|
José Antonio Santesteban
José Antonio Santesteban (San Sebastián, 18 October 1835 – San Sebastián, 21 September 1906) was a Basque composer, the most famous of the musical family of that name (his father was José Juan Santesteban and his son was pianist Jesús de Santesteban), who wrote the first opera in Basque, ''Pudente'', to a libretto by Serafin Baroja. In 1879 he succeeded his father's post as organist in Santa Maria, Donostia. In 1863 he inaugurated the installment of a Cavaillé-Coll organ in Santa Maria, Donostia Échanges musicaux franco-espagnols: – Page 206 François Lesure, Académie musicale de Villecroze – 2000 Several Spanish pianists worked with him; among others, Eduardo Compta, Isaac Albéniz, Joaquîn Canals, José Antonio Santesteban, Esteban Martî et Agustî Salvans" and in 1879 he succeeded his father's post as organist of the parish. Works * ''Pudente'', the first Basque opera (2 acts, 15 music numbers, including Gernikako Arbola) * 12 masses for grand orchestra * 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jose Antonio Santesteban
Jose is the English transliteration of the Hebrew and Aramaic name ''Yose'', which is etymologically linked to ''Yosef'' or Joseph. The name was popular during the Mishnaic and Talmudic periods. *Jose ben Abin *Jose ben Akabya * Jose the Galilean * Jose ben Halafta *Jose ben Jochanan *Jose ben Joezer of Zeredah *Jose ben Saul Given name Male * Jose (actor), Indian actor * Jose C. Abriol (1918–2003), Filipino priest * Jose Advincula (born 1952), Filipino Catholic Archbishop * Jose Agerre (1889–1962), Spanish writer * Jose Vasquez Aguilar (1900–1980), Filipino educator * Jose Rene Almendras (born 1960), Filipino businessman * Jose T. Almonte (born 1931), Filipino military personnel * Jose Roberto Antonio (born 1977), Filipino developer * Jose Aquino II (born 1956), Filipino politician * Jose Argumedo (born 1988), Mexican professional boxer * Jose Aristimuño, American political strategist * Jose Miguel Arroyo (born 1945), Philippine lawyer * Jose D. Aspiras (1924–1999 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastián
San Sebastian, officially known as Donostia–San Sebastián (names in both local languages: ''Donostia'' () and ''San Sebastián'' ()) is a city and Municipalities of Spain, municipality located in the Basque Country (autonomous community), Basque Autonomous Community, Spain. It lies on the coast of the Bay of Biscay, from the France–Spain border. The capital city of the province of Gipuzkoa, the municipality's population is 188,102 as of 2021, with its metropolitan area reaching 436,500 in 2010. Locals call themselves ''donostiarra'' (singular), both in Spanish and Basque language, Basque. It is also a part of Basque Eurocity Bayonne-San Sebastián. The main economic activities are almost entirely service sector, service-based, with an emphasis on commerce and tourism, as it has long been one of the most famous tourist attraction, tourist destinations in Spain. Despite the city's small size, events such as the San Sebastián International Film Festival and the San Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Juan Santesteban
José Juan Santesteban (San Sebastián, 26 March 1809 – San Sebastián, 13 January 1884Diccionario de la música y los músicos – Volume 3 – Page 152 Mariano Pérez Gutiérrez – 1985 "SANTESTEBAN, José Juan (San Sebastián, 1809 – San Sebastián, 1884). Comp. vasco, gran propulsor del movimiento musical donostiarra. Escribió la zarzuela La Tapada, unas 22 misas, Método teórica-práctico de Canto Llano, etc.)) was a Basque composer, father of José Antonio Santesteban. In 1844 — 1879 he was organist in Santa Maria, Donostia. Works * ''La Tapada'', Spanish zarzuela () is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of ... * 22 masses * Método teórica-práctico de Canto llano * Método elemental de solfeo References External links José Juan Santesteban in Enciclopedia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesús De Santesteban
Jesús de Santesteban (5 November 1866 — ??) was a Basque pianist and composer, son of José Antonio Santesteban, grandson of José Juan Santesteban. He studied at Conservatoire de Paris The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue .... In 1893 he became '' Officier d'Académie''. Composed different salon pieces. External links Jesús de Santesteban in Enciclopedia Auñamendi 1866 births Year of death missing Spanish classical pianists Male classical pianists Basque classical composers Conservatoire de Paris alumni Spanish male musicians {{Europe-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serafin Baroja
Serafín Baroja (22 September 1840 – 16 July 1912) was a Spanish writer and mining engineer who wrote popular Basque poetry and lyrics. He was the father of a trio of illustrious children who left a deep mark on the art and literature of 20th-century Spain: Ricardo Baroja, painter, engraver and writer; Pío Baroja, novelist and essayist who ranks as one of the major writers of Spain's Generation of 98; and Carmen Baroja, writer, ethnologist and co-founder of the Lyceum Women's Club in Madrid. Life Serafín was born in San Sebastián, the son of Pío Baroja Zornotza, publisher of the newspaper ''El Liberal Guipuzcoano'' ("The Guipuscoan Liberal") during the Trienio Liberal. Serafín's grandfather, Rafael Martinez Baroja (b. 1770), had been the printer of the newspaper ''La Papeleta de Oyarzun'' ("The Ballot of Oiartzun") during the Peninsular War against Napoleon I. Serafín studied mine engineering at the Polytechnic School of Engineering in Madrid, where he befriended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pío Baroja
