Julien Belin
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Julien Belin
Julien Belin was a French composer and lutenist active in the second half of the 16th century; he died after 1584. Biography The only information about his life comes from the ''Bibliothèque de La Croix Du Maine'', in which he is said to be a ''Manceau'', therefore a native of Le Mans or surroundings in 1584 in the Maine. His collection, published in 1556, gives René de Saint-François, archdeacon of Le Mans, as a probable protector, and shows him as a capable lutenist, developing his own style, notwithstanding the influence of lutenists Francesco Canova da Milano and Albert de Rippe. Works In 1556, he published his ''Premier livre contenant plusieurs motetz, chansons & fantasies reduictz en tabulature de leut'' by Nicolas Du Chemin in Paris with a dedication to René de Saint-François. (read onlinhere. Modern edition by Michel Renault: Éditions du CNRS, 1976 (series ''Le Chœur des Muses : Corpus des luthistes français''). The collection contains: *Six very ornament ...
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Lutenist
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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French Renaissance Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Data
In the pursuit of knowledge, data (; ) is a collection of discrete values that convey information, describing quantity, quality, fact, statistics, other basic units of meaning, or simply sequences of symbols that may be further interpreted. A datum is an individual value in a collection of data. Data is usually organized into structures such as tables that provide additional context and meaning, and which may themselves be used as data in larger structures. Data may be used as variables in a computational process. Data may represent abstract ideas or concrete measurements. Data is commonly used in scientific research, economics, and in virtually every other form of human organizational activity. Examples of data sets include price indices (such as consumer price index), unemployment rates, literacy rates, and census data. In this context, data represents the raw facts and figures which can be used in such a manner in order to capture the useful information out of it. ...
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Geneviève Thibault De Chambure
Geneviève, comtesse Hubert de Chambure Thibault (20 June 1902, Neuilly-sur-Seine – 31 August 1975, Strasbourg) was a French musicologist associated with the revival of interest in early music. She graduated from the Sorbonne in 1920 with a thesis on John Dowland, and then continued the work with André Pirro on her doctoral thesis on the fifteenth-century chanson, which she never completed. In 1925 co-founded the Société de musique d'autrefois, designed to promote the publication de musical texts (from 1954) and a magazine ''les Annales musicologiques'' (from 1955). After her marriage in 1931 she stopped musical and scholarly activities, gave birth to six children, and alternated her life between Vietnam and France. After the death of her husband Hubert Pelletier de Chambure (1903-1953), she returned permanently to Paris, where in June 1953 she resumed her scholarly activities and organization of concerts. From 1961 to 1973, she was curator of the historical instrumentals of t ...
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François Lesure
François Lesure (23 May 1923 in Paris – 21 June 2001) was a French librarian and musicologist. Biography François Lesure studied at the Sorbonne, the École nationale des chartes (graduated in 1950), the École pratique des hautes études (graduated in 1948) and the Conservatoire de Paris. In 1950, he became curator in the music department of the Bibliothèque nationale de France, which he directed from 1970 to 1988. Between 1964 and 1977, he was appointed professor of musicology at the Université libre de Bruxelles. He succeeded Solange Corbin to the chair of musicology at the École pratique des Hautes Études in 1973. François Lesure organized major exhibitions at the Bibliothèque nationale and the Opéra de Paris (Mozart in 1956, Debussy in 1962, Berlioz in 1969, ''Deux siècles d'opéra français'' in 1972) and at the Villa Médicis in Rome (''Debussy et le symbolisme'' in 1984). He is mainly remembered as a specialist in 16th-century music, music sociology, mu ...
