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Judas Maccabeus (oratorio)
''Judas Maccabaeus'' ( HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden (16 April 1746). Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24. Synopsis Morell's libretto is based on the deuterocanonical (or apocryphal) book 1 Maccabees (2–8), with motives added from the ''Antiquitates Judaicae'' by Flavius Josephus. The events depicted in the oratorio are from the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not. One who defied was the elderly priest Mattathias who killed a fellow Jew who was about to offer a pagan sacrifice. After tearing down a pagan ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Judea
Judea or Judaea ( or ; from he, יהודה, Hebrew language#Modern Hebrew, Standard ''Yəhūda'', Tiberian vocalization, Tiberian ''Yehūḏā''; el, Ἰουδαία, ; la, Iūdaea) is an ancient, historic, Biblical Hebrew, contemporaneous Latin, and the modern-day name of the mountainous southern part of the modern States of State of Palestine, Palestine and Israel. The name originates from the Hebrew name Judah (son of Jacob), Yehudah, a son of the biblical Patriarchs (Bible), patriarch Jacob, Jacob/Israel, with Yehudah's progeny forming the biblical Israelite tribe of Judah (Yehudah) and later the associated Kingdom of Judah. Related nomenclature continued to be used by the Babylonians, Achaemenid Empire, Persian, Hellenistic period, Hellenistic, and Roman Empire, Roman periods as the Yehud (Babylonian province), Babylonian and Yehud (Persian province), Persian Yehud, Hasmonean Kingdom, Hasmonean Kingdom of Judea, and consequently Herodian Kingdom, Herodian and Judea (Rom ...
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John Walsh (printer)
John Walsh was the name of a father and son, two printers and publishers of music, active in London from the late 17th Century, and through the first half of the 18th Century. They published much important Baroque music, including works by William Babell and Handel. John Walsh the elder John Walsh (1665 or 1666 – 13 March 1736) was an English music publisher possibly of Irish descent, established off the Strand, London, by c. 1690. He was appointed musical instrument-maker-in-ordinary to the king in 1692. Walsh began publishing music in 1695, with ''"The Self Instructor for the Violin, or the art of playing that instrument improved and made easie by plain Rules and Directions"''. At this time, music publishing had just gone through a major change, with the rise of copper engraving, instead of moveable type. Engraved music was easier to read, and permitted the beaming of quavers. It had been used extensively by John Playford who began publishing in 1647. By the time of John W ...
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Joshua (Handel)
''Joshua'' ( HWV 64) is an oratorio by George Frideric Handel. It was composed in a month, from 19 July 1747 to 19 August 1747, six months before the beginning of the oratorio season. ''Joshua'' is Handel's fourth oratorio based on a libretto by Thomas Morell.Winton, Dean. "Joshua." ''Handel's Dramatic Oratorios and Masques''. London: Oxford UP, 1966. N. pag. Print. The oratorio premiered on 9 March 1748 at the Covent Garden Theatre, London.'' Joshua'' is based on the Biblical story of Joshua as the leader of the ancient Israelites. The story follows the Israelites from their passage over the Jordan River into Caanan and through the Battle of Jericho. The work also includes a love story elaborated from a few hints in the Biblical narrative between Caleb's daughter Achsah and Othniel, a young soldier. ''Joshua'' was the fourth oratorio Handel had written within the span of twenty months. Following the Jacobite rising of 1745 in England, Handel produced a series of English orator ...
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Thomas Reinhold
Henry Reinhold (c. 1690 – 1751), also known as Thomas Reinhold, was a German opera singer. He was born in Dresden and showed an early aptitude for music, which his family apparently discouraged. But he secretly left Dresden to follow Handel, a friend of his reputed father, to London. There, through Handel's good offices, he came under the protection of Frederick, Prince of Wales, who ultimately stood sponsor to his eldest son. In 1731 Reinhold, described as Reynholds, was singing at the Haymarket Theatre. He sang in the first performance of Handel's Arminio at Covent Garden on 12 January 1737, and created principal parts in many of Handel's operas and oratorios. Reinhold was one of the founders, in 1738, of the Royal Society of Musicians. When vocal music was added to the other attractions of Vauxhall Gardens in 1745, Reinhold was one of the first singers engaged. He died in Chapel Street, Soho, on 14 May 1751, and on 20 May Garrick Garrick may refer to: * Garrick (name) ...
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Elisabetta De Gambarini
Elisabetta de Gambarini (7 September 1730 – 9 February 1765) was an English composer, mezzo-soprano, organist, harpsichordist, pianist, orchestral conductor and painter of the 18th century. Elisabetta's music is considered late Baroque music, Baroque and Classical music. She achieved distinction as an all-around musician, performing on, and composing for a variety of instruments as well as voice. Her compositions were known to reflect that of vocal work instead of instrumental patterns. She was the first female composer in Britain to publish a collection of keyboard music. Family Elisabetta de Gambarini was born 7 September 1730 in Holles Street, Marylebone, St Marylebone, Middlesex, England. She was born to Charles Gambarini (died 1754), Counsellor to the Landgraviate of Hesse-Kassel, Landgrave of Hessen-Kassel and Joanna (Giovanna Paula) Stradiotti (died 1774). Her father was a nobleman from Lucca, Italy. He published ''A Description of the Earl of Pembroke's Pictures'' ...
