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Jean-Blaise Martin
Jean-Blaise Martin, full name Nicolas Jean-Blaise Martin (February 24, 1768 in Paris – October 28, 1837 in Tourzel-Ronzières) was a French opera singer whose tessitura lay between tenor and baritone, which became later known as " baryton-martin". Life and career Jean-Blaise Martin began singing publicly as a child, before his voice broke. He made his professional operatic debut in 1789, at the Théâtre Feydeau, in Paris, in a parody called . He then studied with Madame Dugazon, and made his debut at the Opéra-Comique in 1794, and sang there until 1823. He became a member of the theatre's administrative committee in 1801. He also taught at the Conservatoire de Musique of Paris, from 1825 to 1837. He composed one opéra comique, , produced at the Théâtre Feydeau in 1796. During his career, he created some 15 roles in operas by Nicolas Dalayrac, François Devienne, André Grétry, Étienne Méhul, Nicolas Isouard, Ferdinando Paer, etc. Martin's voice was descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Paer
Ferdinando Paer (1 July 1771 – 3 May 1839) was an Italian composer known for his operas. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër. Life and career He was born in Parma into a family of Austrian descent. He came from a musical family. His grandfather Michael Pär was a regimental band member from Peterwardein (today Petrovaradin, part of Novi Sad). His father Giulio Paer was a trumpeter with the Ducal Bodyguards and also performed at church and court events; his mother was Francesca Cutica. He was named Ferdinando after Duke Ferdinand of Parma by Archduchess Maria Amalia of Austria, Duke Ferdinand's wife. He studied the music theory under the violinist Ghiretti, a pupil of the Conservatorio della Pietà de' Turchini in Naples. His first Italian opera, ''Circe'', was given during the Carnival of Venice in 1792; others rapidly followed, and his name was soon famous throughout Italy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Le Sueur
Jean-François Le Sueur (more commonly Lesueur; ) (15 February 17606 October 1837) was a French composer, best known for his oratorios and operas. Life He was born at Plessiel, a hamlet of Drucat near Abbeville, to a long-established family of Picardy, the great-nephew of the painter Eustache Le Sueur. Beginning as a chorister at the collegial church of Abbeville, then at the Amiens Cathedral, cathedral of Amiens, where he pursued his music studies, Le Sueur was named chorus master at the cathedral of Sées. He went to Paris to study harmony with the Abbé Nicolas Roze, chorus master at the Saints-Innocents. Le Sueur was named to positions at Dijon (1779), Le Mans (1782), then at Tours (1783) before he succeeded Roze at the Saints-Innocents at Paris. Finally in 1786, after a competition, he was made music director at Notre-Dame de Paris. For the Feast of the Assumption, he innovated by introducing an orchestra, with great success, and his sacred concerts at the main feasts of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossian, Ou Les Bardes
''Ossian, ou Les bardes'' (English: ''Ossian, or The Bards'') is an opera in five acts by the French composer Jean-François Le Sueur. The libretto, by Alphonse François "Paul" Palat-Dercy and Jacques-Marie Deschamps, is based on the Ossian poems of James Macpherson (specifically the poem "Calthon and Colmal"), which had been translated into French by . Performance history Le Sueur probably began work on the opera as early as 1795. It was first performed at the Paris Opera on 10 July 1804. The premiere was a huge success, especially with Emperor Napoleon, who was a great admirer of the Ossian poems. Napoleon was so enthusiastic, he invited the composer to join him in the imperial box at the third act and the next day he sent Le Sueur a gold casket engraved "The Emperor Napoleon to the author of ''Les bardes''", containing the cross of the Légion d'honneur. The opera received almost 70 performances over the next 12 years. Roles Synopsis The opera is set in an imaginary Scot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Jansen
Jacques Jansen (né Toupin; born Paris, 22 November 1913 – 13 March 2002) was a French ''baryton-martin'' singer, particularly associated with the role of Pelléas in the opera by Debussy, but also active in operetta and on the concert platform, and later as a teacher. Life and career Jansen had a wide musical and artistic education; after studying the violin in Paris, he took lessons in solfège and bassoon at the conservatoire in Tours, where he also pursued courses in fine arts. Having taken vocal lessons with Charles Panzéra, from 1938 he studied under Claire Croiza and Georges Viseur (solfège) at the Paris Conservatoire. He also took classes with René Simon and Louis Jouvet and won prizes which might have allowed him to follow a career in acting. In 1939 he sang the fountain scene (Act 2 scene 1) and the tower scene (Act 3 scene 1) of Claude Debussy's opera '' Pelléas et Mélisande'' with the Orchestre National de France under Inghelbrecht, an experience which left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Maurane
