Juicy (album)
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Juicy (album)
''Juicy'' is an album by jazz percussionist Willie Bobo recorded in 1967 and released on the Verve label.Verve Records discography
accessed April 3, 2014


Reception

The review by Stewart Mason awarded the album 3½ stars stating "from the lubricious title and cover photo on down, there's a certain 'swingin' at Hef's pad' vibe to the proceedings that makes this album of particular interest to latter-day hipsters. Most of the song selection consists of soul-jazz covers of popular hits of the day... but the real standouts are the small handful of band originals, particularly the fiery groove of the title track".Mason, S.
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Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,[ Biography], ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino Music, Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the Cuatro (instrument), cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the Bongo drum, bongos and later the congas, timbales and Drum kit, drums. In 1947, Bobo started working as a Bandboy, band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after hi ...
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Edward Holland, Jr
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like "Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorded the s ...
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Verve Records Albums
Verve may refer to: Music * The Verve, an English rock band * ''The Verve E.P.'', a 1992 EP by The Verve * ''Verve'' (R. Stevie Moore album) * Verve Records, an American jazz record label Businesses * Verve Coffee Roasters, an American coffee house chain * Verve Energy, a corporation owned by the Government of Western Australia * Verve International, a payment card brand * Ford Verve concepts, a series of small car concepts from Ford of Europe Other uses * ''Verve'' (French magazine), an art magazine * ''Verve'' (Indian magazine), a luxury-lifestyle magazine * Verve (operating system), an operating system by Microsoft Research * VRV (streaming service) VRV (officially pronounced "verve", though it is also referred to by its letters) is an over-the-top streaming service launched in November 2016. Owned by Crunchyroll, LLC, run by Sony through a joint venture between Sony Pictures and Sony M ...
, pronounced verve {{disambiguation ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Clarence "Sonny" Henry
Clarence may refer to: Places Australia * Clarence County, New South Wales, a Cadastral division * Clarence, New South Wales, a place near Lithgow * Clarence River (New South Wales) * Clarence Strait (Northern Territory) * City of Clarence, a local government body and municipality in Tasmania * Clarence, Western Australia, an early settlement * Electoral district of Clarence, an electoral district in the New South Wales Legislative Assembly Canada * Clarence, Ontario, a hamlet in the city of Clarence-Rockland * Clarence Township, Ontario * Clarence, Nova Scotia * Clarence Islands, Nunavut, Canada New Zealand * Clarence, New Zealand, a small town in Marlborough * Waiau Toa / Clarence River United States * Clarence Strait, Alaska * Clarence, Illinois, an unincorporated community * Clarence, Iowa, a city * Clarence Township, Barton County, Kansas * Clarence, Louisiana, a village * Clarence Township, Michigan * Clarence, Missouri, a city * Clarence, New York, a town ** Clarence (CDP ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ...
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Melvin Lastie
Melvin Clarke Lastie, Sr. (November 18, 1930 – December 4, 1972) was an American R&B trumpeter, flugelhornist, and cornetist. He also played jazz and was a session musician on many soul and rock records of the 1960s. Lastie was born in New Orleans, Louisiana to Frank and Alice Hill Lastie. Melvin's four brothers were Chester, David, Joseph, and Walter, and his sister was Betty Ann. Lastie played with Paul Barbarin and Fats Domino while he was still a teenager. He served in the military during the Korean War, then formed a group with his brother David Lastie, which backed Big Joe Turner on tour throughout North America. He worked as a studio musician in the 1950s, including on recordings by Roy Brown, and played in a band led by Clarence Samuels alongside Ornette Coleman. In 1961, he co-founded AFO Records and worked with them as a producer and studio player both in New Orleans and after the company moved to Los Angeles. He played extensively on soul and jazz recordings, in ...
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ...
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