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Joseph Marie Terray
Abbot Joseph Marie Terray (1715 – 18 February 1778) was a Controller-General of Finances during the reign of Louis XV of France, an agent of fiscal reform. Biography Terray, tonsured but not a priest, was appointed in 1736 an ecclesiastical counsellor in the Parlement of Paris, where he specialized in financial matters. In 1764 he was made abbot ''in commendam'' of the rich abbey of Molesme. The support of his uncle, physician in ordinary to the duchess of Orléans, mother of the Regent, eventually rendered him rich, enabling him to set aside his former circumspect style of life and openly seat his mistresses at his table. His genuine capacity attracted the attention of Louis XV's chancellor, René Nicolas de Maupeou, who made him controller general in December 1769. His first big venture was helping Mme du Barry's partisans to bring down the minister of foreign affairs, Étienne François, duc de Choiseul the very next year by demonstrating that the government could not affor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Marie Terray
Abbot Joseph Marie Terray (1715 – 18 February 1778) was a Controller-General of Finances during the reign of Louis XV of France, an agent of fiscal reform. Biography Terray, tonsured but not a priest, was appointed in 1736 an ecclesiastical counsellor in the Parlement of Paris, where he specialized in financial matters. In 1764 he was made abbot ''in commendam'' of the rich abbey of Molesme. The support of his uncle, physician in ordinary to the duchess of Orléans, mother of the Regent, eventually rendered him rich, enabling him to set aside his former circumspect style of life and openly seat his mistresses at his table. His genuine capacity attracted the attention of Louis XV's chancellor, René Nicolas de Maupeou, who made him controller general in December 1769. His first big venture was helping Mme du Barry's partisans to bring down the minister of foreign affairs, Étienne François, duc de Choiseul the very next year by demonstrating that the government could not affor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine-Mathieu Le Carpentier
Antoine Matthieu Le Carpentier (15 July 1709 - 1773) was a French architect. Biography Antoine Matthieu Le Carpentier was born in Rouen, the son of a carpenter. He became a member of the Académie royale d'architecture in 1756. His students included the brothers Joseph-Abel and Guillaume-Martin Couture, Jean-Baptiste Louis Élisabeth Le Boursier and Jean-Benoît-Vincent Barré. He died in Paris in 1773. Works His works include the rebuilding of the Château de la Ferté-Vidame La Ferté-Vidame () is a commune in the Eure-et-Loir department in northern France. History The title of vidame of Chartres was, under the Ancien Régime, attached to the lands of aFerté-Arnault. Among the famous men to bear the title ''Vidam ... (1771). {{DEFAULTSORT:Le Carpentier 1709 births 1773 deaths Architects from Rouen 18th-century French architects Members of the Académie royale d'architecture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Le Gros The Younger
Pierre Le Gros (12 April 1666 Paris – 3 May 1719 Rome) was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.Gerhard Bissell, ''Pierre le Gros, 1666–1719'', Reading, Berkshire 1997. He created monumental works of sculpture for the Jesuits and the Dominicans and found himself centre stage of the two most prestigious artistic campaigns of his era, the ''Altar of Saint Ignatius of Loyola'' in the Gesù and the cycle of the twelve huge ''Apostle statues'' in the nave of the Lateran basilica. Le Gros' handling of the marble attracted powerful patrons like the papal treasurer Lorenzo Corsini (much later to become Pope Clement XII) and Cardinal de Bouillon, as Dean of the Sacred College the highest ranking cardinal. He also played a prominent role in more intimate settings like the chapel of the Monte di Pietà and the Cappella Antamori in San Girolamo della Carità, both little treasures of the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toledo Museum Of Art
The Toledo Museum of Art is an internationally known art museum located in the Old West End neighborhood of Toledo, Ohio. It houses a collection of more than 30,000 objects. With 45 galleries, it covers 280,000 square feet and is currently in the midst of a massive multiyear expansion plan to its 40-acre campus. The museum was founded by Toledo glassmaker Edward Drummond Libbey in 1901, and moved to its current location, a Greek revival building designed by Edward B. Green and Harry W. Wachter, in 1912. The main building was expanded twice, in the 1920s and 1930s. Other buildings were added in the 1990s and 2006. The museum's main building consists of 4 1/2 acres of floor space on two levels. Features include fifteen classroom studios, a 1,750-seat Peristyle concert hall, a 176-seat lecture hall, a café and gift shop. The museum averages some 380,000 visitors per year and, in 2010, was voted America's favorite museum by the readers of the visual arts website Modern Art Notes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galante
