Adriaen Brouwer
Adriaen Brouwer (, in Oudenaarde – January 1638, in Antwerp) was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century.Adriaen Brouwer at the Konrad Renger. "Brouwer, Adriaen." Grove Art Online. Oxford Art Online. Oxford University Press. Web. Konrad Renger, ''Craesbeeck raesbeke Joos van,'' Grove Art Online. Oxford University Press. Web. 3 January 2016. Brouwer was an important innovator of genre< ...
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adriaen Brouwer - The Bitter Potion - Google Art Project
Adriaen is a Dutch form of Adrian. Notable people with the name include: *Adriaen Banckert (1615–1684), Dutch admiral *Adriaen Block (1567–1627), Dutch private trader and navigator *Adriaen Brouwer (1605–1638), Flemish genre painter *Adriaen de Vries (1556–1626), Northern Mannerist sculptor born in the Netherlands *Adriaen Hanneman (1603–1671), seventeenth-century Dutch painter *Adriaen Isenbrandt (1480–1551), Flemish Northern Renaissance painter *Adriaen Maertensz Block (1582–1661), successively captain, commander, and governor of the Ambon Island *Adriaen van Bergen devised the plot to recapture the city of Breda from the Spanish during the Eighty Years' War *Adriaen van de Velde (1636–1672), Dutch animal and landscape painter *Adriaen van de Venne (1589–1662), versatile Dutch Baroque painter * Adriaen van der Cabel (1631–1705), Dutch painter of the Dutch school *Adriaen van der Donck (1618–1655), lawyer and landowner in New Netherland *Adriaen van der Werff ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Violieren
The Violieren (wallflower or gillyflower) was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke.A. A. Keersmaekers, ''Geschiedenis van de Antwerpse Rederijkerskamers in de jaren 1585–1635'' (Aalst, 1952) It was one of three drama guilds in the city, the other two being the ''Goudbloem'' and the ''Olyftack''. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether. History Much of what is known today about Antwerp's chambers of rhetoric comes from the city and guild archives. According to a note by the year 1480 in the early records of the Guild of St. Luke, the chamber's first victory was at a "Landjuweel" (a rhetoric competition open to contenders from throughout the Duchy of Brabant) in Leuven that took place that year. Their motto was "Wt ionsten versaemt"(united in friendship). From 1490, the chamber received an annual grant from ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chamber Of Rhetoric
Chambers of rhetoric ( nl, rederijkerskamers) were dramatic societies in the Low Countries. Their members were called Rederijkers (singular Rederijker), from the French word 'rhétoricien', and during the 15th and 16th centuries were mainly interested in dramas and lyrics. These societies were closely connected with local civic leaders and their public plays were a form of early public relations for the city.Reformers on stage: popular drama and religious propaganda in the low countries by Gary Waite on History The first chambers of rhetoric were founded in[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paulus Pontius
Paulus Pontius (May 1603 in Antwerp – 16 January 1658 in Antwerp) was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens.Max Rooses, ''Rubens'', Volume 1, 1904, London, Druckworth & Co., p. 333–334Paulus Pontius (I) at Life Paulus Pontius was born in Antwerp where he was apprenticed to the still life painterOsias ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Het Gulden Cabinet
''Het Gulden Cabinet vande Edel Vry Schilder-Const'' or ''The Golden Cabinet of the Noble Liberal Art of Painting'' is a book by the 17th-century Flemish notary and ''Chamber of rhetoric, rederijker'' Cornelis de Bie published in Antwerp. Written in the Dutch language, it contains artist biographies and panegyrics with engraved portraits of 16th- and 17th-century artists, predominantly from the Habsburg Netherlands. The work is a very important source of information on the artists it describes. It formed the principal source of information for later art historians such as Arnold Houbraken and Jacob Campo Weyerman. It was published in 1662, although the work also mentions 1661 as date of publication. Background ''Het Gulden Cabinet'' stands in a long tradition of artist biographies. This tradition goes back to Pliny the Elder, Pliny and was revived during the Renaissance. In 1550, the Italian Giorgio Vasari published his ''Vite'' on the lives of famous artists. Karel van Mande ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cornelis De Bie
