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Joseph The Carpenter
''Joseph the Carpenter'' is an oil painting by Georges de La Tour created circa 1642. Horst Woldemar Janson & Anthony F. Janson. ''History of Art: The Western Tradition''. Prentice Hall (2003)p. 608 . The painting depicts a young Jesus with Saint Joseph, his earthly father.Ann Sutherland Harris. ''Seventeenth-Century Art and Architecture''. Laurence King Publishing (2005)p266 . Joseph drills a piece of wood with an auger. The shape of the auger reflects the shape of the Cross and the geometry of the wood arrayed on the floor, set cross-wise to the seated child Christ, is a foreshadowing of the crucifixion. John Rupert Martin. ''Baroque''. Westview Press (1977)p. 126-27 . John Rupert Martin writes that Jesus' patience represents "filial obedience and the acceptance of his destiny as martyr". This painting, created ca. 1642, is one of several tenebrist paintings by La Tour. Others include '' The Education of the Virgin'', the '' Penitent Magdalene'', and '' The Dream of Saint Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges De La Tour
Georges de La Tour (13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight. Personal life Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since 1552. Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian. It has been suggested that Sybille came from a partly noble family. His parents had seven children in all, with Georges being the second-born. La Tour's educational background remains somewhat unclear, but it is assumed that he traveled either to Italy or the Netherlands early in his career. He may possibly have trained under Jacques Bellange in Nancy, the capital of Lorraine, although their styles a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Education Of The Virgin
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Jesus
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Georges De La Tour
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1645 Paintings
Events January–March * January 3 – The Long Parliament adopts the ''Directory for Public Worship'' in England, Wales, Ireland and Scotland, replacing the Book of Common Prayer (1559). Holy Days (other than Sundays) are not to be observed. * January 10 – Archbishop of Canterbury William Laud is executed for treason on Tower Hill, London. * January 14 – English Civil War: Fairfax is appointed Commander-in-Chief. * January 29 – English Civil War: Armistice talks open at Uxbridge. * February 2 – Battle of Inverlochy: The Covenanters are defeated by Montrose. * February 15 – English Civil War: The New Model Army is officially founded. * February 28 – English Civil War: Uxbridge armistice talks fail. * March 4 – English Civil War: Prince Rupert leaves Oxford for Bristol. * March 5 – Thirty Years' War – Battle of Jankau: The armies of Sweden decisively defeat the forces of the Holy Roman Empire, in one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Art
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 in art, 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For Dummies
''For Dummies'' is an extensive series of instructional reference books which are intended to present non-intimidating guides for readers new to the various topics covered. The series has been a worldwide success with editions in numerous languages. The books are an example of a media franchise, consistently sporting a distinctive cover—usually yellow and black with a triangular-headed cartoon figure known as the "Dummies Man", and an informal, blackboard-style logo. Prose is simple and direct; bold icons, such as a piece of string tied around an index finger, are placed in the margin to indicate particularly important passages. Almost all ''Dummies'' books are organized around sections called "parts", which are groups of related chapters. Parts are almost always preceded by a Rich Tennant comic that refers to some part of the subject under discussion, though the comics were discontinued in 2012. Sometimes the same Tennant drawing reappears in another ''Dummies'' book with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benediction
A benediction (Latin: ''bene'', well + ''dicere'', to speak) is a short invocation for divine help, blessing and guidance, usually at the end of worship service. It can also refer to a specific Christian religious service including the exposition of the eucharistic host in the monstrance and the blessing of the people with it. Christianity From the earliest church, Christians adopted ceremonial benedictions into their liturgical worship, particularly at the end of a service. Such benedictions have been regularly practiced both in the Christian East and West. Among the benedictions of the Roman Catholic Church, include thApostolic Benedictionmade by the Pope and his delegates, and th"last blessing"of the dying. The Anglican Church retained the principle of benediction after the Protestant Reformation, and as a result, the benediction or blessing ends most Anglican, as well as Methodist, services of worship. A common form of benediction in Baptist and liturgical Protestant chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dream Of Saint Joseph (de La Tour)
''The Dream of Saint Joseph'' is an oil-on-canvas painting created between 1628 and 1645 by the French Baroque painter Georges de La Tour which is now in the collection of the Musée d'Arts de Nantes. The painting depicts Saint Joseph, the father of Jesus, being Saint Joseph's dreams, visited while dreaming by either an angel with a message or a young girl after falling asleep while reading a book. According to the New Testament he was actually visited four times with various messages and it is not clear in this case which visit is being portrayed. It is most likely to represent the second visit in which Joseph is advised to leave Bethlehem and seek sanctuary for the Holy Family in Egypt. Typical of many of de La Tour's works, a chiaroscuro effect is achieved by lighting the scene with a candle. See also * Saint Joseph's dreams * ''100 Great Paintings'' References 1630s paintings 1640s paintings Paintings by Georges de La Tour Religious paintings Paintings of Saint Jos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magdalene With Two Flames
''Magdalene with Two Flames'' or ''The Penitent Magdalene'' is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour. In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs. The painting depicts Mary Magdalene, a companion of Christ, who exchanged her previous worldly lifestyle for a life of penance and contemplation. She is shown, illuminated by a candle, sitting in a meditative pose in front of a mirror. The light from the candle and its reflection create a strong chiaroscuro effect, with the subject's brightly lit face and breast contrasting with the darkness of the rest of the composition. Both the candle and the human skull she is holding are metaphors for the fragility of life and her discarded jewellery for the meaningless value of worldly possessions and for her atonement. The work is one of several by the artist featuring a candlelit Mary Magdalene. See also * '' Magdalen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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