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Caterina Galli
Caterina Galli (c. 1723 - 1804) was an Italian operatic mezzo-soprano. She first rose to fame in England in the 1740s and early 1750s where she was particularly admired for her performances in the works of George Frideric Handel. She then enjoyed success in her native country in the 1750s and 1760s, before returning to England, where she remained active as a performer up through 1797. Early life and career Nothing is known of Galli's early training and career other than it took place in her native country. The first definitive account of the singer was in 1742 when she arrived in London with fellow opera singer Giulia Frasi. She made her first appearance on the London stage on 12 December 1742 as Artaserse in the world premiere of Giuseppe Ferdinando Brivio's ''Mandane''. Music historian Charles Burney wrote that, "Galli, after transplantation from Italy, took root in this country, and remained here in great public favor for many years." Her operatic repertoire consisted mainly of ...
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John Beard (tenor)
John Beard (c. 1716 – 5 February 1791) was an English tenor of the 18th century. He is best remembered for creating an extensive number of roles in the operas and oratorios of George Frideric Handel. Beard's début came in Handel's 1734 revival of his ''Il pastor fido'', which was a great success. Beard continued to sing for Handel, creating roles in ten of his operas and performing in every one of Handel's English-language oratorios, odes, and music dramas, with the sole exception of '' The Choice of Hercules''. He also performed for Thomas Arne, and sang at the Chapel Royal. His marriage, during 1739, to Lady Henrietta Herbert, only daughter of James Waldegrave, 1st Earl Waldegrave caused much scandal: Lord Egmont commented that "there is no prudence below the girdle". Lady Henrietta died in 1753. In 1759 Beard married again, this time to Charlotte Rich, whose father John Rich was the proprietor of the opera house in Covent Garden. After John Rich died in 1761, Beard succ ...
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Judas Maccabaeus
Judah Maccabee (or Judas Maccabeus, also spelled Machabeus, or Maccabæus, Hebrew: יהודה המכבי, ''Yehudah HaMakabi'') was a Jewish priest (''kohen'') and a son of the priest Mattathias. He led the Maccabean Revolt against the Seleucid Empire (167–160 BCE). The Jewish holiday of Hanukkah ("Dedication") commemorates the restoration of Jewish worship at the Second Temple in Jerusalem in 164 BCE, after Judah Maccabee removed all of the statues depicting Greek gods and goddesses and purified it. Life Early life Judah was the third son of Mattathias the Hasmonean, a Jewish priest from the village of Modi'in. In 167 BCE Mattathias, together with his sons Judah, Eleazar, Simon, John, and Jonathan, started a revolt against the Seleucid ruler Antiochus IV Epiphanes, who since 175 BCE had issued decrees that forbade Jewish religious practices. After Mattathias's death in 166 BCE, Judah assumed leadership of the revolt in accordance with the deathbed disposition of ...
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Simon Thassi
Simon Thassi ( he, ''Šīməʿōn haTassī''; died 135) was the second son of Mattathias and thus a member of the Hasmonean family. Names The name "Thassi" has a connotation of "the Wise", a title which can also mean "the Director", "the Guide", "the Man of Counsel", and "the Zealous". This Simon is also sometimes distinguished as , , or (from Latin) . History Simon took a prominent part in the Jewish revolt against the Seleucid Empire led by his brothers, Judas Maccabaeus and Jonathan Apphus. The successes of the Jews rendered it expedient for the Seleucid leaders in Syria to show them special favour. Therefore, Antiochus VI appointed Simon ''strategus'', or military commander, of the coastal region stretching from the Ladder of Tyre to Egypt. As ''strategus'', Simon conquered the cities of Beth-zur and Joppa, garrisoning them with Jewish troops and built the fortress of Adida. After the capture of Jonathan by the Seleucid general, Diodotus Tryphon, Simon was elected ...
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Mattathias
Mattathias ben Johanan ( he, מַתִּתְיָהוּ הַכֹּהֵן בֶּן יוֹחָנָן, ''Mattīṯyāhū haKōhēn ben Yōḥānān''; died 166–165 BCE) was a Kohen (Jewish priest) who helped spark the Maccabean Revolt against the Hellenistic Seleucid Empire. Mattathias's story is related in the deuterocanonical book of 1 Maccabees. Mattathias is accorded a central role in the story of Hanukkah and, as a result, is named in the Al HaNissim prayer Jews add to the Birkat Hamazon (grace after meals) and the Amidah during the festival's eight days. History Mattathias was from a rural priestly family from Modi'in. He was a son of John (Johanan) and grandson of Simeon the Hasmonite or son of Hasmon and hence known as the Hasmonean. Further back, he was the great-grandson of Asmon or Hasmonaeus, a Kohen of the lineage of Joarib known for being the fifth grandson of Idaiah, son of Joarib and grandson of Jachin, in turn a descendant of Phinehas, third High Priest o ...
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