Julius Lieban (BerlLeben 1902-04)
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Julius Lieban (BerlLeben 1902-04)
Julius Lieban (19 February 1857 – 1 February 1940) was an Austro-German operatic tenor. Life Lieban was born as the son of a hazzan in Břeclav and learned to play the violin from Roma in his youth. Later he attended the conservatory of the Gesellschaft der Musikfreunde, studied singing with Josef Gänsbacher and came to the local theatre as a violinist. Afterwards he sang at the Stadttheater in Leipzig and at the Komische Oper in Vienna as opera buffa. In 1881 he took part in the Wagner tour of Angelo Neumann and later sang at the Bayreuth Festival. From 1883 he was member of the Staatsoper Unter den Linden as ; later he also sang at the newly founded Deutsche Oper Berlin in Charlottenburg. In 1908 Lieban was appointed Kammersänger. Still in 1933 he sang the Mime at the State Opera at the age of 70. He was successfully engaged for guest performances at many great opera stages all over Europe. His last engagements in Berlin were as a singing teacher. He was married to the s ...
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Julius Lieban (BerlLeben 1902-04)
Julius Lieban (19 February 1857 – 1 February 1940) was an Austro-German operatic tenor. Life Lieban was born as the son of a hazzan in Břeclav and learned to play the violin from Roma in his youth. Later he attended the conservatory of the Gesellschaft der Musikfreunde, studied singing with Josef Gänsbacher and came to the local theatre as a violinist. Afterwards he sang at the Stadttheater in Leipzig and at the Komische Oper in Vienna as opera buffa. In 1881 he took part in the Wagner tour of Angelo Neumann and later sang at the Bayreuth Festival. From 1883 he was member of the Staatsoper Unter den Linden as ; later he also sang at the newly founded Deutsche Oper Berlin in Charlottenburg. In 1908 Lieban was appointed Kammersänger. Still in 1933 he sang the Mime at the State Opera at the age of 70. He was successfully engaged for guest performances at many great opera stages all over Europe. His last engagements in Berlin were as a singing teacher. He was married to the s ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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19th-century Austrian Male Opera Singers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under Colonialism, colonial rule. It was also marked by the collapse o ...
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German Operatic Tenors
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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Austrian Operatic Tenors
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law ** Austrian Service Abroad ** Music of Austria **Austrian School of Economics * Economists of the Austrian school of economic thought * The Austrian Attack variation of the Pirc Defence chess opening. See also * * * Austria (other) * Australian (other) * L'Autrichienne (other) is the feminine form of the French word , meaning "The Austrian". It may refer to: *A derogatory nickname for Queen Marie Antoinette of France *L'Autrichienne (film), ''L'Autrichienne'' (film), a 1990 French film on Marie Antoinette with ...
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Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 . ...
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Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to ''Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper ''De Telegraaf''. Riemens published numerous articles in the professional journals ''Opera'', ', '' Gramophone'' and '' Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemens ow ...
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Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Under t ...
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Wilhelm Kosch
Wilhelm Franz Josef Kosch (2 October 1879 – 20 December 1960) was an Austrian historian of literature and theatre and lexicographer. The lexicon that he conceived and later revised several times, the ' is a references in the field of German literature. Born in Drahany in Moravia, Kosch died in Vienna in 1960 at age 81. Publications * ''A. Stifter. Festschrift'', 1905 * ''Martin Greif in seinen Werken'', 1907 * ''Die Deutschen in Österreich und ihr Ausgleich mit den Tschechen'', 1909 * ''Menschen und Bücher''. Essays 1912 * ''Melchior Diepenbruck'', 1913 * ''Das deutsche Theater und Drama (im 19. Jahrhundert) seit Schillers Tod'', Vier Quellen Verlag, Leipzig (1913) * M. Sailer, 1914 * Martin von Cochem, 1915 * ''Feldmarschall Graf Radetzky'', 1915 * J. von Eichendorff, 1923 * ''Das katholische Deutschland'',
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Paul List (publisher)
Paul List (21 August 1869 – 30 April 1929) was a German publisher. Life Born in Berlin the son of Friedrich Jacob Alfred List (1829-1882), banker and co-founder of , and his wife Christine Marie Louise, ''née'' Simon, started out in Göttingen But then he started the career of his grandfather, the Berlin publisher Jacob Alfred List (1778-1848), who studied agriculture and became a bookseller at the publishing house Schall & Grund, Berlin. On April 1, 1894 List founded the Paul List Verlag in Berlin, in the tradition of his grandfather's List-Verlag, which was founded in 1814. In 1896 he moved to Leipzig, Carolinenstraße 22, where he concentrated on light fiction and non-fiction. Among its most successful authors was Nataly von Eschstruth. Together with (1876-1955) he founded in 1907 a publishing house for schoolbooks, whose "geographical section" he established by buying the corresponding parts of the Brunswick publishing house Helmut Wollermann. This was the beginning ...
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Ludwig Eisenberg (writer)
Ludwig Julius Eisenberg (5 March 1858 in Berlin, Kingdom of Prussia – 25 January 1910 in Vienna, Austria-Hungary) was an Austrian writer and encyclopedist. He wrote a lexicon of stage artists, among other publications. Publications * ''Das geistige Wien'' ** (with Richard Groner) Volume 1, 1889 ''Das geistige Wien. Mittheilungen über die in Wien lebenden Architekten, Bildhauer, Bühnenkünstler, Graphiker, Journalisten, Maler, Musiker und Schriftsteller'' ** (with Richard Groner) Volume 2, 1890 ''Das geistige Wien. Mittheilungen über die in Wien lebenden Architekten, Bildhauer, Bühnenkünstler, Graphiker, Journalisten, Maler, Musiker und Schriftsteller. Künstler- und Schriftsteller Lexikon'' ** Volume 3, 1891 ''Künstler- und Schriftsteller-Lexikon Das geistige Wien. Mittheilungen über Wiener Architekten, Bildhauer, Bühnenkünstler, Graphiker, Journalisten, Maler, Musiker und Schriftsteller'' ** Volume 4, 1892 "Supplementband" ''Künstler- und Schriftsteller-Lexikon D ...
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