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Joseph Messner
Joseph Messner (27 February 1893 – 23 February 1969) was an Austrian musician, composer and priest. Life Joseph Messner, brother of the social ethicist , was born in Schwaz/Tyrol as the son of a miner (in the ) and a tobacco worker. He received music lessons in singing, violin, piano and organ at an early age. At the age of twelve he moved to Salzburg in 1905 and from then on received his musical education at the Kapellhaus, 20, then at the '' Mozarteum''. After graduating from the he studied theology and was ordained a priest in 1916. Later he trained in Munich under Friedrich Klose (composition) and continued studying the organ with Josef Gabriel Rheinberger's student Josef Becht. In the 1920s, Messner enjoyed great success as a composer, especially in Germany. "Joseph Messner Organ Festivals" were held in several cities, and in Duisburg the "Joseph Messner Days" were held in 1924, when his Sinfonietta for piano was premiered. Archbishop appointed him as second cathedr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwaz
Schwaz () is a city in the Austrian state of Tyrol. It is the administrative center of the Schwaz district. Schwaz is located in the lower Inn valley. Location Schwaz lies in the middle of the Lower Inn Valley at the foot of the Kellerjoch and Eiblschrofen mountains. It is located approximately east of Innsbruck. The city covers an area of . Neighbouring communities include: Buch bei Jenbach, Fügenberg, Gallzein, Pill, Stans, and Vomp. History The Counts of Tyrol guarded Schwaz from nearby Burg Freundsberg. At the town's height during the 15th and 16th centuries, it was an important silver mining center, providing mineral wealth for both the Fugger banking family and, through them, for the Austrian emperors. During this period, its population of about 20,000 inhabitants made it the second largest city in the Austrian Empire, after Vienna.Chizzali. Tyrol: Impressions of Tyrol. (Innsbruck: Alpina Printers and Publishers), p. 28 Schwaz received its city rights in 1898 by Emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1893 Births
Events January–March * January 2 – Webb C. Ball introduces railroad chronometers, which become the general railroad timepiece standards in North America. * Mark Twain started writing Puddn'head Wilson. * January 6 – The Washington National Cathedral is chartered by Congress; the charter is signed by President Benjamin Harrison. * January 13 ** The Independent Labour Party of the United Kingdom has its first meeting. ** U.S. Marines from the ''USS Boston'' land in Honolulu, Hawaii, to prevent the queen from abrogating the Bayonet Constitution. * January 15 – The ''Telefon Hírmondó'' service starts with around 60 subscribers, in Budapest. * January 17 – Overthrow of the Kingdom of Hawaii: Lorrin A. Thurston and the Citizen's Committee of Public Safety in Hawaii, with the intervention of the United States Marine Corps, overthrow the government of Queen Liliuokalani. * January 21 ** The Cherry Sisters first perform in Marion, Iowa. ** The T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Composers
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law ** Austrian Service Abroad ** Music of Austria ** Austrian School of Economics * Economists of the Austrian school of economic thought * The Austrian Attack variation of the Pirc Defence chess opening. See also * * * Austria (other) * Australian (other) * L'Autrichienne (other) is the feminine form of the French word , meaning "The Austrian". It may refer to: *A derogatory nickname for Queen Marie Antoinette of France *L'Autrichienne (film), ''L'Autrichienne'' (film), a 1990 French film on Marie Antoinette wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ave Verum Corpus (Mozart)
''Ave verum corpus'' (Hail, true body), ( K. 618), is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is dated 17 June 1791. It is scored for SATB choir, string instruments and organ. History Mozart composed the motet in 1791 in the middle of writing his opera ''Die Zauberflöte''. He wrote it while visiting his wife Constanze, who was pregnant with their sixth child and staying in the spa Baden bei Wien. Mozart set the 14th century Eucharistic hymn in Latin "Ave verum corpus". He wrote the motet for Anton Stoll, a friend of his ."Ave Verum Corpus, K 618" '' |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jedermann (play)
(''Everyman. The play of the rich man's death'') is a play by the Austrian playwright Hugo von Hofmannsthal. It is based on several medieval mystery plays, including the late 15th-century English morality play ''Everyman''. It was first performed on 1 December 1911 in Berlin, directed by Max Reinhardt at the Circus Schumann. Since 1920, it has been performed regularly at the Salzburg Festival. Plot God sends Death (Tod) to summon the rich bon viveur Jedermann who is then abandoned by his friends, his wealth and his lover (Buhlschaft). History The play was conceived by Hugo von Hofmannsthal in the tradition of medieval morality plays, based on ''Elckerlijc'' (ca. 1470) by Peter van Diest, the late 15th-century English ''Everyman'', ''Hecastus'' (1539) by Macropedius, and ''Hekastus'' (1549) by Hans Sachs. It was first performed on 1 December 1911 in Berlin under the direction of Max Reinhardt at the Circus Schumann (which later became the Großes Schauspielhaus). In 1920, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Des Knaben Wunderhorn
''Des Knaben Wunderhorn: Alte deutsche Lieder'' (German language, German; "The boy's magic horn: old German songs") is a collection of German folk poems and songs edited by Ludwig Achim von Arnim, Achim von Arnim and Clemens Brentano, and published in Heidelberg, Grand Duchy of Baden, Baden. The book was published in three editions: the first in 1805 followed by two more volumes in 1808. The collection of love, soldiers, wandering, and children's songs was an important source of idealized folklore in the Romantic nationalism of the 19th century. ''Des Knaben Wunderhorn'' became widely popular across the German-speaking world; Johann Wolfgang von Goethe, one of the most influential writers of the time, declared that ''Des Knaben Wunderhorn'' "has its place in every household". Cultural-historical background Arnim and Brentano, like other early 19th-century song collectors, such as the Englishman Thomas Percy (Bishop of Dromore), Thomas Percy, freely modified the poems in their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armin Kircher
Armin Kircher (1966 – 12 October 2015) was an Austrian composer and conductor. Life Born in Kufstein, Austria, Kircher grew up in Breitenbach am Inn and completed his matura in 1985 at the College Borrpmaeum in Salzburg. He led the church music department of the Archdiocese of Salzburg The Roman Catholic Archdiocese of Salzburg ( la, Archidioecesis Salisburgensis) is an archdiocese of the Latin Rite of the Roman Catholic Church in Austria. The archdiocese is one of two Austrian archdioceses, serving alongside the Archdiocese ... and was, from 1992 to 2015, the organizational manager of the Austrian working week for church music. He was also a conductor at the Collegiate Church of St. Peter in Salzburg and organist at the oldest preserved organ in the city of Salzburg in the Kajetanerkirche. He was the editor of several editions of ancient and modern choral music. He penned numerous refrains in praise of God in 2013.http://www.stift-stpeter.at/interactivist/frontend/down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