Camille Maurane (November 29, 1911 – January 21, 2010), born Camille Moreau, was a French baryton-martin singer. His father was a music teacher and he started singing as a child in the Maîtrise Saint-Evode in Rouen. The sudden death of his mother and family upheaval meant a break of twelve years in regular singing. He studied at the Paris Conservatoire in the class of Claire Croiza from 1936 to 1939. He began his professional career as a singer in 1940 at the Opéra-Comique in Paris. After his debut as the Moine musicien in '' Le Jongleur de Notre-Dame'' on 14 January 1940, he went to create the following roles at the Opéra-Comique: *the captain (''Nèle Dooryn'', 1940) *Doria (''Ginevra'', 1942) *a man, a peasant (''Mon Oncle Benjamin'', 1942) *a young man (''Le Oui des Jeunes Filles'', 1949). *Un Soldat (''Dolorès'', 1952) He also sang in ''The Barber of Seville'', ''La Basoche'', ''Carmen'', ''Lakmé'', ''Louise'', ''Madame Bovary'', ''Madame Butterfly'', ''Werther'', '' Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valses De Vienne
''Walzer aus Wien'' ("Waltzes from Vienna," titled ''The Great Waltz'' in English) is a singspiel pasticcio in three acts, libretto by Alfred Maria Willner, and Ernst Marischka, music by Johann Strauss II (son), arranged by Erich Wolfgang Korngold and Julius Bittner, first performed at the Stadttheater in Vienna on 30 October 1930. French and English versions The libretto was translated into French by André Mouëzy-Éon and Jean Marietti, and first performed, under the title ''Valses de Vienne'' at the Théâtre de la Porte Saint-Martin in Paris on 21 December 1933. An English musical theatre adaptation called ''Walzes from Vienna'' (with additional music arranged by Herbert Griffiths), played in London in 1931. As '' The Great Waltz'' it also played on Broadway in 1934, and there was another English version produced in London in 1970.Derek B Scott. ''German Operetta on Broadway and in the West End, 1900-1940'' (2019), p. 58 Roles Synopsis The action takes place in Vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Cloches De Corneville
''Les cloches de Corneville'' (''The Bells of Corneville'', sometimes known in English as ''The Chimes of Normandy'') is an opéra-comique in three acts, composed by Robert Planquette to a libretto by Clairville (Louis-François Nicolaïe), Louis Clairville and Charles Gabet. The story, set at the turn of the 18th century, depicts the return of an exiled aristocrat to his ancestral castle, the machinations of the miserly steward to secure the family's fortune for himself, and the changing amorous pairings of the four juvenile leads. Aspects of the plot were criticised by contemporary critics as derivative of earlier operas. The opera was Planquette's first full-length stage work, and although he later wrote twelve more, including ''Rip Van Winkle (operetta), Rip Van Winkle'', which was a hit in London, he never equalled the international success of this first venture. It broke box-office records in Paris and London, where it set a new long-run record for musical theatre worldwid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille De Madame Angot
''La fille de Madame Angot'' (''Madame Angot's Daughter'') is an opéra comique in three acts by Charles Lecocq with words by Clairville, Paul Siraudin and Victor Koning. It was premiered in Brussels in December 1872 and soon became a success in Paris, London, New York and across continental Europe. Along with Robert Planquette's ''Les cloches de Corneville'', ''La fille de Madame Angot'' was the most successful work of the French-language musical theatre in the last three decades of the 19th century, and outperformed other noted international hits such as ''H.M.S. Pinafore'' and ''Die Fledermaus''. The opera depicts the romantic exploits of Clairette, a young Parisian florist, engaged to one man but in love with another, and up against a richer and more powerful rival for the latter's attentions. Unlike some more risqué French comic operas of the era, the plot of ''La fille de Madame Angot'' proved exportable to more strait-laced countries without the need for extensive rewriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Sinclair
Bernard Sinclair (1937 – 27 November 2015) was a French singer (baritone) particularly associated with the repertoire of the opéra comique and operetta, but also opera. He is also an actor, playwright and director. He died in the 10th arrondissement of Paris. Life Sinclair was born in 1937, in Marcq-en-Barœul in the Nord department. He was first a medical student, before turning to a lyrical career, on the advice of Élie Delfosse, who was to become director of the Opéra de Nancy. From the very beginning, he immediately took up the leading roles of opéra comique and operetta in provincial theatres. It is true that this seductive "baritone-martin" has a lot for him, a voice full of charm and radiant treble, a fine musicality, a physical youthful prime, joined to an elegance and a talent of comedian. Paris discovered him in 1966 in ''La danseuse aux étoiles'' at the Théâtre Mogador. Very quickly he appeared at the Théâtre du Châtelet, the Théâtre du Palais-Royal, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
