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José Dupuis (actor)
Joseph-Lambert Dupuis (known as José Dupuis) (18 March 1833, Liège – 9 May 1900, Nogent-sur-Marne) was a Belgian singer and actor. He was principally active in opéra-bouffe in Paris, in particular at the Théâtre des Variétés. Career After making his stage debut in Liège, he moved to Paris in 1851 and made his debut at the Théâtre du Luxembourg-Bobino in 1854. In 1857 he was taken on by Hervé at his Folies-Nouvelles, and continued when the theatre became the Théâtre Déjazet (after its joint manager Virginie Déjazet), only moving on, after fifty or so creations, to the Théâtre des Variétés; he made his debut there on 18 May 1861 in ''Le Sylphe'', a vaudeville by Edmond Rochefort, Charles Varin and Desvergers. Dupuis was chosen by Offenbach for Paris in ''La Belle Hélène'', and alongside Hortense Schneider, he went on to feature in principal roles in the premieres of some of Offenbach’s most famous works: '' Barbe-Bleue'' (title role), ''La Grande-Duche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Dupuis
Joseph-Lambert Dupuis (known as José Dupuis) (18 March 1833, Liège – 9 May 1900, Nogent-sur-Marne) was a Belgian singer and actor. He was principally active in opéra-bouffe in Paris, in particular at the Théâtre des Variétés. Career After making his stage debut in Liège, he moved to Paris in 1851 and made his debut at the Théâtre du Luxembourg-Bobino in 1854. In 1857 he was taken on by Hervé at his Folies-Nouvelles, and continued when the theatre became the Théâtre Déjazet (after its joint manager Virginie Déjazet), only moving on, after fifty or so creations, to the Théâtre des Variétés; he made his debut there on 18 May 1861 in ''Le Sylphe'', a vaudeville by Edmond Rochefort, Charles Varin and Desvergers. Dupuis was chosen by Offenbach for Paris in ''La Belle Hélène'', and alongside Hortense Schneider, he went on to feature in principal roles in the premieres of some of Offenbach’s most famous works: '' Barbe-Bleue'' (title role), ''La Grande-Duche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Yon
Jean-Claude Yon, born Paris, 22 February 1966 is a French academic and historian. He has specialised in the world of 19th century theatre and opera, notably the work of Scribe and Offenbach. He is professor at the Université de Versailles-Saint-Quentin-en-Yvelines. Career Yon entered the École normale supérieure de Fontenay-Saint-Cloud in 1987, obtaining a master's degree in contemporary history with his study ''Les notaires parisiens sous le Second Empire'' (Parisian notaries during the Second Empire) which went on to win the Prix Favard de Langlade offered by the Institut international d’histoire du notariat in 1993. His doctoral thesis examined ''Eugène Scribe, la fortune et la liberté'' (Eugène Scribe, destiny and freedom) and was defended in January 1994 at the université Panthéon-Sorbonne. Along with Jean-Christophe Keck, Robert Pourvoyer, Peter Hawig and Alain Fraison he was involved in the creation of the Offenbach Edition Keck, a new Offenbach critical edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actors From Liège
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgian Operatic Tenors
{{Disambiguation ...