Pío Baroja y Nessi (28 December 1872 – 30 October 1956) was a Spanish writer, one of the key novelists of the Generation of '98. He was a member of an illustrious family. His brother Ricardo was a painter, writer and engraver, and his nephew Julio Caro Baroja, son of his younger sister Carmen, was a well-known anthropologist. Biography Pío was born in San Sebastian, Guipuzcoa, the son of Serafin Baroja, also a noted writer and opera librettist. The young Baroja studied medicine at University of Valencia and received a doctorate at the Complutense University in Madrid at 21. Although educated as a physician, Baroja practiced only briefly in the Basque town of Cestona. His memories of student life became the raw material for his novel ''The Tree of Knowledge''. He also managed the family bakery for a short time, running unsuccessfully on two occasions for a seat at the Cortes Generales (the Spanish parliament) as a Radical Republican. Baroja's true calling, however, was alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Saint Mary Of The Chorus
The Basilica of Saint Mary of Coro ( eu, Koruko Andre Mariaren basilika, es, Basílica de Nuestra Señora del Coro) is a baroque Roman Catholic parish church and minor basilica completed in 1774. It is located in the "Parte Vieja" (Old Town) of the city of San Sebastián, Gipuzkoa, Basque Country, Spain. Interior The main nave consists of a large space of divided into three naves, which in turn can be divided into 4 zones having as axis the pillars of the nave. Six pillars and the walls with pillars act as a buttress supporting the vaults. The octagonal pillars reach, up to their capitals, a height of . The central dome is high. At the end of the nave, on the right side, different rooms are used by the parish and other services: daily chapel, sacristy and storage rooms. Exterior The main entrance is located between the two towers and looks as an altarpiece with its tortured figure of Saint Sebastian and the papal symbols that prove the status of minor basilica. The shield ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Lesure
François Lesure (23 May 1923 in Paris – 21 June 2001) was a French librarian and musicologist. Biography François Lesure studied at the Sorbonne, the École nationale des chartes (graduated in 1950), the École pratique des hautes études (graduated in 1948) and the Conservatoire de Paris. In 1950, he became curator in the music department of the Bibliothèque nationale de France, which he directed from 1970 to 1988. Between 1964 and 1977, he was appointed professor of musicology at the Université libre de Bruxelles. He succeeded Solange Corbin to the chair of musicology at the École pratique des Hautes Études in 1973. François Lesure organized major exhibitions at the Bibliothèque nationale and the Opéra de Paris (Mozart in 1956, Debussy in 1962, Berlioz in 1969, ''Deux siècles d'opéra français'' in 1972) and at the Villa Médicis in Rome (''Debussy et le symbolisme'' in 1984). He is mainly remembered as a specialist in 16th-century music, music sociology, mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gernikako Arbola (anthem)
"''Gernikako Arbola'' is the title of a song in ''bertso'' form presented both in Madrid (1853) and by the shrine of Saint Anthony at Urkiola (1854) by the Basque bard José María Iparraguirre (Spanish spelling Iparraguirre), celebrating the Tree of Gernika and the Basque liberties. The song is an unofficial anthem of the Basques, besides the "''Eusko Abendaren Ereserkia'', a largely instrumental version used for official purposes in the Basque Autonomous Community. In 2007, the General Assembly of Biscay declared it the district's official anthem. History The popularity of the song quickly expanded (sung by the bard in Madrid venues) on the heat of the pro-fueros movement in the run-up to their definite suppression (1876) and the political unrest following it. Its echo quickly spread to the French Basque Country, where it took hold spurred by the ''Lore Jokoak'' festivals, the "Floral Games". The song was chosen for the solemn end to the demonstration held at Pamplona in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás Bretón
Tomás Bretón y Hernández (29 December 1850 – 2 December 1923) was a Spanish conductor and composer. Biography Tomás Bretón was born in Salamanca. He completed his musical studies at the School of Fine Arts in his hometown, where he earned his living playing in small provincial orchestras, theaters and churches. At age 16, he moved to Madrid, where he played in orchestras in zarzuela theatres. He also began his studies at the Royal Conservatory under Emilio Arrieta. In 1872, Bretón received the first prize for composition at the Conservatory, together with Ruperto Chapi. After having worked in small theaters for several years, in 1882 he received a grant from the Academy of Fine Arts of San Fernando which enabled him to study in Rome, Milan, Vienna and Paris between 1881 and 1884. There, he found time to work on more ambitious works, such the oratorio ''El Apocalipsis'' and the opera ''Los amantes de Teruel''. The premiere of this last work at the Teatro Real de Madrid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
