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Joël Suhubiette
Joël Suhubiette (born in 1962) is a contemporary French choral conductor. In particular, he conducts the chamber choir Les Éléments which he founded in Toulouse and with which he received a Victoire de la musique classique in 2006 and the Ensemble Jacques Moderne in Tours. Biography Born in 1962 in Orthez, Suhubiette played the piano very early. He then went on to undertake musical studies at the . He joined the early music department where he studied singing with John Elwes and Guillemette Laurens. At the University of Toulouse Le Mirail he studied musicology and choral conducting with Alix Bourbon, whose vocal ensemble he joined which allowed him, at a very young age, to sing under the direction of Michel Corboz, Jean-Claude Malgoire, Gustav Leonhardt etc. It was at this time, in 1985, that he founded Les Éléments with friends singers from the Conservatoire and the University, an ensemble that later became the chamber choir he still conducts in Toulouse. He then began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Suhubiette , a community in the United States
{{disambiguation, hn, geo ...
Joel or Yoel is a name meaning "Yahweh Is God" and may refer to: * Joel (given name), origin of the name including a list of people with the first name. * Joel (surname), a surname * Joel (footballer, born 1904), Joel de Oliveira Monteiro, Brazilian football goalkeeper * Joel (footballer, born 1980), Joel Bertoti Padilha, Brazilian football centre-back * Joel (prophet), a prophet of ancient Israel ** Book of Joel, a book in the Jewish Tanakh, and in the Christian Bible, ascribed to the prophet * Joel, Georgia, a community in the United States * Joel, Wisconsin The Town of Clayton is located in Polk County, Wisconsin, Polk County, Wisconsin, United States. The population was 571 at the 2000 census. The Clayton (village), Wisconsin, Village of Clayton and the unincorporated communities of Joel and Richard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Chapelle Royale
La Chapelle Royale is a French ensemble of baroque music. History La Chapelle Royale was founded in 1977 in Paris by the Belgian conductor Philippe Herreweghe. It takes its name from the Chapelle royale of the French kings. The initial vocation of the ensemble was to interpret the great French repertoire of the 17th century (Henri Dumont, Jean-Baptiste Lully, Marc-Antoine Charpentier, André Campra, Jean Gilles...) but, since 1985, Herreweghe associated it more and more with his own Belgian ensemble, the Collegium Vocale Gent, in a repertoire almost exclusively dedicated to Johann Sebastian Bach. Next to La Chapelle Royale, Philippe Herreweghe also founded the "Ensemble Vocal Européen de la Chapelle Royale". La Chapelle Royale was, during the 1980s, together with Les Arts Florissants, one of the pillars of the musical revolution known in France and Belgium under the name of "Baroqueux" (see Historically informed performance or "performance on period instruments"), initiated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Hermann Schein
Johann Hermann Schein (20 January 1586 – 19 November 1630) was a German composer of the early Baroque era. He was Thomaskantor in Leipzig from 1615 to 1630. He was one of the first to import the early Italian stylistic innovations into German music, and was one of the most polished composers of the period. Biography Schein was born in Grünhain. On the death of his father, Schein moved to Dresden where he joined the choir of the Elector of Saxony as a boy soprano. In addition to singing in the choir, he received a thorough musical training with Rogier Michael, the ''Kapellmeister,'' who recognized his extraordinary talent. From 1603 to 1607 he studied at Pforta, and from 1608 to 1612 attended the University of Leipzig, where he studied law in addition to liberal arts. Upon graduating, he was employed briefly by Gottfried von Wolffersdorff as the house music director and tutor to his children; later he became ''Kapellmeister'' at Weimar, and shortly thereafter became Thomaskant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristóbal De Morales
Cristóbal de Morales (c. 1500 – between 4 September and 7 October 1553) was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Tomás Luis de Victoria. Life Cristóbal de Morales was born in Seville and, after an exceptional early education there, which included a rigorous training in the classics as well as musical study with some of the foremost composers, he held posts at Ávila and Plasencia. All that is known about his family is that he had a sister, and that his father died prior to his sister's marriage in 1530. Others who lived in Seville are considered to be potential relatives of Morales. These include Cristóbal de Morales, a singer employed by Duke of Medina Sidonia in 1504; Alonso de Morales, treasurer of the cathedral in 1503; Francisco de Morales (d. 1505), a canon; and Diego de Morales, who was the cathedral notary in 1525. Earlier Spanish popes of the Borja family held a long tradition of em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Guerrero (composer)
Francisco Guerrero (October 4 (?), 1528 – November 8, 1599) was a Spanish Catholic priest and composer of the Renaissance. He was born and died in Seville. Life and career Guerrero's early musical education was with his older brother Pedro and after that with the famous composer Cristóbal de Morales. At the age of 18 he was appointed ''maestro de capilla'' (i.e. music director) at Jaén Cathedral. Three years later he accepted a position of singer at Seville Cathedral. During this time he was much in demand as a singer and composer, establishing an exceptional reputation before his thirtieth birthday; in addition he published several collections of his music abroad, an unusual event for a young composer. After several decades of working and traveling throughout Spain and Portugal, sometimes in the employ of emperor Maximilian II, he went to Italy for a year (1581–1582) where he published two books of his music. After returning to Spain for several years, he decided to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Mouton
Jean Mouton (c. 1459 – 30 October 1522) was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Venetian School. Life He was born Jean de Hollingue either in 1459 or earlier, but records of his early life, as is so often the case with Renaissance composers, are scant. Most likely he was from the village of Haut-Wignes (now Wirwignes), near Boulogne-sur-Mer, in Samer. He probably began his first job, singer and teacher at the collegiate church in Saint Omer, then moved to Nesle (southeast of Amiens) in 1477, and in 1483 was made ''maître de chapelle'' there. Sometime around this time he became a priest, and in 1500 he was in charge of choirboys at the cathedral in Amiens. In 1501 he was in Grenoble, teaching choirboys, but he left the next year, most likely entering the service of Queen Anne of Brittany, and in 1509 he was granted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Regnard
François Regnard (or Regnart; Douai, fl. 1570s) was a French Renaissance composer. He studied, sang, and later was ''maître de chapelle'' at Tournai Cathedral.Marie-Thérèse Bouquet-Boyer, Pierre Bonniffet, ''Claude le Jeune et son temps en France et dans les états de'' Université de Savoie 1996 FRANÇOIS REGNARD p116 "In an approach comparing Claude Le Jeune with his contemporaries, the name of François Regnard naturally springs to mind" He is mainly remembered for his settings of Ronsard's chansons. He was one of five composer brothers of whom the best known was Jacques or Jacob Regnart who spent most of his career in the service of Habsburg emperors Maximilian II and Rudolf II and Archduke Ferdinand in Vienna, Prague and Innsbruck. Two more, Charles and Pascal, were in the chapel of Philip II of Spain. Another brother, Augustin, was canon at Lille. It was Augustin who in 1590 published works of the four other brothers; François as "Franciscus Regnart", Jacobus Regnart, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
