Josef Goller
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Josef Goller
Josef Goller (25 January 1868 in Dachau – 29 May 1947 in Obermenzing) was a German designer, most notably of stained glass. Life Goller apprenticed at Franz Mayer & Co. and attended the School of Applied Arts in Munich. After a first employment in Zittau, in 1890 he moved to Dresden, where he joined the well-known stained glass company of Bruno Urban; he later became Urban's partner. From 1906 Goller taught at the School of Applied Arts in Dresden, now the Dresden Academy of Fine Arts, from about 1909 as a professor. Among his students were Otto Griebel (stained glass) and Friedrich Kurt Fiedler (graphics). In 1928 Goller returned to Munich. Artwork He created stained glass for town halls in Nuremberg, Dresden, and Chemnitz and for many churches and schools in Saxony and the synagogue of Görlitz, but also for the windows of the neo-Baroque Kaiserpalast, Dresden's most impressive private building at that time, the Dresden Zoo and the Leipzig Hauptbahnhof. Moreover, Goller ...
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Dresden Zoo
Dresden Zoo or Zoo Dresden, is a zoo situated in the city of Dresden, Germany. It was opened in 1861, making it Germany's fourth oldest zoo. It was originally designed by Peter Joseph Lenné. The zoo is located on the southern edge of the Großer Garten (Great Garden), a large city centre park. The zoo houses about 3000 animals of almost 400 species, especially Asian animals. It is a member of the World Association of Zoos and Aquariums (WAZA) and the European Association of Zoos and Aquaria (EAZA). The zoo is served on its southern side by tram lines 9 and 13 of the Dresdner Verkehrsbetriebe, the local municipal transport company. On its northern side is the Zoo station of the Dresdner Parkeisenbahn, a minimum gauge railway through the Großer Garten that is largely operated by children. In Literature At the end of the short story "Tobermory" (1909) by Saki Hector Hugh Munro (18 December 1870 – 14 November 1916), better known by the pen name Saki and also frequently ...
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University Of Marburg
The Philipps University of Marburg (german: Philipps-Universität Marburg) was founded in 1527 by Philip I, Landgrave of Hesse, which makes it one of Germany's oldest universities and the oldest still operating Protestant university in the world. It is now a public university of the state of Hesse, without religious affiliation. The University of Marburg has about 23,500 students and 7,500 employees and is located in Marburg, a town of 76,000 inhabitants, with university buildings dotted in or around the town centre. About 14 per cent of the students are international, the highest percentage in Hesse. It offers an International summer university programme and offers student exchanges through the Erasmus programme. History In 1609, the University of Marburg established the world's first professorship in chemistry. In 2012 it opened the first German interactive chemistry museum, called '. Its experimental course programme is aimed at encouraging young people to pursue careers in ...
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Johann Vincenz Cissarz
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name ''Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym *Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for wa ...
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Peter Behrens
Peter Behrens (14 April 1868 – 27 February 1940) was a leading German architect, graphic and industrial designer, best known for his early pioneering AEG Turbine Hall in Berlin in 1909. He had a long career, designing objects, typefaces, and important buildings in a range of styles from the 1900s to the 1930s. He was a foundation member of the German Werkbund in 1907, when he also began designing for AEG, pioneered corporate design,graphic design, producing typefaces, objects, and buildings for the company. In the next few years, he became a successful architect, a leader of the rationalist / classical German Reform Movement of the 1910s. After WW1 he turned to Brick Expressionism, designing the remarkable Hoechst Administration Building outside Frankfurt, and from the mid 1920s increasingly to New Objectivity. He was also an educator, heading the architecture school at Academy of Fine Arts Vienna from 1922 to 1936. As a well known architect he produced design across Germany, ...
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Deutscher Werkbund
The Deutscher Werkbund (English: "German Association of Craftsmen"; ) is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto ''Vom Sofakissen zum Städtebau'' (from sofa cushions to city-building) indicates its range of interest. History The Deutscher Werkbund emerged when the architect Joseph Maria Olbrich left Vienna for Darmstadt, Germany, in 1899, to form an ar ...
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Form Follows Function
Form follows function is a principle of design associated with late 19th and early 20th century architecture and industrial design in general, which states that the shape of a building or object should primarily relate to its intended function or purpose. Origins of the phrase The architect Louis Sullivan coined the maxim, which resumes Viollet-le-Duc's théories : ''a rationally designed structure may not necessarily be beautiful but no building can be beautiful that does not have a rationally designed structure''. The maxim is often incorrectly attributed to the sculptor Horatio Greenough (18051852), whose thinking mostly predates the later functionalist approach to architecture. Greenough's writings were for a long time largely forgotten, and were rediscovered only in the 1930s. In 1947, a selection of his essays was published as ''Form and Function: Remarks on Art by Horatio Greenough''. Sullivan was Greenough's much younger compatriot and admired rationalist thinkers s ...
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En Plein Air
''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were varian ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Gotthardt Kuehl
Gotthardt Kuehl (28 November 1850 – 9 January 1915) was a German painter and a representative of early German Impressionism. He gained wide international recognition during his lifetime. Life and work His father, Simon Kühl, was the Sexton and organist at . He studied at the Dresden Academy of Fine Arts (1867) and the Academy of Fine Arts, Munich, (1870). From 1878 to 1889, he lived in Paris. He also made study trips to Italy and the Netherlands. In 1888, he married Henriette Simonson-Castelli (1860–1921), daughter of the portrait painter, . At the turn of the century, he and Carl Bantzer, a friend from Paris, were the driving forces behind the establishment of the (artists' association). Together, they were also influential in introducing Impressionism there. In 1895, he was named a Professor at the Academy. The following year, he was awarded a gold medal at the Große Berliner Kunstausstellung. In 1902, he was one of the founding members of another artists' assoc ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Semperoper
The Semperoper () is the opera house of the Sächsische Staatsoper Dresden (Saxon State Opera) and the concert hall of the Staatskapelle Dresden (Saxon State Orchestra). It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany. The opera house was originally built by the architect Gottfried Semper in 1841. After a devastating fire in 1869, the opera house was rebuilt, partly again by Semper, and completed in 1878. The opera house has a long history of premieres, including major works by Richard Wagner and Richard Strauss. History The first opera house at the location of today's Semperoper was built by the architect Gottfried Semper. It opened on 13 April 1841 with an opera by Carl Maria von Weber. The building style itself is debated among many, as it has features that appear in three styles: early Renaissance and Baroque, with Corinthian style pillars typical of Greek classical r ...
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