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Julie D'Aubigny
Julie d'Aubigny (; 1673–1707), better known as Mademoiselle Maupin or La Maupin, was a French opera singer. Little is known for certain about her life; her tumultuous career and flamboyant lifestyle were the subject of gossip, rumour, and colourful stories in her own time, and inspired numerous fictional and semi-fictional portrayals afterwards. Her life loosely inspired the titular character of Théophile Gautier's 1835 novel, ''Mademoiselle de Maupin,'' in which she employs multiple disguises to seduce a young man and his mistress. Due to her relationships with men and women, some modern-day sources refer to d'Aubigny as bisexual and/or queer. Early life Julie d'Aubigny was born in 1673 pp. 350-352 archive.org/ref> to Gaston d'Aubigny, a secretary to Louis de Lorraine-Guise, comte d'Armagnac, the Master of the Horse for King Louis XIV. Her father, who trained the court pages, took care of her education teaching her academic subjects of the type given to boys but also tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mademoiselle Maupin De L'Opéra (Julie D'Aubigny)
Mademoiselle (abbreviated as ''Mlle'' or ''M'') may refer to: * Mademoiselle (title), the French-language equivalent of the title "miss" Film and television * ''Mademoiselle'' (1966 film), a French-British drama directed by Tony Richardson * ''Mademoiselle'' (2001 film), a French comedy directed by Philippe Lioret * Mlle (TV channel), now MOI ET CIE, a Canadian French-language channel Music * "Mademoiselle" (song), by Styx, 1976 * "Mademoiselle", a song by Murray Head from '' Between Us'', 1979 * "Mademoiselle", a song by Eddy Howard, 1952 Other uses * Mademoiselle, a typeface designed by Tommy Thompson * ''Mademoiselle'' (magazine), a defunct American women's magazine See also * * *Damsel (other) *Demoiselle (other) *Fräulein ''Fräulein'' ( , ) is the German language honorific for unmarried women, comparable to Miss in English and Mademoiselle in French. Description ''Fräulein'' is the diminutive form of ''Frau'', which was previously reserve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Married And Maiden Names
When a person (traditionally the wife in many cultures) assumes the family name of their spouse, in some countries that name replaces the person's previous surname, which in the case of the wife is called the maiden name ("birth name" is also used as a gender-neutral or masculine substitute for maiden name), whereas a married name is a family name or surname adopted by a person upon marriage. In some jurisdictions, changing names requires a legal process. When people marry or divorce, the legal aspects of changing names may be simplified or included, so that the new name is established as part of the legal process of marrying or divorcing. Traditionally, in the Anglophone West, women are far more likely to change their surnames upon marriage than men, but in some instances men may change their last names upon marriage as well, including same-sex couples. In this article, ''birth name'', ''family name'', ''surname'', ''married name'' and ''maiden name'' refer to patrilineal sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadmus Et Hermione
''Cadmus et Hermione'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Ovid's ''Metamorphoses''. It was first performed on 27 April 1673 by the Paris Opera at the Jeu de paume de Béquet. The prologue, in praise of King Louis XIV, represents him as Apollo slaying the Python of Delphi. The opera itself concerns the love story of Cadmus, legendary founder and king of Thebes, Greece, and Hermione (Harmonia), daughter of Venus and Mars. Other characters include Pallas Athene, Cupid, Juno, and Jupiter. With ''Cadmus et Hermione'', Lully invented the form of the ''tragédie en musique'' (also known as ''tragédie lyrique''). From contemporary Venetian opera, Lully incorporated elements of comedy among the servants, elements which he would later avoid, as would subsequent reformers in Italian opera. A contemporary transcription of the overture by Jean-Henri d'Anglebert remains a possible part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallas Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek religion, ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretism, syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include Owl of Athena, owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean tutelary deity, palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Nicolas De Francine
Jean-Nicolas de Francine (1662–1735) was a director of the Opéra national de Paris. Life From the Francini family of Florentine musicians that had come to France under Henry IV of France, Jean-Nicolas married Jean-Baptiste Lully's eldest daughter Catherine-Madeleine Lully on 18 April 1684, in the presence of Louis XIV. On Lully's death, Francine won the privilege of directing the opera. The first work put on under his leadership was Achille et Polyxène. He also authorised the opening of opera houses in France's provincial cities – Lyon, Lille, Bordeaux, Rouen. Not himself a composer, he commissioned others to renew the operatic repertoire, putting on works by Louis Lully, Pascal Collasse, Elisabeth Jacquet de la Guerre and Marc-Antoine Charpentier. He was poor at management, however, and was forced to go into debt to keep the institution afloat, finally leading to the selling of his privilege in 1704 in favour of Pierre Guyenet. He returned to the post in 1715 following c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Musique
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel-Vincent Thévenard
