Joseph Smith (1682-1770)
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Joseph Smith (1682-1770)
Joseph Smith (c. 1682 – Venice, 6 November 1770), often known as Consul Smith, was the British consul at Venice from 1744 to 1760. Dates given in the ''London Gazette'' prior to 1752 are old style, by modern standards, with the year beginning on 1 January, rather than 25 March, this date falls in 1744 He was a patron of artists, most notably Canaletto, a collector and connoisseur, banker to the British community at Venice, and a major draw on the British Grand Tour. His collection of drawings was bought for George III of Great Britain and forms a nucleus of the Royal Collection of drawings in the Print Room at Windsor Castle. Smith the collector Joseph Smith, a man of obscure origins, was educated at Westminster School before travelling to Venice. He took up residence there in 1700 in the import-export trade and merchant banking house of Thomas Williams, the British consul at that time. Smith eventually headed the partnership of Williams and Smith and made a modest fortune. S ...
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Venezia 2009, Palazzo Smith Mangilli Valmarana - Foto Di Paolo Steffan
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historically ...
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Carlo Goldoni
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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Canaletto
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He ...
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Veduta
A ''veduta'' (Italian for "view"; plural ''vedute'') is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of ''vedute'' are referred to as ''vedutisti''. Origins This genre of landscape originated in Flanders, where artists such as Paul Bril painted ''vedute'' as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is Johannes Vermeer's ''View of Delft''. The Ghent architect, draughtsman and engraver Lieven Cruyl (1640–1720) contributed to the development of the ''vedute'' during his residence in Rome in the late 17th century. Cruyl’s drawings reproduce the topographical aspects of the urban landscape. 18th century As the itinerary of the Grand Tour became somewhat standardized, ''vedute'' of familiar scenes like the Roman ...
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Decamerone
''The Decameron'' (; it, label=Italian, Decameron or ''Decamerone'' ), subtitled ''Prince Galehaut'' (Old it, Prencipe Galeotto, links=no ) and sometimes nicknamed ''l'Umana commedia'' ("the Human comedy", as it was Boccaccio that dubbed Dante Alighieri's ''Comedy'' "''Divine''"), is a collection of short stories by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men; they shelter in a secluded villa just outside Florence in order to escape the Black Death, which was afflicting the city. Boccaccio probably conceived of the ''Decameron'' after the epidemic of 1348, and completed it by 1353. The various tales of love in ''The Decameron'' range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic. In addition to its literary value and widespread influence (for example on Chaucer's ''Canterbury Tales' ...
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Boccaccio
Giovanni Boccaccio (, , ; 16 June 1313 – 21 December 1375) was an Italian people, Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanism, Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the 14th century, fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism. His most notable works are ''The Decameron'', a collection of short stories which in the following centuries was a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian style to a model of Italian prose in the 1 ...
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Giovanni Battista Pasquali
Giovanni Battista Pasquali was a leading printer in 18th-century Venice, supported by the British consul Joseph Smith (1682–1770), a patron and collector. Pasquali was a scholar himself, who published his own essays as well as finely printed, unpretentious editions for a scholarly readership.Anne Palms Chalmers, "Venetian Book Design in the Eighteenth Century" ''The Metropolitan Museum of Art Bulletin'', 29.5 (January 1971:226-235) p. 227. He signed the Latin preface to his printed catalogue of Smith's distinguished library, ''Bibliotheca Smithiana, seu Catalogus librorum d. Josephi Smithii'' (Venice: Pasquali, 1755). Pasquali's peers in the revival of fine printing among the presses of Venice were the editor and connoisseur Giovanni Battista Albrizzi and the political writer and publisher Antonio Zatta Antonio Zatta ( fl. 1757 – April 2, 1797) was an Italian cartographer and publisher who was based in Venice. He may have lived from 1722 to 1804. One of his major contributi ...
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Antonio Visentini
View of Piazza San Marco in Venice, by Antonio Visentini (1742). Antonio Visentini (21 November 1688 – 26 June 1782) was an Italian architectural designer, painter and engraver, known for his architectural fantasies and ''capricci'', the author of treatises on perspective and a professor at the Venetian Academy. Life and works Born in Venice, Visentini was a pupil of the widely travelled Baroque painter Giovanni Antonio Pellegrini, who had painted some decors in English country houses at the beginning of the 18th century. Visentini is best known today as the engraver for Canaletto's first great series of Venetian ''vedute'' published under the title ''Urbis Venetiarum Prospectus Celebriores ex Antonii Canal'', organised by British resident Joseph (Consul) Smith (1682–1770). The series was begun around 1728 and by the time it was completed in 1735, thirty-eight etchings and engravings had been printed. On the Grand Canal, Visentini was commissioned to redesign t ...
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Giuseppe Zais
Giuseppe Zais (; March 22, 1709 – October 29, 1784) was an Italian painter of landscapes ('' vedutisti'') who painted mostly in Venice. He was born in Forno di Canale. He was influenced in his vedute by Marco Ricci and later Francesco Zuccarelli, who helped train him. He is best known for frescoes in Villa Pisani in Stra. While he had been a member of the Academy of Painters in Venice from 1774, he died in poverty at Treviso Treviso ( , ; vec, Trevixo) is a city and '' comune'' in the Veneto region of northern Italy. It is the capital of the province of Treviso and the municipality has 84,669 inhabitants (as of September 2017). Some 3,000 live within the Ven .... Sources * {{DEFAULTSORT:Zais, Giuseppe 1709 births 1784 deaths People from Canale d'Agordo 18th-century Italian painters Italian male painters Italian vedutisti Painters from Venice 18th-century Italian male artists ...
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Francesco Zuccarelli
Giacomo Francesco Zuccarelli (commonly known as Francesco Zuccarelli, ; 15 August 1702 – 30 December 1788) RA, was an Italian artist of the late Baroque or Rococo period. He is considered to be the most important landscape painter to have emerged from his adopted city of Venice during the mid-eighteenth century, and his Arcadian views became popular throughout Europe and especially in England where he resided for two extended periods. His patronage extended to the nobility, and he often collaborated with other artists such as Antonio Visentini and Bernardo Bellotto. In 1768, Zuccarelli became a founding member of the Royal Academy of Arts, and upon his final return to Italy, he was elected president of the Venetian Academy. In addition to his rural landscapes which frequently incorporated religious and classical themes, Zuccarelli created devotional pieces and on occasion did portraiture. Beside paintings, his varied output included etchings, drawings, and designs for t ...
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