Galante is a surname. Notable people with the surname include: * Galante (pedigree), a family of Jewish scholars which flourished in the Middle Ages ** Abraham ben Mordecai Galante (died 1560), kabalist and author ** Mordecai Galante (died 1781), rabbi of Damascus ** Moses Galante (died 1806), rabbi of Damascus ** Moses Galante (the Elder) (or Moshe ben Mordechai Galante; died 1608), rabbi, disciple of Joseph Caro ** Moses Galante (the Younger) (or Moshe ben Yonatan Galante; 1621-1689), rabbi ** Mordecai Galante (died 1781), Chief rabbi of Damascus and author of Gedullat Mordekai ** Moses Galante (died 1806), chief rabbi of Damascus * Andrea Galante (born 1982), Argentine actress * Anyela Galante, Anyela Galante Salerno (born 1991), Venezuelan model and beauty pageant titleholder * Carmine Galante (1910-1979), a member of the Bonanno crime family * Cecilia Galante, Cecilia (Plummer) Galante, American author * Fabio Galante (born 1973), Italian footballer * Forrest Galante (born 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Caffiéri
Jean-Jacques Caffieri (29 April 1725 – 22 June 1792) was a French sculptor. He was appointed ''sculpteur du Roi'' to Louis XV and later afforded lodgings in the Galeries du Louvre. He designed the fine ''rampe d'escalier'' which still adorns the Palais Royal. He is better known for his portrait busts, in terracotta or marble: his bust of Madame du Barry is at the Hermitage Museum, St Petersburg. He made a name with his busts of Pierre Corneille and Jean Racine for the foyer of the Comédie Française. Life He was born in Paris and came from a family of sculptors from Italy, who had moved to France during cardinal Mazarin's regency. His father Jacques Caffieri and his elder brother Philippe Caffieri were also sculptors. Jean-Jacques remained unmarried and had no children. A pensionary at the Villa Medici in Rome from 1749 to 1753, as well as a student of François Lemoyne, he joined the Académie Royale de Peinture et de Sculpture in France in 1757. He produced bust or portraits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caius Furius Cressinus
Gaius Furius Chresimus, or Cresimus, or Cressinus, was a 2nd-century BC Greek farmer and freedman in the Roman Republic mentioned in a fragment of the lost history of Lucius Calpurnius Piso Frugi, preserved in Pliny's ''Natural History''. Piso tells that Furius Chresimus was acquitted of accusations of witchcraft during the aedileship of Spurius Postumius Albinus, dated 191 BC. The trial took place in a period of reaction against the growing influence of Hellenism at Rome, notably led by Albinus. Both Piso and Pliny told the story of the trial for its moralizing aspect. Chresimus was the subject of number of history paintings in France at the end of the 18th century, when Neoclassicism became fashionable, and agricultural reform had become the subject of much political debate. Life The only mention of Chresimus in ancient sources comes from a fragment of Lucius Calpurnius Piso Frugi, who was consul in 133 BC, and notably an enemy of Tiberius Gracchus. Piso probably wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enlightened Despotism
Enlightened absolutism (also called enlightened despotism) refers to the conduct and policies of European absolute monarchs during the 18th and early 19th centuries who were influenced by the ideas of the Enlightenment, espousing them to enhance their power. The concept originated during the Enlightenment period in the 18th and into the early 19th centuries. An enlightened absolutist is a non- democratic or authoritarian leader who exercises their political power based upon the principles of the Enlightenment. Enlightened monarchs distinguished themselves from ordinary rulers by claiming to rule for their subjects' well-being. John Stuart Mill stated that despotism is a legitimate mode of government in dealing with barbarians, provided the end be their improvement. Enlightened absolutists' beliefs about royal power were typically similar to those of regular despots, both believing that they were destined to rule. Enlightened rulers may have played a part in the abolition of ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas-Guy Brenet
Nicolas-Guy Brenet (1 July 1728 — 21 February 1792) was a French History painting, history painter. Brenet was born and died in Paris. He studied in the atelier of François Boucher, but abandoned his master's rococo manner in the 1760s, to paint in a conscious revival of the academic classicism of Nicolas Poussin.The monograph is Marc Sandoz, ''Nicolas-Guy Brenet, 1728-1792'', Paris : Éditart-Quartre chemins, 1979. His cycle of religious paintings for Montmerle Charterhouse near Dijon lies securely in the mainstream of French religious painting. His enormous ''Battle of the Greeks and Trojans over the Body of Patroclus'' is an example of the new direction of official art in France. In his unusual and precocious choice of medieval subjects, as they were commissioned by the official Bâtiments du roi, his work foreshadowed the ''style troubadour'' of the 19th century. His son, a medallist, was (1773–1846). Notes 18th-century French painters French male painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude-Joseph Vernet
Claude-Joseph Vernet (14 August 17143 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Life and work Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the whales at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studios of whale painter Bernardino Fergioni and marine landscapist Adrien Manglard. Manglard and Fergioni initiated Vernet into seascape painting. In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernet's paintings. Slowly Vernet attracted notice in the artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
