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Jan Van De Venne
Jan van de Venne or Jan van der Venne, also known as Pseudo van de Venne (active by 1616 – died before 1651), was a Flemish painter of genre, religious scenes, and cabinets who was court painter to the governors of the Southern Netherlands.'' The Temptation of St Antony'' at the National Inventory of Continental European Paintings Many of his works depict "low-life" genre scenes of tooth-pullers, card-players and players, and expressive religious scenes.Hans Vlieghe (1998). ''Flemish Art and Architecture, 1585–1700''. Pelican History of Art. New Haven: Yale Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Der Venne - Begging Musicians
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * '' Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriaen Brouwer
Adriaen Brouwer (, in Oudenaarde – January 1638, in Antwerp) was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century.Adriaen Brouwer at the Konrad Renger. "Brouwer, Adriaen." Grove Art Online. Oxford Art Online. Oxford University Press. Web. Konrad Renger, ''Craesbeeck raesbeke Joos van,'' Grove Art Online. Oxford University Press. Web. 3 January 2016. Brouwer was an important innovator of |
Claude Deruet
Claude Deruet (1588–1660) was a famous French Baroque painter of the 17th century, from the city of Nancy. Biography Deruet was an apprentice to Jacques Bellange, the official court painter to Charles III, Duke of Lorraine. He was in Rome between ca. 1612 and 1619, where - according to André Félibien - he studied with the painter and etcher Antonio Tempesta. During his stay in Rome, he painted the Japanese samurai Hasekura Tsunenaga on a visit to Europe in 1615. Deruet was made a noble by the Duke of Lorraine in 1621, and was then made a Knight of the Order of St Michel in 1645 by Louis XIII, who had in 1641 absorbed most of Lorraine into France. He had a luxurious residence in Nancy, named La Romaine, where Louis XIII and his Queen stayed in 1633. Claude Lorrain was an apprentice to Claude Deruet in 1623 for one year. He also married and had two sons, one of whom became a painter. American architect DeWitt H. Fessenden wrote a biography of Deruet, ''The Life and Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Vignon
Claude Vignon (19 May 1593 – 10 May 1670) was a French painter, printmaker and illustrator who worked in a wide range of genres.Paola Pacht Bassani. "Vignon, Claude." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 November 2016 During a period of study in Italy, he became exposed to many new artistic currents, in particular through the works of Caravaggio and his followers, Guercino, Guido Reni and Annibale Caracci. A prolific artist, his work has remained enigmatic, contradictory and hard to define within a single term or style.Claude Vignon, ''The Repentant Saint Peter'' at Lempertz His mature works are vibrantly coloured, splendidly lit and often extremely expressive. Vignon worked in a fluent technique, resulting in an almost electric brushwork. He part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges De La Tour
Georges de La Tour (13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight. Personal life Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since 1552. Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian. It has been suggested that Sybille came from a partly noble family. His parents had seven children in all, with Georges being the second-born. La Tour's educational background remains somewhat unclear, but it is assumed that he traveled either to Italy or the Netherlands early in his career. He may possibly have trained under Jacques Bellange in Nancy, the capital of Lorraine, although their styles a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heads Of An Old Man And An Old Woman, By Jan Van Der Venne
A head is the part of an organism which usually includes the ears, brain, forehead, cheeks, chin, eyes, nose, and mouth, each of which aid in various sensory functions such as sight, hearing, smell, and taste. Some very simple animals may not have a head, but many bilaterally symmetric forms do, regardless of size. Heads develop in animals by an evolutionary trend known as cephalization. In bilaterally symmetrical animals, nervous tissue concentrate at the anterior region, forming structures responsible for information processing. Through biological evolution, sense organs and feeding structures also concentrate into the anterior region; these collectively form the head. Human head The human head is an anatomical unit that consists of the skull, hyoid bone and cervical vertebrae. The term "skull" collectively denotes the mandible (lower jaw bone) and the cranium (upper portion of the skull that houses the brain). Sculptures of human heads are generally based on a skel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboccianti
The ''Bamboccianti'' were genre painters active in Rome from about 1625 until the end of the seventeenth century. Most were Dutch and Flemish artists who brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy, and generally created small cabinet paintings or etchings of the everyday life of the lower classes in Rome and its countryside.Haskell, pp. 132–134. Typical subjects include food and beverage sellers, farmers and milkmaids at work, soldiers at rest and play, and beggars, or, as Salvator Rosa lamented in the mid-seventeenth century, "rogues, cheats, pickpockets, bands of drunks and gluttons, scabby tobacconists, barbers, and other 'sordid' subjects."Levine, p. 569. Despite their lowly subject matter, the works found appreciation among elite collectors and fetched high prices. Artists Many of the artists associated with the Bamboccianti were members of the '' Bentvueghels'' (Dutch for 'birds of a feather'), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Elsheimer
__NOTOC__ Adam Elsheimer (18 March 1578 – 11 December 1610) was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintings were small scale, nearly all painted on copper plates, of the type often known as cabinet paintings. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including Rembrandt and Peter Paul Rubens. Life and work Elsheimer was born in Frankfurt am Main, one of ten children and the son of a master-tailor. His father's house (which survived until destroyed by Allied bombs in 1944) was a few metres from the church where Albrecht Dürer's ''Heller Altarpiece'' was then displayed. He was apprenticed to the artist Philipp Uffenbach. He probably visited Strasbourg in 1596. At the age of twenty, he travelled to Italy via Munich, where he was documented in 1598. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Van Leyden
Lucas van Leyden (1494 – 8 August 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver. Lucas was the son of the painter Huygh Jacobsz. He was born, died, and was mainly active in Leiden. Carel van Mander characterizes Lucas as a tireless artist, who as a child annoyed his mother by working long hours after nightfall, which she forbade not only for the cost of candlelight, but also because she felt that too much study was bad for his sensibilities. According to Van Mander, as a boy he only consorted with other young artists, such as painters, glass-etchers and goldsmiths, and was paid by the ''Heer van Lochorst'' (Johan van Lockhorst of Leiden, who died in 1510) a golden florin for each of his years at age 12 for a watercolor of St. Hubert. [Baidu] |
David Teniers The Elder
David Teniers the Elder (158229 July 1649), Flemish painter, was born at Antwerp. Biography Having received his first training in the painter's art from his brother Juliaen, he studied under Rubens in Antwerp, and subsequently under Elsheimer in Rome; he became a member of the Antwerp guild of painters in 1606. Though his ambition led him at times to try his skill in large religious, historical and mythological compositions, his claim to fame depends chiefly on his landscapes and paintings of peasants carousing, of kermesse scenes and the like, which are marked by a healthy sense of humour, and which are not infrequently confused with the early works of his son David. There is a large painting by the elder Teniers at St. Paul's church in Antwerp, representing the ''Works of Charity''. At the Vienna Gallery are four landscapes painted by Teniers under the influence of Elsheimer, and four small mythological subjects, among them ''Vertumnus and Pomona'', and ''Juno, Jupit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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