|
Judaism In Music
"Das Judenthum in der Musik" (German for "Jewishness in Music", but normally translated ''Judaism in Music''; spelled after its first publications, according to modern German spelling practice, as ‘Judentum’) is an essay by Richard Wagner which attacks Jews in general and the composers Giacomo Meyerbeer and Felix Mendelssohn in particular. It was published under a pseudonym in the ''Neue Zeitschrift für Musik'' (''NZM'') of Leipzig in September 1850 and was reissued in a greatly expanded version under Wagner's name in 1869. It is regarded by some as an important landmark in the history of German antisemitism. The original article of 1850 The first version of the article appeared in the ''NZM'' under the pseudonym of K. Freigedank ("K. Freethought"). In an April 1851 letter to Franz Liszt, Wagner gave the excuse that he used a pseudonym "to prevent the question being dragged down by the Jews to a purely personal level". At the time Wagner was living in exile in Zurich, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wagner Das Judenthum In Der Musik 1869
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex texture (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring Cycle
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * ''Die Walküre'' (''The Valkyrie'') * ''Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them without h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera And Drama
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn College Of Music And Theatre
The University of Music and Theatre "Felix Mendelssohn Bartholdy" Leipzig (german: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig) is a public university in Leipzig (Saxony, Germany). Founded in 1843 by Felix Mendelssohn as the Conservatorium der Musik (Conservatory of Music), it is the oldest university school of music in Germany. The institution includes the traditional Church Music Institute founded in 1919 by Karl Straube (1873–1950). The music school was renamed ″Felix Mendelssohn Bartholdy″ after its founder in 1972. In 1992, it incorporated the Theaterhochschule "Hans Otto" Leipzig. Since the beginning there was a tight relationship between apprenticeship and practical experience with the Gewandhaus and the Oper Leipzig, as well as theaters in Chemnitz (''Theater Chemnitz''), Dresden ('' Staatsschauspiel Dresden''), Halle (''Neues Theater Halle''), Leipzig (''Schauspiel Leipzig'') and Weimar (''Deutsches Nationaltheater in Weimar''). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Brendel
Karl Franz Brendel (26 November 1811 – 25 November 1868) was a German music critic, journalist and musicologist born in Stolberg, the son of a successful mining engineer named Christian Friedrich Brendel. Biography He was a student at the University of Leipzig, University of Berlin, and University of Freiburg up until the year 1840. In 1846 he began teaching music history at the Leipzig Conservatory, and in 1852 he published a well-regarded general history of European music. Brendel also published a book on Franz Liszt. He was the editor of the ''Neue Zeitschrift für Musik'', taking over in 1845 the position relinquished by Robert Schumann (in 1844) and remaining in post until his death in 1868. Brendel coined the phrase ''Neudeutsche Schule'' (New German School) to describe the progressive musical movement in Germany headed by Richard Wagner and Franz Liszt in the middle of the nineteenth century. He died in Leipzig. Literature * Johannes Besser: ''Musikgeschichtler, Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wandering Jew
The Wandering Jew is a mythical immortal man whose legend began to spread in Europe in the 13th century. In the original legend, a Jew who taunted Jesus on the way to the Crucifixion was then cursed to walk the Earth until the Second Coming. The exact nature of the wanderer's indiscretion varies in different versions of the tale, as do aspects of his character; sometimes he is said to be a shoemaker or other tradesman, while sometimes he is the doorman at the estate of Pontius Pilate. Name An early extant manuscript containing the Legend is the ''Flores Historiarum'' by Roger of Wendover, where it appears in the part for the year 1228, under the title ''Of the Jew Joseph who is still alive awaiting the last coming of Christ''. The central figure is named ''Cartaphilus'' before being baptized later by Ananias as ''Joseph''. The root of the name ''Cartaphilus'' can be divided into ''kartos'' and ''philos'', which can be translated roughly as "dearly" and "loved", connecting the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Börne
Karl Ludwig Börne (born "Loeb Baruch"; 6 May 1786 – 12 February 1837) was a German-Jewish political writer and satirist, who is considered part of the Young Germany movement. Early life Karl Ludwig Börne was born Loeb Baruch on 6 May 1786, at Frankfurt am Main, to a Jewish family. He was the son of Jakob Baruch, a banker. His grandfather had been a government bureaucrat. Education Börne and his brothers were privately tutored by Jacob Sachs, and later by Rector Mosche. At age 14, he studied medicine with Professor Hetzel at Gießen. After a year, he was sent to study medicine at Berlin under a physician, Markus Herz, in whose house he lived. At age 16, Baruch became infatuated by his patron's 38-year-old wife, Henriette Herz. After her husband died in 1803, he expressed his adoration in a series of letters. When he enrolled at Halle University, she was influential in his boarding with Professor Reil. He studied constitutional law and political science at University of He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Heine
Christian Johann Heinrich Heine (; born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of '' Lieder'' (art songs) by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose are distinguished by their satirical wit and irony. He is considered a member of the Young Germany movement. His radical political views led to many of his works being banned by German authorities—which, however, only added to his fame. He spent the last 25 years of his life as an expatriate in Paris. Early life Childhood and youth Heine was born on 13 December 1797, in Düsseldorf, in what was then the Duchy of Berg, into a Jewish family. He was called "Harry" in childhood but became known as "Heinrich" after his conversion to Lutheranism in 1825. Heine's father, Samson Heine (1764–1828), was a textile merchant. His mother Peira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damn With Faint Praise
Damning with faint praise is an English idiom, expressing oxymoronically that half-hearted or insincere praise may act as oblique criticism or condemnation.Ammer, Christine. (2001) ''The American Heritage Dictionary of Idioms,'' p. 153./ref> In simpler terms, praise is given, but only given as high as mediocrity, which may be interpreted as passive-aggressive. History of the term The concept can be found in the work of the Hellenistic sophist and philosopher Favorinus (c. 110 AD) who observed that faint and half-hearted praise was more harmful than loud and persistent abuse. The explicit phrasing of the modern English idiomatic expression was first published by Alexander Pope in his 1734 poem, "Epistle to Dr Arbuthnot" in ''Prologue to the Satires.'' ::Damn with faint praise, assent with civil leer, ::And without sneering, teach the rest to sneer; ::Willing to wound, and yet afraid to strike, ::Just hint a fault, and hesitate dislike. ::::— "Epistle to Dr Arbuthnot" by Alexand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Ring Cycle")
.jpg "Click for more on -> Heinrich Heine")