Jan Mertens The Younger
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Jan Mertens The Younger
Jan Mertens the Younger (died c. 1527) was a South Netherlandish painter, at the end of the period of Early Netherlandish painting. He was born and died in Antwerp. His father was the sculptor Jan Mertens the Elder, whose family is thought to have originated in Tournai. Mertens the Younger was apprenticed to the painter Jan Gossaert in 1505, and he became a master of the Antwerp painters' guild in 1509. He was the father-in-law (and perhaps teacher) of Pieter Coecke van Aelst, who married Mertens’s daughter Anna before 1526, and whose work has been used as the basis for the identification of Mertens with the Master of 1518, an Antwerp painter named after the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church, Lübeck. The sharp focus, lively narrative and exaggerated poses evident in the painted wings in Lübeck are characteristic of Antwerp Mannerism, but Mertens’s work is distinguished by its brilliant color ...
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Workshop Of Jan Mertens The Younger,Triptych Of The Adoration Of The Magi, 1520-1530
Beginning with the Industrial Revolution era, a workshop may be a room, rooms or building which provides both the area and tools (or machinery) that may be required for the manufacture or repair of manufactured goods. Workshops were the only places of production until the advent of industrialization and the development of larger factories. In the 20th and 21st century, many Western homes contained a workshop in either the garage, basement, or an external shed. Home workshops typically contain a workbench, hand tools, power tools, and other hardware. Along with the practical application of repairing goods, workshops are often used to tinker and make prototypes. Some workshops focus exclusively on automotive repair or restoration although there are a variety of workshops in existence today. Woodworking, metalworking, electronics, and other types of electronic prototyping workshops are among the most common. Backshop In some repair industries, such as locomotives and aircraft ...
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Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ...
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Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,Statistics Belgium; ''Loop van de bevolking per gemeente'' (Excel file)
Population of all municipalities in Belgium, . Retrieved 1 November 2017.
it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest metrop ...
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Tournai
Tournai or Tournay ( ; ; nl, Doornik ; pcd, Tornai; wa, Tornè ; la, Tornacum) is a city and municipality of Wallonia located in the province of Hainaut, Belgium. It lies southwest of Brussels on the river Scheldt. Tournai is part of Eurometropolis Lille–Kortrijk–Tournai, which had 2,155,161 residents in 2008. Tournai is one of the oldest cities in Belgium and has played an important role in the country's cultural history. It was the first capital of the Frankish Empire, with Clovis I being born here. Geography Tournai is located in the Picardy Wallonia and Romance Flanders region of Belgium, at the southern limit of the Flemish plain, in the basin of the River Scheldt (''Escaut'' in French, ''Schelde'' in Dutch). Administratively, the town is part of the Province of Hainaut, itself part of Wallonia. It is also a municipality that is part of the French-speaking Community of Belgium. Tournai has its own arrondissements, both administrative and judicial. Its area of ma ...
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Jan Gossaert
Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (County of Hainaut, Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism (painting), Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity. From at least 1508 he was apparently continuously employed, or at least retained, by quasi-royal patrons, mostly members of the extended Habsburg family, heirs to the House of Valois, Valois ...
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Antwerp Painters' Guild
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or market stal ...
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Pieter Coecke Van Aelst
Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder ( Aalst, 14 August 1502 – Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries.Pieter Coecke van Aelst (I)
at the
His principal subjects were Christian religious themes. He worked in Antwerp and Brussels and was appointed to

Master Of 1518
The Master of 1518 is a Flemish painter belonging to the stylistic school of Antwerp Mannerism. A group of unsigned paintings is attributed to this artist on stylistic grounds, and his name is derived from the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church in Lübeck Germany. Although this artist’s identity is not known with certainty, some scholars believe that the Master of 1518 was either Jan Mertens the Younger or Jan van Dornicke Jan van Dornicke was a South Netherlandish painter who was born in Doornik (nowadays also known as Tournai) in about 1470 and died about 1527. His first name is sometimes spelled "Janssone", and his last name is sometimes spelled "van Doornik" o ..., or that all three were the same person. His paintings are primarily crowded depictions of religious scenes combining Gothic and Renaissance styles. He frequently incorporated elaborate clothing and architectural ruins. Referen ...
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Antwerp Mannerism
Antwerp Mannerism is the name given to the style of a group of largely anonymous painters active in the Southern Netherlands and principally in Antwerp in roughly the first three decades of the 16th century, a movement marking the tail end of Early Netherlandish painting, and an early phase within Dutch and Flemish Renaissance painting. The style bore no relation to Italian Mannerism, which it mostly predates by a few years, but the name suggests that it was a reaction to the "classic" style of the earlier Flemish painters, just as the Italian Mannerists were reacting to, or trying to go beyond, the classicism of High Renaissance art. The Antwerp Mannerists' style is certainly "mannered", and "characterized by an artificial elegance. Their paintings typically feature elongated figures posed in affected, twisting, postures, colorful ornate costumes, fluttering drapery, Italianate architecture decorated with grotesque ornament, and crowded groups of figures...". Joseph Koerner ...
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Jan Van Amstel
Jan van Amstel, or Jan de Hollander, (c. 1500 – c. 1542) was a Dutch Northern Renaissance painter. Jan van Amstel was born in Amsterdam. In or before 1528, van Amstel moved to Antwerp; in that year he joined the city's Guild of Saint Luke. He married Adriane van Doornicke, who would after his death remarry and give birth in 1544 to the future painter Gillis van Coninxloo. He is also probably the older brother of Pieter Aertsen and the brother-in-law of Pieter Coecke van Aelst. He died in Antwerp. Van Amstel is possibly identical to The Brunswick Monogrammist, for the signature J. V. AMSL appears on the latter's ''The Feeding of the Poor'' or ''Feeding of the Five Thousand'' External links Jan van Amstelpage on ArtcyclopediaInfo at the Netherlands Institute for Art History See also *List of Dutch painters *Flemish painting Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the L ...
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The Brunswick Monogrammist
The Brunswick Monogrammist was an anonymous Netherlandish painter, active in the mid-to-late 16th century. He (or she) painted religious scenes but also several scenes of secular merriment, including brothel and tavern scenes, and has been called "the most significant precursor of Pieter Bruegel the Elder". Identity The monogram for which the Brunswick Monogrammist is named appears only once, on his (or her) ''Parable of the Great Supper'' in the Herzog Anton Ulrich Museum in Brunswick. It is composed of the interlocked letters J, V, A, M, S and L,Elise L. Smith. "Brunswick Monogrammist" Grove Art Online. Oxford University Press, 12/4/07, http://www.groveart.com/ and neither it nor careful analysis of his work have yielded consensus about his identity. His (or her, as Verhulst was female) paintings have been attributed to a number of painters, including Jan van Hemessen, Mayken Verhulst and Jan van Amstel. Partial list of works *''A Brothel Scene'' (New Haven, Yale University ...
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Gillis Van Coninxloo
Gillis van Coninxloo (now also referred to as Gillis van Coninxloo II but previously referred to as Gillis van Coninxloo III) (24 January 1544 – January 1607) was a Flemish painter of landscapes who played an important role in the development of Northern landscape art at the turn of the 17th century. He spent the last 20 years of his life abroad, first in Germany and later in the Dutch Republic.Gillis van Coninxloo
at the


Life

He was born in and studied under