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Pierre Bouteiller
Pierre Bouteiller (1655–1717) was a French Baroque composer. His surviving works comprise 13 petits motets The ''petit motet'' ("little motet") was a genre of domestic sacred chamber music popular in France during the baroque era. It was the sacred counterpart of the secular cantata, and small-scale counterpart of the ''grand motet The grand motet (plur ... and a requiem for 5 voices and basso continuo.''Revue de musicologie'' 86 Société française de musicologie, Société française de musicologie - 2000 "Pierre Bouteiller, Missa pro defunctis cum quinque voc. Dans ecueil deTreize motets en partitions à 1,2, 3 et 4 voc. et org. Avec et sans instrum. Et une messe pro Defunctis à 5 CATTB et org., F-Pn Vm1 1256 (partition ms. fin du ..." Works, editions and recordings * ''Missa pro defunctis. O felix et dilecte conviva; Tantum ergo; O salutaris hostia; O fidelis et dilecte commensalis; Consideratio de vanitate mundi.'' Suzie LeBlanc, Stephan van Dyck, Les Voix Humaines. Atm ...
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Innocent Boutry
Innocent Boutry was a French chapel master, active in several towns between 1657 and 1680 and notably in Le Mans. Biography He was born around 1634, in the diocese of Chartres. He acceded to priesthood around 1663-1664. He was received at the of Le Mans on October 1654, aged about 30. He became master of music at the Saint-Gatien Tours Cathedral from 1657 to 1661. He competed and was rewarded at the puy de musique du Mans in 1657.Chambois 1894 p. 12. According to Chartier and Yvon, Boutry would have spent some time in Rouen as "master of music" and in Noyon as "master of the church". He was hired as head of the chapel of the cathédrale Notre-Dame de Paris from 4 August 1662 to 20 October 1663. From this period, it is known he was granted a leave of absence for fifteen days without knowing the reason. According to Granger (1996), he briefly returned to Chartres and was named a priest, before returning to Le Mans. He returned to Le Mans around Christmas 1664, where he suc ...
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Petrus Phalesius The Elder
Peeter van der Phaliesen, Latinised as Petrus Phalesius, French versions of name Pierre Phalèse and Pierre de PhaleysSusan Bain and Henri Vanhulst, "Phalèse Family", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell ondon: Macmillan Publishers, 2001/ref>''Des cha(n}sons Reduictz en Tabulature de / LVT A DEVX, TROIS, ET QVATRE PARTIES. / Auec une briefue & familiaire Introduction pour entendre & apprendre par / soy mesmes à iouer dudict Lut, / Liure premier''
Phaleys, Louvain, 1547
(c. 1510 – c. 1575) was a Flemish bookseller, printer and publis ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Sandrin
Sandrin (Pierre Regnault) (c. 1490 – after 1561) was a French composer of the Renaissance. He was a prolific composer of chansons in the middle of the 16th century, some of which were extremely popular and widely distributed. Life He was probably born in St. Marcel, not far from Paris, though details of his early life are incomplete. He was a choirboy at the French royal court in 1506, and in 1517 was a singer for Louise of Savoy. From then until 1539 his name is absent from all records at the court, but other records suggest he may have been working as an actor during this time. By 1539 he was again at the French royal court, this time singing in the royal chapel itself; and within a few years he had established a reputation as one of the most noted composers of chansons in France, along with Claudin de Sermisy. He went to Italy sometime in the early 1550s, and is known to have been ''maestro di cappella'' for the Ferrarese Este family at Siena, in 1554. By 1560 he ...
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Le Mans
Le Mans (, ) is a city in northwestern France on the Sarthe River where it meets the Huisne. Traditionally the capital of the province of Maine, it is now the capital of the Sarthe department and the seat of the Roman Catholic diocese of Le Mans. Le Mans is a part of the Pays de la Loire region. Its inhabitants are called ''Manceaux'' (male) and ''Mancelles'' (female). Since 1923, the city has hosted the 24 Hours of Le Mans, the world's oldest active endurance sports car race. History First mentioned by Claudius Ptolemy, the Roman city ''Vindinium'' was the capital of the Aulerci, a sub tribe of the Aedui. Le Mans is also known as ''Civitas Cenomanorum'' (City of the Cenomani), or ''Cenomanus''. Their city, seized by the Romans in 47 BC, was within the ancient Roman province of Gallia Lugdunensis. A 3rd-century amphitheatre is still visible. The ''thermae'' were demolished during the crisis of the third century when workers were mobilized to build the city's defensive walls ...
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