoph von Blumröder (born 18 July 1951) is a German musicologist. Career Born in Northeim, Blumröder studied musicology at the Albert-Ludwigs-Universität Freiburg in Breisgau with Hans Heinrich Eggebrecht, philosophy and history of the . After his doctorate in 1979, Blumröder was a research assistant at the ' (1972–2006). From 1980 Blumröder also taught at the university there, where he received his habilitation in 1990. After assistant professorships at the University of Bonn in the winter semester of 1991/92 and at the Saarland University in the summer semester of 1995, he accepted an appointment as professor for contemporary music at the Musicological Institute of the University of Cologne in the winter semester of 1996/97. There he founded the cycles of events ''Composition and Musicology in Dialogue'' (1997) and ''Space Music'' (1998) as well as the publication series ''Signale aus Köln. Beiträge zur Musik der Zeit'' and was elected chairman of the associatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fibonacci Quarterly
The ''Fibonacci Quarterly'' is a scientific journal on mathematical topics related to the Fibonacci numbers, published four times per year. It is the primary publication of The Fibonacci Association, which has published it since 1963. Its founding editors were Verner Emil Hoggatt Jr. and Alfred Brousseau; by Clark Kimberling the present editor is Professor Curtis Cooper of the Mathematics Department of the . The ''Fibonacci Quarterly'' has an editorial board of nineteen members and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Music Theory
The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957. According to its website, " e ''Journal of Music Theory'' fosters conceptual and technical innovations in abstract, systematic musical thought and cultivates the historical study of musical concepts and compositional techniques. The journal publishes research with important and broad applications in the analysis of music and the history of music theory as well as theoretical or metatheoretical work that engages and stimulates ongoing discourse in the field. While remaining true to its original formalist outlook, the journal also addresses the influences of philosophy, mathematics, computer science, cognitive sciences, and anthropology on music theory." The journal is currently edited by Richard Cohn. It has a long and distinguished history of past editors, including Allen Forte Allen, Allen's or Allens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