Gabriel-Vincent Thévenard (10 August 1669 – 24 August 1741) was a French operatic baritone (''basse taille''). Thévenard was born at Orléans or possibly Paris. Arriving in Paris in 1690, he studied under the composer André Cardinal Destouches and went on to become a member of the Académie Royale de Musique. He was notable for playing tragic roles that made use of his skill at declamatory recitatives. He appeared in over 80 tragédies en musique and opéras ballet before finally retiring in 1729. He died in Paris. Roles created *Apollon/Vertumne/l'Automne in Pascal Colasse et Louis Lully's ''Ballet des Saisons'' (Paris, 1695) *Jupiter/Hylas in Destouches's '' Issé'' (Fontainebleau, 1697) *Silvandre/Zuliman in André Campra's L'Europe galante (Paris, 1697) *The title role in Destouches's ''Amadis de Grèce'' (Paris, 1699) *Argapise in Destouches's ''Marthesie, première reine des Amazones'' (Paris, 1699) *Pygmalion in Michel de la Barre's ''Le triomphe des arts'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poitiers
Poitiers (, , , ; Poitevin: ''Poetàe'') is a city on the River Clain in west-central France. It is a commune and the capital of the Vienne department and the historical centre of Poitou. In 2017 it had a population of 88,291. Its agglomeration has 130,853 inhabitants in 2016 and is the center of an urban area of 261,795 inhabitants. With more than 29,000 students, Poitiers has been a major university city since the creation of its university in 1431, having hosted René Descartes, Joachim du Bellay and François Rabelais, among others. A city of art and history, still known as "''Ville aux cent clochers''" the centre of town is picturesque and its streets include predominantly historical architecture and half-timbered houses, especially religious architecture, mostly from the Romanesque period ; including notably the Saint-Jean baptistery (4th century), the hypogeum of the Dunes (7th century), the Notre-Dame-la-Grande church (12th century), the Saint-Porchaire church (12th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arson
Arson is the crime of willfully and deliberately setting fire to or charring property. Although the act of arson typically involves buildings, the term can also refer to the intentional burning of other things, such as motor vehicles, watercraft, or forests. The crime is typically classified as a felony, with instances involving a greater degree of risk to human life or property carrying a stricter penalty. Arson which results in death can be further prosecuted as manslaughter or murder. A common motive for arson is to commit insurance fraud. In such cases, a person destroys their own property by burning it and then lies about the cause in order to collect against their insurance policy. A person who commits arson is referred to as an arsonist, or a serial arsonist if arson has been committed several times. Arsonists normally use an accelerant (such as gasoline or kerosene) to ignite, propel and directionalize fires, and the detection and identification of ignitable liqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body Snatching
Body snatching is the illicit removal of corpses from graves, morgues, and other burial sites. Body snatching is distinct from the act of grave robbery as grave robbing does not explicitly involve the removal of the corpse, but rather theft from the burial site itself. The term 'body snatching' most commonly refers to the removal and sale of corpses primarily for the purpose of dissection or anatomy lectures in medical schools. The term was coined primarily in regard to cases in the United Kingdom and United States throughout the 17th, 18th, and 19th centuries. However, there have been cases of body snatching ranging across a variety of countries, with the first recorded case dating back to 1319 in Bologna, Italy. Those who practiced the act of body snatching and sale of corpses during this period were commonly referred to as "resurrectionists" "resurrection men". Resurrectionists in the United Kingdom who often worked in teams and who primarily targeted more recently dug graves, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kidnapping
In criminal law, kidnapping is the unlawful confinement of a person against their will, often including transportation/asportation. The asportation and abduction element is typically but not necessarily conducted by means of force or fear: the perpetrator may use a weapon to force the victim into a vehicle, but it is still kidnapping if the victim is enticed to enter the vehicle willingly (e.g. in the belief that it is a taxicab). Kidnapping may be done to demand for ransom in exchange for releasing the victim, or for other illegal purposes. Kidnapping can be accompanied by bodily injury which elevates the crime to aggravated kidnapping. Kidnapping of a child is known as child abduction, which is a separate legal category. Motivations Kidnapping of children is usually done by one parent or others. The kidnapping of adults is often for ransom or to force someone to withdraw money from an Automated teller machine, ATM, but may also be for sexual assault. Children have also been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial In Absentia
Trial in absentia is a criminal proceeding in a court of law in which the person who is subject to it is not physically present at those proceedings. is Latin for "in (the) absence". Its meaning varies by jurisdiction and legal system. In common law legal systems, the phrase is more than a spatial description. In these systems, it suggests a recognition of a violation to a defendant's right to be present in court proceedings in a criminal trial. Conviction in a trial in which a defendant is not present to answer the charges is held to be a violation of natural justice. Specifically, it violates the second principle of natural justice, (hear the other party). In some civil law legal systems, such as that of Italy, is a recognized and accepted defensive strategy. Such trials may require the presence of the defendant's lawyer, depending on the country. Europe Member states of the Council of Europe that are party to the European Convention on Human Rights are bound to adher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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