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Jupiter-8
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3300 units have been produced. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary DCB interface. The instrument had many advanced features for its time, including the ability to split the keyboard into two zones, with separate patches active on each zone. Two years after the release of the Jupiter-8, Roland released the more affordable Jupiter-6 synthesizer with built-in MIDI control but an otherwise slightly reduced set of features. In 2011, three decades after the release of the original Jupiter series, Roland released the fully digital Jupiter-80 and Jupiter-50 synthesizers as successors to the 1980s originals. They were in turn succeeded by the Jupiter-X and Jupiter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-80
The Jupiter-80 is a discontinued 256-voice polyphonic Analog modeling synthesizer, virtual analog Subtractive synthesis, subtractive synthesizer introduced by Roland Corporation in 2011. The Jupiter-80 is a part of Roland's flagship long-running synthesizer series, which began with the Jupiter-4 between the years of 1978 and 1981. The Jupiter-80 was shortly followed by the Jupiter-50, which is a combination of both the JP-80 and the JUNO series. It was succeeded by the Jupiter-X and Jupiter-Xm in 2019. Features and architecture The Jupiter-80 maintains the visual style of the Jupiter-8, and includes Roland's SuperNATURAL, an extensive synthesis engine that includes Virtual analog synthesizer, virtual analog synthesis, which is digital recreation of earlier Roland analog synthesizer, analog synths, along with PCM-based recreations of purely digital synths by the company and acoustic modelling of real instruments. Emulations of the original Jupiter-8 sounds were later released as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-50
The Jupiter-50 is a discontinued 128 voice polyphonic digital subtractive synthesizer introduced by Roland Corporation in 2011. The Jupiter-50 is a part of Roland's flagship synthesizer series, which began with the Jupiter-4 between the years of 1978 and 1981. The Jupiter-50 is considered a hybrid/combination of both the Jupiter-80 and the JUNO series. Features and architecture The Jupiter-80 maintains the visual style of the Jupiter-8, and includes Roland's SuperNATURAL, an extensive synthesis engine that includes virtual analog synthesis, which is a digital recreation of earlier Roland analog synths, along with PCM-based recreations of purely digital synths by the company and acoustic modeling of real instruments. Emulations of the original Jupiter-8 sounds were later released as a software instrument for both keyboards on Roland Axial as part of the Synth Legends series. The Jupiter-50 is a multitimbral synthesizer oriented to stage and live use. That's why it has 3 parts (Up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Juno-60
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors. The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as "Take On Me" by A-ha and " Time After Time" by Cyndi Lauper. The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst modern pop, indie and synthwave artists. It has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Juno-6
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors. The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as "Take On Me" by A-ha and " Time After Time" by Cyndi Lauper. The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst modern pop, indie and synthwave artists. It has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Control Bus
DCB (Digital Control Bus, Digital Connection Bus or Digital Communication Bus in some sources) was a proprietary data interchange interface by Roland Corporation, developed in 1981 and introduced in 1982 in their Roland Juno-60 and Roland Jupiter-8 products. DCB functions were basically the same as MIDI, but unlike MIDI (which is capable of transmitting a wide array of information), DCB could provide note on/off, program change and VCF/VCA control only. DCB-to-MIDI adapters were produced for a number of early Roland products. The DCB interface was made in 2 variants, the earlier one used 20-pin sockets and cables, later switching to the 14-pin Amphenol DDK connector vaguely resembling a parallel port. Supporting equipment DCB was quickly replaced by MIDI in the early 1980s which Roland helped co-develop with Sequential Circuits. The only DCB-equipped instruments produced were the Roland Jupiter-8 and JUNO-60; Roland produced at least two DCB sequencers, the JSQ-60 and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patch (synthesizer)
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MKS-80
The Roland MKS-80 Super Jupiter is a rack mount sound module version of the Roland Jupiter-6 and the Roland Jupiter-8 synthesizers. It is an 8-voice polyphonic analog synthesizer that was manufactured by Roland between 1984 and 1987. It is the only one of the MKS series of synthesizers to have analogue voltage-controlled oscillators (VCOs) instead of analogue digitally-controlled oscillators (DCOs). The voice architecture is almost identical to the Jupiter-6 synthesizer. The service manual states that "The module board of MKS-80 features the following in addition to that of JP-6, its brother module. 1) HPF. 2) Low boost circuit in the 2nd VCA. 3) DC supply current boost circuit (IC50)." The unit is capable of producing most of the Jupiter-8's signature sounds, in addition to many sounds unique to the MKS-80. In February 1985, Roland started producing a new revision of MKS-80, known as "Rev 5", with a new generation of both Roland VCO's, VCA's and filter. The Rev 5 filter was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-4
The Roland Jupiter-4 (JP-4) was an analog synthesizer manufactured by the Roland Corporation between 1978 and 1981. It was notable as the company's first self-contained polyphonic synthesizer, and for employing digital control of analog circuits (termed ''compuphonic'' by Roland), allowing for such features as programmable memory, voice assignment modes, an arpeggiator, polyphonic portamento and others. Priced at US$2,895, it was dramatically cheaper than other polyphonic machines from its competitors (such as the Yamaha CS-80, Korg PS-3300 Prophet-5 and OB-X). While it didn't sell as many units compared to the competition, its primary design was such that it could be an accompaniment to organs, complete with an option for a music sheet stand to be fitted. Its future successor in 1981, the Jupiter-8, would go on to sell many more units and make Jupiter a recognized brand. Architecture The Jupiter-4's basic architecture consisted of four voice cards (usually identical, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggiator
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-6
The Roland Jupiter-6 (JP-6) is a discontinued synthesizer, manufactured and introduced by the Roland Corporation in January 1983. Background Although introduced as a less expensive ($2,500-$3,000 market price) alternative to the Roland Jupiter-8, its features include some capabilities not present in the JP-8, which makes the JP-6 a successor. The Jupiter-6 is widely considered a workhorse among polyphonic analog synthesizers, capable of producing a wide variety of sounds, such as ambient drones, pads, lead synthesizer lines, unison basses and techy blips and buzzes. It is renowned for its reliability and ease, but with sophisticated programmability. The JP-6 has 12 analog oscillators (2 per voice), and is bitimbral, allowing its keyboard to be "split" into two sounds - one with 4 voices, and one with the remaining 2 voices (either "Split 4/2" or "Split 2/4" mode). "Whole Mode" is also available, dedicating all 6 voices to single (monotimbral) sound across the entire keyboard. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
