Jacques Sarazin
   HOME
*





Jacques Sarazin
Jacques Sarazin or Sarrazin (baptised 8 June 1592 in Noyon – died 3 December 1660 in Paris) was a French sculptor in the classical tradition of Baroque art. He was instrumental in the development of the Style Louis XIV through his own work as well as through his many pupils. Nearly all his work as a painter was destroyed and is only known through engravings. Life Sarazin was born in Noyon, France, and went to Paris with his brother, where he trained in the workshop of Nicolas Guillain. He went to Rome in 1610 and remained there until 1628. While in Rome, he produced garden sculpture for Cardinal Aldobrandini's Villa Aldobrandini in Frascati (c. 1620). From 1622 to 1627, he carried out stucco work to accompany the paintings of Domenichino on the high altar of Sant'Andrea della Valle and in San Lorenzo in Miranda. In 1628 he returned to Paris, where, in 1631, he married a niece of the painter Simon Vouet, whom he had met in Rome and for whom he had created some angels in ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Charles-Nicolas Cochin
Charles-Nicolas Cochin (22 February 1715 – 29 April 1790) was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin le Jeune (the Younger), Charles-Nicolas Cochin le fils (the son), or Charles-Nicolas Cochin II. Early life Cochin was born in Paris, the son of Charles-Nicolas Cochin the Elder (1688–1754), under whom he studied engraving.Charles-Nicolas Cochin the Younger
at britannica.com (accessed 11 February 2008)
His mother was Louise-Magdeleine Horthemels (1686–1767), who herself was an important engraver in Paris for some fifty years.
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Sant'Andrea Della Valle
Sant'Andrea della Valle is a minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the general seat for the religious order of the Theatines. It is located at Piazza Vidoni, at the intersection of Corso Vittorio Emanuele (facing facade) and Corso Rinascimento. Overview A church was initially planned when, in 1582, Donna Costanza Piccolomini d'Aragona, duchess of Amalfi and descendant of the family of Pope Pius II, bequeathed her palace and the adjacent church of San Sebastiano in central Rome to the Theatine order for construction of a new church. Since Amalfi's patron was Saint Andrew, the church was planned in his honor. Work initially started around 1590 under the designs of Giacomo della Porta and Pier Paolo Olivieri, and under the patronage of Cardinal Gesualdo. With the previous patron's death, direction of the church passed to Cardinal Alessandro Peretti di Montalto, nephew of Pope Sixtus V. Work restarted by 1608, financed by what w ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Erechtheion
The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades. In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα” (the temple on the Acropolis within which is the ancient statue). In other instances it is referred to as the Temple ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Porch
A porch (from Old French ''porche'', from Latin ''porticus'' "colonnade", from ''porta'' "passage") is a room or gallery located in front of an entrance of a building. A porch is placed in front of the facade of a building it commands, and forms a low front. Alternatively, it may be a vestibule, or a projecting building that houses the entrance door of a building. Porches exist in both religious and secular architecture. There are various styles of porches, many of which depend on the architectural tradition of its location. Porches allow for sufficient space for a person to comfortably pause before entering or after exiting a building, or to relax on. Many porches are open on the outward side with balustrade supported by balusters that usually encircles the entire porch except where stairs are found. The word "porch" is almost exclusively used for a structure that is outside the main walls of a building or house. Porches can exist under the same roof line as the rest of the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Pierre Lescot
Pierre Lescot (c. 1515 – 10 September 1578) was a French architect active during the French Renaissance. His most notable works include the Fontaine des Innocents and the Lescot wing of the Louvre in Paris. He played an important role in the introduction of elements of classical architecture into French architecture. Biography Lescot was born in Paris. King Francis I of France took him into his service, and appointed him architect in charge of the building projects at the Palais du Louvre, which transformed the old château into the palace that we know. A project put forward by the Italian architect and theorist Sebastiano Serlio was set aside in favor of Lescot's, in which three sides of a square court were to be enclosed by splendid apartments, while on the east, facing the city as it then was, the fourth side was probably destined to be lightly closed with an arcade. Festive corner pavilions of commanding height and adorned by pillars and statues were to replace the medie ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jacques Lemercier
Jacques Lemercier (c. 1585 in Pontoise – 13 January 1654 in Paris) was a French architect and engineer, one of the influential trio that included Louis Le Vau and François Mansart who formed the classicizing French Baroque manner, drawing from French traditions of the previous century and current Roman practice the fresh, essentially French synthesis associated with Cardinal Richelieu and Louis XIII. Life and career Lemercier was born in Pontoise. He was the son of a master mason, probably Nicolas Lemercier, one of a large interrelated tribe of professionals. Profiting by a voyage to Italy with a long stay in Rome, presumably from about 1607 to 1610, Lemercier developed the simplified classicizing manner established by Salomon de Brosse, who died in 1636, and whose ''Palais du Luxembourg'' for Marie de Medici Lemercier would see to completion. On his return to France, after several years working as an engineer building bridges, his first major commission, however, was to ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Palais Du Louvre
The Louvre Palace (french: link=no, Palais du Louvre, ), often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a military facility, it has served numerous government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793. Whereas the area had been inhabited for thousands of years, the Louvre's history starts around 1190 with its first construction as a castle defending the western front of the Wall of Philip II Augustus. The Louvre's oldest section still standing above ground, its Lescot Wing, dates from the late 1540s, when Francis I started the replacement of the medieval castle with a new design inspired by classical antiquity and Italian Renaissance architectur ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Pavillon De L'Horloge
The Pavillon de l’Horloge ("Clock Pavilion"), also known as the Pavillon Sully, is a prominent architectural structure located in the center of the western wing of the Cour Carrée of the Palais du Louvre in Paris. Since the late 19th century, the name Pavillon de l'Horloge has generally been applied to the structure's eastern face, which dates from the 17th century, and the name Pavillon Sully to its western face, which was redecorated in the 1850s as part of Napoleon III's Louvre expansion. History The pavilion was built just north of the older Lescot Wing between 1624 and about 1645, a protracted process because of the difficulties faced by France in the late 1620s and 1630s. The structure and its iconic square-domed roof (AKA The nob) were designed by architect Jacques Lemercier, who was selected in a competition in 1624. On 1 September 1794, a semaphore or of the type recently invented by Claude Chappe was installed at the top of the Pavilion. It remained there unti ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Caryatides
A caryatid ( or or ; grc, Καρυᾶτις, pl. ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or telamon is a male version of a caryatid, i.e. a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that the female figures of the Erechtheion represented the punishment of the women of Caryae, a town near Spart ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Portrait
A portrait is a portrait painting, painting, portrait photography, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, Personality type, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earlie ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Anne Of Austria
Anne of Austria (french: Anne d'Autriche, italic=no, es, Ana María Mauricia, italic=no; 22 September 1601 – 20 January 1666) was an infanta of Spain who became Queen of France as the wife of King Louis XIII from their marriage in 1615 until Louis XIII died in 1643. She was also Queen of Navarre until that kingdom was annexed into the French crown in 1620. After her husband's death, Anne was regent to her son Louis XIV, during his minority, until 1651. During her regency, Cardinal Mazarin served as France's chief minister. Accounts of French court life of Anne's era emphasize her difficult marital relations with her husband, her closeness to her son, and her disapproval of her son's marital infidelity to her niece and daughter-in-law Maria Theresa. Early life Born at the in Valladolid, Spain, and baptised Ana María Mauricia, she was the eldest daughter of King Philip III of Spain and his wife Margaret of Austria. She held the titles of Infanta of Spain and of Portugal ( ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Louis XIII
Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown. Shortly before his ninth birthday, Louis became king of France and Navarre after his father Henry IV was assassinated. His mother, Marie de' Medici, acted as regent during his minority. Mismanagement of the kingdom and ceaseless political intrigues by Marie and her Italian favourites led the young king to take power in 1617 by exiling his mother and executing her followers, including Concino Concini, the most influential Italian at the French court. Louis XIII, taciturn and suspicious, relied heavily on his chief ministers, first Charles d'Albert, duc de Luynes and then Cardinal Richelieu, to govern the Kingdom of France. The King and the Cardinal are remembered for establishing the ''Académie française'', and ending the revolt of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]