Belgian may refer to: * Something of, or related to, Belgium * Belgians, people from Belgium or of Belgian descent * Languages of Belgium, languages spoken in Belgium, such as Dutch, French, and German *Ancient Belgian language, an extinct language formerly spoken in Gallia Belgica *Belgian Dutch or Flemish, a variant of Dutch *Belgian French, a variant of French *Belgian horse (other), various breeds of horse *Belgian waffle, in culinary contexts * SS ''Belgian'', a cargo ship in service with F Leyland & Co Ltd from 1919 to 1934 *''The Belgian'', a 1917 American silent film See also * *Belgica (other) *Belgic (other) Belgic may refer to: * an adjective referring to the Belgae, an ancient confederation of tribes * a rarer adjective referring to the Low Countries or to Belgium * , several ships with the name * Belgic ware, a type of pottery * Belgic Confession, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1900 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1833 Births
Events January–March * January 3 – Reassertion of British sovereignty over the Falkland Islands in the South Atlantic. * February 6 – His Royal Highness Prince Otto Friedrich Ludwig of Bavaria assumes the title His Majesty Othon the First, by the Grace of God, King of Greece, Prince of Bavaria. * February 16 – The United States Supreme Court hands down its landmark decision of Barron v. Mayor and City Council of Baltimore. * March 4 – Andrew Jackson is sworn in for his second term as President of the United States. April–June * April 1 – General Antonio López de Santa Anna is elected President of Mexico by the legislatures of 16 of the 18 Mexican states. During his frequent absences from office to fight on the battlefield, Santa Anna turns the duties of government over to his vice president, Valentín Gómez Farías. * April 18 – Over 300 delegates from England, Scotland, Wales and Ireland travel to the office of the Prime Minister, the Earl Grey, to cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovic Halévy
Ludovic Halévy (1 January 1834 – 7 May 1908) was a French author and playwright, best known for his collaborations with Henri Meilhac on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach. Biography Ludovic Halévy was born in Paris. His father, Léon Halévy (1802–1883), was a civil servant and a clever and versatile writer, who tried almost every branch of literature—prose and verse, vaudeville, drama, history—without, however, achieving decisive success in any. His uncle, Fromental Halévy, was a noted composer of opera; hence the double and early connection of Ludovic Halévy with the Parisian stage. His father had converted from Judaism to Christianity prior to his marriage with Alexandrine Lebas, daughter of a Christian architect. At the age of six, Halévy might have been seen playing in that ''Foyer de la danse'' with which he was to make his readers so familiar, and, when a boy of twelve, he would often, on a Sunday night, on his way back to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Meilhac
Henri Meilhac (23 February 1830 – 6 July 1897) was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach, as well as Jules Massenet's ''Manon''. Biography Meilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's ''Carmen''. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are ''La belle Hélène'' (1864), '' Barbe-bleue'' (1866), '' La Vie parisienne'' (1866), ''La Grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Docteur Ox
''Le docteur Ox'' is an opéra bouffe in three acts and six tableaux of 1877 with music by Jacques Offenbach. The French libretto was by Arnold Mortier and Philippe Gille, adapted from the 1872 short story '' Une fantaisie du docteur Ox'' by Jules Verne. Background Offenbach had already set a libretto based closely on a work by Verne with the opéra féerie ''Le voyage dans la lune'' in 1875. Verne had been a co-librettist for several operas presented at the Théâtre Lyrique, as well as for ''Monsieur de Chimpanze'' for the Bouffes-Parisiens between 1853 and 1855.Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. For ''Le Docteur Ox'' the novelist collaborated more closely with Offenbach and his librettists, and attended several of the later rehearsals at the Variétés. A first read-through took place on 18 November 1876 and during the course of rehearsals the number of scenes was increased from four to six. In chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brigands
''Les brigands'' (''The Bandits'') is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious drama (Schiller's play ''The Robbers'') and opéra comique (''Fra Diavolo'' and ''Les diamants de la couronne'' by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society." The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation. ''Les brigands'' has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pont Des Soupirs
''Le pont des soupirs '' ("The Bridge of Sighs") is an opéra bouffe (or operetta) set in Venice, by Jacques Offenbach, first performed in Paris in 1861. The French libretto was written by Hector Crémieux and Ludovic Halévy. Plays, including melodramas, set in Venice were quite common in Paris in the early 19th century; the libretto, by the successful team from ''Orphée aux enfers'', also nods towards the operas ''La reine de Chypre'' (1841) and '' Haydée'' (1847). Gänzl describes the piece as being in Offenbach's "best bouffe manner", noting a "long list of sparkling and funny musical pieces": the multiple serenade beneath Catarina's balcony, the tale of the loss of the Venetian fleet, the parody of an operatic mad scene for Catarina, and a farcical "quatuor des poignards". Gänzl, p. ?? Offenbach would return to Venice in the Giulietta act of his final work ''Les Contes d'Hoffmann''. Performance history ''Le pont des soupirs'' was first performed in a two-act version at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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