Cornelis de Bie (10 February 1627 – ) was a Flemish '' rederijker'', poet, jurist and minor politician from Lier. He is the author of about 64 works, mostly comedies. He is known internationally today for his biographical sketches of Flemish and Dutch painters in his ''Het Gulden Cabinet der Edel Vry Schilderconst'' (the Golden Cabinet of the Honourable Free Art of Painting), first printed in 1662. Biography He was the son of the painter Adriaan de Bie and member of the Chamber of Rhetoric in Lier known as ''den Groeyenden Boom''. After his study at the propedeuse faculty of Arts at the University of Leuven, he returned to Lier where he became a notary and bookseller. He was married twice: the first time to Elisabeth Smits who died in 1662 and the second time to Isabella Caelheyt who died in 1706. He had eight children, four from each wife. He died after 1712 and before 1715. ''Het Gulden Cabinet der Edel Vry Schilderconst'' (1662) When the publisher Jan Meyssen aske ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joos Van Craesbeeck
Joos van Craesbeeck (''c''. 1605/06 – ''c''. 1660) was a Flemish baker and a painter who played an important role in the development of Flemish genre art, genre painting in the mid-17th century through his tavern scenes and dissolute portraits. His genre scenes depict low-life figures as well as scenes of middle-class people. He created a few religiously themed compositions.Konrad Renger, ''Craesbeeck [Craesbeke], Joos van,'' Grove Art Online. Oxford University Press, [accessed 1 March 2015] Life Joos van Craesbeeck was born in Linter, Belgium, Neerlinter (now a village in Flemish Brabant, Belgium). His father was also called Joos and is believed to have been a baker. His mother's name was Gertruid van Callenborch. In 1630 or 1631 Joos van Craesbeeck married Johanna Tielens. His wife's father was a baker but her family also counted artists among its members: the landscape painter Jan Tilens, Jan Tielens was her uncle while two of her uncles on her mother's side were the scul ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antwerp Citadel
Antwerp Citadel ( es, Castillo de Amberes, nl, Kasteel van Antwerpen) was a pentagonal bastion fort built to defend and dominate the city of Antwerp in the early stages of the Dutch Revolt. It has been described as "doubtlesse the most matchlesse piece of modern Fortification in the World" and as "one of the most studied urban installations of the sixteenth century". History The citadel was designed by the Italian engineer Francesco Paciotto and built on the orders of the Duke of Alva. Initial construction was completed in 1572. After the Sack of Antwerp (1576) the citizens partially demolished the fortification, but it was reconstructed after the Fall of Antwerp (1585). The citadel saw action towards the end of the Napoleonic Wars, when it was defended by diehard Bonapartists. The Siege of Antwerp (1814) continued for a month after Napoleon's abdication. After the Belgian Revolution of 1830, Dutch forces remained in control of the citadel until the Siege of Antwerp (1832). De ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adriaen Brower - The Smokers
Adriaen is a Dutch form of Adrian. Notable people with the name include: *Adriaen Banckert (1615–1684), Dutch admiral *Adriaen Block (1567–1627), Dutch private trader and navigator *Adriaen Brouwer (1605–1638), Flemish genre painter *Adriaen de Vries (1556–1626), Northern Mannerist sculptor born in the Netherlands *Adriaen Hanneman (1603–1671), seventeenth-century Dutch painter *Adriaen Isenbrandt (1480–1551), Flemish Northern Renaissance painter *Adriaen Maertensz Block (1582–1661), successively captain, commander, and governor of the Ambon Island *Adriaen van Bergen devised the plot to recapture the city of Breda from the Spanish during the Eighty Years' War *Adriaen van de Velde (1636–1672), Dutch animal and landscape painter *Adriaen van de Venne (1589–1662), versatile Dutch Baroque painter * Adriaen van der Cabel (1631–1705), Dutch painter of the Dutch school *Adriaen van der Donck (1618–1655), lawyer and landowner in New Netherland *Adriaen van der Werff ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Poorter
Poorter () is an historical term for a type of Dutch, or Flemish, burgher who had acquired the right to live within the walls of a city with city rights. In the Dutch Republic, this ''poorterrecht'' or ''poorterschap'' (citizenship) could be gained by paying a sum of money to, and registering, with the magistrate of the city. The payment of money was to prove that one was not poor, and that one could maintain a household. There were also religious restrictions, and numerous cities forbade Jews from attaining citizenship. An oath was also taken. Some cities also had ''grootburgers'' (grand burghers), who received more rights than normal citizens, but had to pay a higher price to acquire it. The privileges were abolished after the French invasion of the Austrian Netherlands and the Dutch Republic in 1794-1795. There was a distinction between the ordinary inhabitants of the city (residents) and the poorters, who enjoyed a higher status because of their origin, education, income, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |